When the SS Empire Windrush berthed at Tilbury docks in 1948
with 492 ex-servicemen from the Caribbean, it marked the beginning
of the post-war migrations to Britain that would form part of
modern, multi-cultural Britain. A significant role in this social
transformation would be played by the literary and non-literary
output of writers from the Caribbean. These writers in exile were
responsible not just for the establishment of the West Indian
novel, but, by virtue of their location in the Mother Country, were
also the pioneers of black writing in Britain. Over the next fifty
years, this writing would come to represent an important body of
work intimately aligned to the evolving and contentious notions of
'home' as economic migration became a permanent presence. In this
book, David Ellis provides in-depth analyses of six key figures
whose writing charts the establishment of black Britain. For Sam
Selvon, George Lamming, and E. R. Braithwaite, writing home
represents a literature of reappraisal as the myths of empire --
the gold-paved streets of London -- conflict with the harsh
realities of being designated an immigrant. The unresolved
consequences of this reappraisal are made evident in the works of
Andrew Salkey, Wilson Harris, and Linton Kwesi Johnson where
radicalism in both political and literary terms can be read as a
response to the rejection of the black communities by an
increasingly divided Britain in the 1970s. Finally, the novels of
Caryl Phillips, Joan Riley, and David Dabydeen mark an increasingly
reflective literature as the notion of home shifts more explicitly
from the Caribbean to Britain itself. Containing both contextual
and biographical information throughout, "Writing Home" represents
a literary and social history of the emergence of black Britain in
the second half of the twentieth century.
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