To Detective Billy Harney, the newest member of Chicago PD’s elite strike force, getting shot in the head, stalked by a state’s attorney, and accused of murder by his fellow cops is all part of breaking a case. So, when a drive-by shooting on the Chicago’s west side turns political, he leads the way to a quick solve. But the three known victims are hardly the only ones.

As the easy answers prove to be the wrong ones, Harney’s quest to expose the evil that’s rotting the city from the inside out takes him to the one place he vowed never to return: his own troubled past.

FIVE VICTIMS. ONE KILLER.

When five teenage girls are abducted, Chicago PD Detective Billy Harney leads the investigation to find them.

Harney and his partner, Carla, follow a lead to a remote house, only to find themselves caught in a deadly trap. A huge explosion rips through the building, killing Carla and allowing the kidnapper to escape.

With the loss of his partner fuelling him, Harney strengthens his resolve to find her killer - and to make sure the body count ends there.

No husbands allowed...

Only minutes after Abbie Elliot and her three best friends step off of a private helicopter, they enter the most luxurious, sumptuous, sensually pampering hotel they have ever been to. Their lavish presidential suite overlooks Monte Carlo, and they surrender: to the sun and pool, to the sashimi and sake, to the Bruno Paillard champagne. For four days they're free to live someone else's life. As the weekend moves into pulsating discos, high-stakes casinos, and beyond, Abbie is transported to the greatest pleasure and release she has ever known.

In the morning's harsh light, Abbie awakens on a yacht, surrounded by police. Something awful has happened--something impossible, unthinkable. Abbie, Winnie, Serena, and Bryah are arrested and accused of the foulest crime imaginable. And now the vacation of a lifetime becomes the fight of a lifetime--for survival.

GUILTY WIVES is the ultimate indulgence, the kind of nonstop joy-ride of excess, friendship, betrayal, and danger that only James Patterson can create.

How can you prove your innocence when you can't remember the crime?

Being a cop runs in Billy Harney's family. The son of Chicago's Chief of Detectives whose twin sister, Patti, also followed in their father's footsteps, Billy would give up everything for the job - including his life. After a brutal shooting, Billy is left for dead alongside his tempestuous former partner and an ambitious assistant district attorney. But somehow Billy survives - and is charged with double murder. Unfortunately he remembers nothing about the shooting.

Retracing his steps to find proof of his innocence, he discovers the existence of a little black book that he suspects contains the truth that will either set him free, or confirm his worst fears...

With an Introduction and Notes by David Ellis, University of Kent at Canterbury. Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.

In 1816, following the scandalous collapse of his marriage, Lord Byron left England forever. His first destination was the Villa Diodati by Lake Geneva where he stayed together with Percy Bysshe Shelley, Mary Godwin, Claire Clairmont and John Polidori. Byron in Geneva focuses sharply on the poet's life in the summer of that year, a famous time for meteorologists (for whom 1816 is the year without a summer), but also that crucial moment in the development of his writing when, urged on by Shelley, Byron tried to transform himself into a Romantic poet of the Wordsworthian variety. The book gives a vivid impression of what Byron thought and felt in these few months after the breakdown of his marriage, but also explores the different aspects of his nature that emerge in contact with a remarkable cast of supporting characters, which also included Madame de Stael, who presided over a famous salon in Coppet, across the lake from Geneva, and Matthew Lewis, author of the splendidly erotic Gothic' best-seller, The Monk. David Ellis sets out to challenge recent damning studies of Byron and through his meticulous exploration of the private and public life of the poet at this pivotal moment, he reasserts the value of Byron's wit, warm-heartedness, and hatred of cant."

In the second half of the last century, the teaching of English literature was very much influenced and, in some places, entirely dominated by the ideas of F. R. Leavis. What was it like to be taught by this iconic figure? How and why did one become a Leavisite? In this unique book, part memoir, part study of Leavis, David Ellis takes himself as representative of that pool of lower middle class grammar school pupils from which Leavisites were largely recruited, and explores the beliefs of both the Leavises, their lasting impact on him and why ultimately they were doomed to failure. At the heart of this book are questions about what English should and can be that are by no means finally settled.

Notes and Introduction by David Ellis, University of Kent at Canterbury. With its four-letter words and its explicit descriptions of sexual intercourse, Lady Chatterley's Lover is the novel with which D.H. Lawrence is most often associated. First published privately in Florence in 1928, it only became a world-wide best-seller after Penguin Books had successfully resisted an attempt by the British Director of Public Prosecutions to prevent them offering an unexpurgated edition. The famous 'Lady Chatterley trial' heralded the sexual revolution of the coming decades and signalled the defeat of Establishment prudery. Yet Lawrence himself was hardly a liberationist and the conservativism of many aspects of his novel would later lay it open to attacks from the political avant-garde and from feminists. The story of how the wife of Sir Clifford Chatterley responds when her husband returns from the war paralysed from the waist down, and of the tender love which then develops between her and her husband's gamekeeper, is a complex one open to a variety of conflicting interpretations. This edition of the novel offers an occasion for a new generation of readers to discover what all the fuss was about; to appraise Lawrence's bitter indictment of modern industrial society, and to ask themselves what lessons there might be for the 21st century in his intense exploration of the complicated relations between love and sex.

Originally published in 1998, the final volume of the Cambridge Biography of D. H. Lawrence chronicles his progress from leaving Europe in 1922 to his death in Venice in 1930. Based on much previously unfamiliar material, it describes his travels in Ceylon, Australia, the USA and Mexico in an increasingly desperate search for an ideal community. With his return to Europe in 1925, there is a detailed account of his rediscovery of painting, his battle against censorship, and the vitality with which he resisted the debilitating effects of tuberculosis. Kangaroo, The Plumed Serpent and Lady Chatterley's Lover are usually seen as the literary landmarks of these years; but this was the period in which Lawrence also wrote remarkable novellas, essays, criticism, short stories and poems. He is revealed here as a man both more complex and more humorous than is usually allowed, and exemplary in his resolute grappling with the central problems of his age.

The passages in Wordsworth's Prelude known as the 'spots of time' have always been regarded as important and impressive but have seldom been satisfactorily explained. Whilst there is general agreement about how well they are written, there is none at all about what they might mean. David Ellis sets out to resolve this paradox and, since the passages which concern him deal with very private moments in Wordsworth's life and have an interest which is largely psychological, he considers how far a knowledge of Freud might be relevant to their understanding. His attempt to clarify what is at once the most intriguing and baffling aspect of Wordsworth's great autobiographical poem leads Ellis to make challenging suggestions about how the whole work should be read. This is a book for the student and general reader of Wordsworth as well as for specialists. It should also appeal to those with an interest in the nature of autobiography or the use (and the misuse) of psych-analytic concepts in literary interpretation.

A lightning-paced stand-alone thriller from bestselling author James Patterson.

No. 7 Ocean Drive is a multimillion-dollar beachfront house in the Hamptons, but its beautiful exterior hides a horrific past. This house was the setting for a series of depraved killings that have never been solved. Neglected, empty and rumoured to be cursed, it's known as the Murder House, and locals keep their distance.

Detective Jenna Murphy has moved to the area to escape her troubled past and rehabilitate a career on the rocks. But when a Hollywood power broker and his mistress are found dead in the abandoned Murder House, Jenna becomes involved in a case that at first seems open and shut, but reveals more secrets than she could possibly imagine.

As more bodies surface and Jenna is drawn deeper into the dark history of No. 7, she must risk her own life to expose the truth - before the Murder House claims another victim.

A fresh, concise account of the Romantic poet Lord Byron's flamboyant life and work. In this book, David Ellis traces Lord Byron's life from rented lodgings in Aberdeen and the crumbling splendors of Newstead Abbey to his final grand tour of Asia. Describing his exile from England as well as his subsequent travels in Italy and Greece, Ellis shows just how completely Byron's experiences colored both his serious and comic writings, such as Childe Harold's Pilgrimage and The Corsair. This is a fresh, concise, and clear-eyed account of the flamboyant poet's life and work.

Everyone thinks Emmy Dockery is crazy. Obsessed with finding the link between hundreds of unsolved cases, Emmy has taken leave from her job as an FBI researcher. Now all she has are the newspaper clippings that wallpaper her bedroom, and her recurring nightmares of an all-consuming fire.
Not even Emmy's ex-boyfriend, field agent Harrison "Books" Bookman, will believe her that hundreds of kidnappings, rapes, and murders are all connected. That is, until Emmy finds a piece of evidence he can't afford to ignore. More murders are reported by the day--and they're all inexplicable. No motives, no murder weapons, no suspects. Could one person really be responsible for these unthinkable crimes?
INVISIBLE is James Patterson's scariest, most chilling stand-alone thriller yet.

With an Introduction and Notes by David Ellis, University of Kent at Canterbury. With Illustrations by R.Seymour, R.W. Buss and Hablot K. Browne (Phiz). The Pickwick Papers is Dickens' first novel and widely regarded as one of the major classics of comic writing in English. Originally serialised in monthly instalments, it quickly became a huge popular success with sales reaching 40,000 by the final part. In the century and a half since its first appearance, the characters of Mr Pickwick, Sam Weller and the whole of the Pickwickian crew have entered the consciousness of all who love English literature in general, and the works of Dickens in particular.

When the SS Empire Windrush berthed at Tilbury docks in 1948 with 492 ex-servicemen from the Caribbean, it marked the beginning of the post-war migrations to Britain that would form part of modern, multi-cultural Britain. A significant role in this social transformation would be played by the literary and non-literary output of writers from the Caribbean. These writers in exile were responsible not just for the establishment of the West Indian novel, but, by virtue of their location in the Mother Country, were also the pioneers of black writing in Britain. Over the next fifty years, this writing would come to represent an important body of work intimately aligned to the evolving and contentious notions of 'home' as economic migration became a permanent presence. In this book, David Ellis provides in-depth analyses of six key figures whose writing charts the establishment of black Britain. For Sam Selvon, George Lamming, and E. R. Braithwaite, writing home represents a literature of reappraisal as the myths of empire -- the gold-paved streets of London -- conflict with the harsh realities of being designated an immigrant. The unresolved consequences of this reappraisal are made evident in the works of Andrew Salkey, Wilson Harris, and Linton Kwesi Johnson where radicalism in both political and literary terms can be read as a response to the rejection of the black communities by an increasingly divided Britain in the 1970s. Finally, the novels of Caryl Phillips, Joan Riley, and David Dabydeen mark an increasingly reflective literature as the notion of home shifts more explicitly from the Caribbean to Britain itself. Containing both contextual and biographical information throughout, "Writing Home" represents a literary and social history of the emergence of black Britain in the second half of the twentieth century.

James Patterson's scariest, sexiest stand-alone thriller since The Quickie.
Ben isn't like most people. Unable to control his racing thoughts, he's a man consumed by his obsessions: movies, motorcycles, presidential trivia-and Diana Hotchkiss, a beautiful woman Ben knows he can never have.
When Diana is found dead outside her apartment, Ben's infatuation drives him on a hunt to find out what happened to the love of his life.
Ben soon discovers that the woman he pined for was hiding a shocking double life. And now someone is out to stop Ben from uncovering the truth about Diana's illicit affairs.
In his most heart-pumping thriller yet, James Patterson plunges us into the depths of a mind tortured by paranoia and obsession, on an action-packed chase through a world of danger and deceit.

This is the first book devoted entirely to Lawrence's nonfictional writings. It focuses on a selection of representative texts, each of which is placed in an appropriate literary or historical context. These include the 'Study of Thomas Hardy', the two books about the Unconscious, the travel-writing - primarily Twilight in Italy and Sea and Sardinia - the largely autobiographical 'Introduction to Memoirs of the Foreign Legion by M. M' and the late 'thoughts in verse' called Pansies. David Ellis and Howard Mills challenge the automatic relegation to secondary status suffered by these works in the past and suggest a radical reassessment of Lawrence's literary profile of how his writings relate to one another and of where his greatest power and originality lie.