From Allen Ginsberg's 'angel-headed hipsters' to angelic outlaws in
Essex Hemphill's Conditions, angelic imagery is pervasive in queer
American art and culture. This book examines how the period after
1945 expanded a unique mixture of sacred and profane angelic
imagery in American literature and culture to fashion queer
characters, primarily gay men, as embodiments of 'bad beatitudes'.
Deutsch explores how authors across diverse ethnic and religious
backgrounds, including John Rechy, Richard Bruce Nugent, Allen
Ginsberg, and Rabih Alameddine, sought to find the sacred in the
profane and the profane in the sacred. Exploring how these writers
used the trope of angelic outlaws to celebrate men who rebelled
wilfully and nobly against religious, medical, legal and social
repression in American society, this book sheds new light on
dissent and queer identities in postmodern American literature.
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