This Norton Critical Edition includes: The first edition of the novel, published by Archibald Constable in London in 1897 and chosen by the editors in order to give readers-insofar as such a thing is possible-a more historically authentic reading experience than has been generally available. Arcane words and usages are footnoted at first appearance. Editorial matter by John Edgar Browning and David J. Skal. Eight background pieces, five of them new to the Second Edition, on Count Dracula specifically and vampires more generally; seven reviews and reactions to Dracula's publication, five of them new to the Second Edition; and six selections, two of them new to and two others updated for the Second Edition, on Dracula's many dramatic and filmic variations. Eleven critical essays on Dracula's central themes, six of them new to the Second Edition. A selected bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts and criticism-helps students to better understand, analyse and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Late in Claude Rains's distinguished career, a reverent film journalist wrote that Rains "was as much a cinematic institution as the medium itself." Given his childhood speech impediments and his origins in a destitute London neighborhood, the ascent of Claude Rains (1889--1967) to the stage and screen is remarkable. Rains's difficulties in his formative years provided reserves of gravitas and sensitivity, from which he drew inspiration for acclaimed performances in The Invisible Man (1933), Mr. Smith Goes to Washington (1939), Casablanca (1942), Notorious (1946), Lawrence of Arabia (1962), and other classic films. In Claude Rains: An Actor's Voice, noted Hollywood historian David J. Skal draws on more than thirty hours of newly released Rains interviews to create the first full-length biography of the actor who was nominated multiple times for an Academy Awards for Best Supporting Actor. Skal's portrait of the gifted actor also benefits from the insights of Jessica Rains, who provides firsthand accounts of the enigmatic man behind her father's refined screen presence and genteel public persona. As Skal shows, numerous contradictions informed the life and career of Claude Rains. He possessed an air of nobility and became an emblem of sophistication, but he never shed the insecurities that traced back to his upbringing in an abusive and poverty-stricken family. Though deeply self-conscious about his short stature, Rains drew notorious ardor from female fans and was married six times. His public displays of dry wit and good humor masked inner demons that drove Rains to alcoholism and its devastating consequences. Skal's layered depiction of Claude Rains reveals a complex, almost inscrutable man whose nuanced characterizations were, in no small way, based on the more shadowy parts of his psyche. With unprecedented access to episodes from Rains's private life, Skal tells the full story of the consummate character actor of his generation. Claude Rains: An Actor's Voice, gives voice to the struggles and innermost concerns that influenced Rains's performances and helped him become a universally respected Hollywood legend.

Bram Stoker, despite having a name nearly as famous as Count Dracula, has remained an enigma. David J. Skal, in a psychological and cultural portrait, exhumes the inner world and strange genius of the writer who conjured an undying cultural icon. Stoker was inexplicably paralysed as a boy and his story unfolds against a backdrop of Victorian medical mysteries and horrors: fever, opium abuse, bloodletting, quack cures and the obsession with "bad blood" that inform every page of Dracula. Stoker's ambiguous sexuality is explored through his acquaintance with Oscar Wilde, who emerges as Stoker's repressed shadow self-a doppelganger worthy of a Gothic novel. The psychosexual dimensions of Stoker's correspondence with Walt Whitman, his punishing work ethic and his adoration of the actor Henry Irving are examined in scholarly detail.

Turner Classic Movies presents a festival of film frights, spanning monster greats to modern and classic horror to family-friendly cinematic treats that capture the spirit of Halloween, complete with reviews, behind-the-scenes stories, and a trove of images. Halloween Favourites spotlights 31 essential Halloween-time films, their associated sequels and remakes, and recommendations to expand your seasonal repertoire based on your favourites. Featured titles: Nosferatu (1922) Phantom of the Opera (1925) Dracula (1931) Frankenstein (1931) Dr. Jekyll & Mr. Hyde (1931) The Mummy (1933) Mystery of the Wax Museum (1933) The Wolf Man (1941) Cat People (1942) Them (1953) Invasion of the Body Snatchers (1956) Creature from the Black Lagoon (1954) Curse of Frankenstein (1957) Horror of Dracula (1958) House on Haunted Hill (1959) The Birds (1963) Black Sunday (1960) Pit and the Pendulum (1961) The Haunting (1963) Night of the Living Dead (1968) Rosemary's Baby (1968) The Exorcist (1972) Young Frankenstein (1976) Halloween (1978) The Shining (1980) The Thing (1982) A Nightmare on Elm Street (1984) Beetlejuice (1988) Hocus Pocus (1993) Scream (1996) Get Out (2017)

Illuminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop-cultural counterpart to surrealism, expressionism, and other twentieth-century artistic movements.

Skal explores a broad landscape of cultural expression—from painting, photography, and theater to television, comic books, and novels. Ultimately focusing on film, he examines the many ways in which this medium has played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control engendered by the Cold War; the preoccupation with demon children and mutants that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in body-transforming special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and a renewed fascination with vampires; and much more. With a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a thought-provoking inquiry into America's obsession with the macabre.

The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. Most of us can recite without prompting the salient characteristics of the vampire: sleeping by day in its coffin, rising at dusk to feed on the blood of the living; the ability to shapeshift into a bat, wolf, or mist; a mortal vulnerability to a wooden stake through the heart or a shaft of sunlight. In this critically acclaimed excursion through the life of a cultural icon, David Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commidity, digging through the populist veneer to reveal what the prince of darkness says about us all.