"The Light Looks Another Way" is a three-part collection of poems that chronicles the thoughts, emotions, and observations of a nameless, shape-shifting fictional character. A wandering soul from a shattered universe, he sets sail through space and time to find meaning in the outer limits of darkness. His travels have brought him to Earth where his human form allows for an experience that is truly alien. Is there light within human existence or does the light look another way?

Humor, depression, anger, loss, and spiritual transcendence. David Jonathan Newman's first collection of poems,

This volume features exercises that allow students to use their knowledge of archaeological method and theory to deal with fictitious scenarios and data sets. The authors offer all new, inventive, and often witty problems that pose the same questions being tackled by archaeologists in the field today.

Although the Crusades are generally thought of in terms of the European attempt to conquer and colonize the Holy Land, from the twelfth century onward crusading also involved the "reconquest" of the Iberian peninsula from the Muslims. This eyewitness account of the capture of Lisbon in 1147 by the combined forces of King Alfonso Henriques of Portugal and a fleet of crusaders from the Anglo-Norman realm, Flanders, and the Rhineland is one of the richest and most exciting sources to survive from this period. Far more than just a narrative, De expugnatione Lyxbonensi vividly conveys the tensions between the secular and spiritual motives of a crusading army, as well as revealing a wealth of information on medieval warfare, the development of crusading ideology and holy war, and Muslim views of the crusaders.

The new foreword by Jonathan Phillips provides insight to the latest scholarship on the integral place of the Lisbon expedition in the Second Crusade, the identity of the text's author, and his message for crusaders.

David Jonathan Wagner erstellt einen UEberblick uber erfolgreiches Fuhrungsverhalten und erforderliche Fuhrungskompetenzen im Zeitalter der digitalen Transformation, die er mittels Expertenbefragung und durch Literaturrecherche erhoben hat. Daraus leitet er konkrete Umsetzungsempfehlungen fur Fuhrungskrafte auf dem Weg zu Digital Leadern ab.

One of our most important contemporary critics, Marjorie Perloff has been a widely published and influential reviewer, especially of poetry and poetics, for over fifty years. Circling the Canon, Volume I covers roughly the first half of Perloff's career, beginning with her first ever review, on Anthony Hecht's The Hard Hours. The reviews in this volume, culled from a wide range of scholarly journals, literary reviews, and national magazines, trace the evolution of poetry in the mid- to late twentieth century as well as the evolution of Perloff as a critic. Many of the authors whose works are reviewed in this volume are major figures, such as W. B. Yeats, Ezra Pound, Sylvia Plath, and Frank O'Hara. Others, including Mona Van Duyn and Richard Hugo, were widely praised in their day but are now all but forgotten. Still others--David Antin, Edward Dorn, or the Language poets--exemplify an avant-garde that was to come into its own.

One of our most important contemporary critics, Marjorie Perloff has been a widely published and influential reviewer, especially of poetry and poetics, for over fifty years. Circling the Canon, Volume II focuses on the second half of her prolific career, showcasing reviews from 1995 through her 2017 reconsiderations of Jonathan Culler's theory of the lyric and William Empson's classic Seven Types of Ambiguity. In this volume Perloff provides insight into the twenty-first-century literary landscape, from revaluations of its leading poets and translations of European poetry from Goethe to the Brazilian Noigandres group and interart studies and performance art. Key issues of the past few decades, such as the controversy over the role and function of poetry anthologies, receive extended treatment, and Perloff frequently voices a minority view, as in the case of the acclaimed British poet Philip Larkin.

The First Christmas Day Trilogy is a book that can bring the whole family back together for a traditional evening of enjoyment and entertainment. The introduction to the book begins with a short amazing and historical journey of how these wonderful stories were unearthed, and by whom. Following the intriguing intro are three freshly new spell binding stories about the birth of Jesus Christ. Each story wonderfully and carefully brushes up against the other, inviting you back time and again to relive the birth of the Christ child in The First Christmas Day Trilogies.

This volume of conversation not only provides a succinct philosophical biography that highlights the wide range of Attridge's interests. It likewise foregrounds his energetic engagements with literary theory, poetics, and stylistics, as well as his reassessments of contemporary philosophy and literary ideas, specifically those pertaining to the work Jacques Derrida, James Joyce, and J. M. Coetzee. Readers will find in this book a wonderful balancing act as Attridge negotiates the dynamics between the orthodoxies of critical practice and the strategic interventions of deconstructive reading. This book, with an appendix of a chronological listing of Attridge's publications, is an accessible and provocative introduction to the ideas of one of the most brilliant critical voices and generous presences in literary studies in the Anglophone world.

The US Air Force's ability to protect space assets is enhanced by a proficiency in satellite proximity operations and Space Situational Awareness (SSA). In pursuit of that proficiency, this research develops a key capability of interest to mission planners; the ability of a deputy satellite to "hover" within a defined volume fixed in the vicinity of a chief satellite for an extended period of time. Previous research has developed initial methodologies for maintaining restricted teardrop hover orbits that exist in a plane fixed within the chief's local reference frame. These methods use the natural drift of the deputy satellite in the relative frame and impulsive thrust to keep the deputy in a bounded volume relative to the chief, but do not address fuel-optimality. This research extends and enhances that work by finding optimal trajectories, produced with discrete-thrusts, that minimize fuel spent per unit time and stay within the user-defined volume, thus providing a practical hover capability in the vicinity of the chief.

"The Light Looks Another Way" is a three-part collection of poems that chronicles the thoughts, emotions, and observations of a nameless, shape-shifting fictional character. A wandering soul from a shattered universe, he sets sail through space and time to find meaning in the outer limits of darkness. His travels have brought him to Earth where his human form allows for an experience that is truly alien. Is t

The poems of 60 Signs for Doomsday have a lyrical quality which should appeal to a general audience: doers of good, doers of evil, the righteous, Biblical scholars, the felonious, worshippers of satanic craft, boring housewives, high-and-mighty executives, fans of heavy metal music, and rage-filled healthcare professionals (just to name a few). David Jonathan Newman's unique vision and mastery of language has afforded the literary world a rare treat indeed Although 60 Signs for Doomsday is the third installment of poems from an irrepressible voice of apocalyptic thought and end-time ideology, it concurrently weaves a subtle message of hope and union. The musicality of 60 Signs for Doomsday is undeniable. Word art is the best way to describe Newman's works--with the best poems being imminently hummable as well as memorable. 60 Signs for Doomsday is a collection of poems that comes precariously close to insanity--is the evil inherent in our world enough to push good people over the edge? What defines evil? Who embodies evil? Are you evil? Am I evil?