Since his first novel in 1992, Michael Connelly has become one of America's most popular and critically acclaimed crime writers. He is best known as the author of a long-running series featuring LAPD homicide detective Harry Bosch, a compelling figure in contemporary crime fiction. He also created several additional series featuring a criminal defense attorney (Mickey Haller, known as the Lincoln Lawyer), an FBI profiler (Terry McCaleb), a newspaper reporter (Jack McEvoy), and an LAPD policewoman (Renee Ballard) who works the night shift. When he began incorporating all his characters into the Bosch megaseries, he expanded the notion of what a crime series can accomplish. This work takes an in-depth look at all of Connelly's work, including the 34 novels that comprise the Bosch megaseries, the film adaptations of his books, the popular "Bosch" TV series, and his standalone novels, short stories and podcasts. It includes chapters on his novelistic artistry and his portraits of Los Angeles and its police department.

Focusing on crime fiction, film and television that artfully combine comedy and misdeed, this comprehensive study explores the reasons why writers and filmmakers inject humor into their work and identifies the various comic techniques they use. The author covers both American and European books from the 1930s to the present, by such authors as Rex Stout, Raymond Chandler, Elmore Leonard, Donald Westlake, Sue Grafton, Carl Hiaasen and Janet Evanovich, along with film and television from The Thin Man to the BBC's Sherlock series.

The enormous popularity of Stieg Larsson's Millenium trilogy has raised awareness of other contemporary European authors of crime fiction. As a result, several of these novelists now reach a receptive American audience, eager for fresh perspectives in the genre. This critical text offers an introduction to current European crime writing by exploring ten of the best new crime and mystery authors from Sweden (Stieg Larsson and Henning Mankell), Norway (Karin Fossum and Jo Nesbo), Iceland (Arnaldur Indridason), Italy (Andrea Camilleri), France (Fred Vargas), Scotland (Denise Mina and Philip Kerr), and Ireland (Ken Bruen) who are reshaping the landscape of the modern crime novel.

Carl Hiaasen is one of America's most inventive and entertaining writers. He has been variously described as "one of the funniest crime writers to come along in decades," "America's finest satirical novelist," and a "great American writer about the great American subjects of ambition, greed, vanity, and disappointment." A columnist for the Miami Herald for over thirty years and an award-winning author of several young-adult novels, he's best known for the fourteen crime novels he's published since 1986. His distinctive blend of crime, outrageous humor, and biting satire gives his books an appeal that extends beyond just mystery fans to include readers who enjoy comic fiction as well as those interested in novels that address serious social and environmental issues. This, the first book-length study of Hiaasen, takes a close look at all his writing, from his earliest days as a reporter and later a columnist for the Miami Herald to his current status as bestselling author of novels both for adults and young readers. While much of his writing focuses on his beloved state of Florida, his work has a universal appeal that has earned him a global audience of avid fans.

Offering analysis of the fiction of 15 authors, this book focuses on the many ways that setting and place figure in modern crime and mystery novels. After an introductory chapter dealing with a general consideration of place in fiction, subsequent chapters consider the works of recent mystery writers for whom setting greatly contributes to overall literary style.From best-selling U.S. authors Walter Mosley, Carl Hiaasen, and James Lee Burke to international favorites Georges Simenon and Paco Ignacio Taibo II, the author ranges widely among the most acclaimed writers of recent mystery fiction. The topics explored include: The afro-centric urban Los Angeles environment in Walter Mosley's ""Devil in a Blue Dress"", the small-town exoticism of James Lee Burke's southern Louisiana in ""The Neon Rain"", and the gritty South African setting of James McClure's ""The Steam Pig"".