Following 'Lawrence of Arabia' (1962), director David Lean continued his epic phase with this adaptation of Boris Pasternak's novel. During World War One, Yuri Zhivago (Omar Sharif) studies to become a doctor in Moscow. He marries his childhood sweetheart Tonya (Geraldine Chaplin), but is attracted to dressmaker's daughter Lara (Julie Christie), herself engaged to young revolutionary Pasha (Tom Courtenay). Lara is also conducting an affair with government official Komarovsky (Rod Steiger). Yuri and Lara's paths cross again in the aftermath of the Bolshevik revolution, and the two begin a passionate affair.

Following 'Lawrence of Arabia' (1962), director David Lean continued his epic phase with this adaptation of Boris Pasternak's novel. During World War One, Yuri Zhivago (Omar Sharif) studies to become a doctor in Moscow. He marries his childhood sweetheart Tonya (Geraldine Chaplin), but is attracted to dressmaker's daughter Lara (Julie Christie), herself engaged to young revolutionary Pasha (Tom Courtenay). Lara is also conducting an affair with government official Komarovsky (Rod Steiger). Yuri and Lara's paths cross again in the aftermath of the Bolshevik revolution, and the two begin a passionate affair.

Ireland, 1916. Rosie Ryan (Sarah Miles), a young woman trapped in passionless marriage to an older schoolteacher (Robert Mitchum), begins an affair with a shell-shocked English soldier (Christopher Jones), provoking gossip and gaining a reputation as a traitor to the Nationalist cause. Directed by David Lean, 'Ryan's Daughter' won Oscars for Freddie Young's cinematography and John Mills' memorable performance as the village idiot.

David Lean directs this classic adaptation of Dickens's novel about a young orphan who develops 'great expectations' after a mysterious benefactor pledges to sponsor his transformation into a gentleman. Pip (Anthony Wager) is visiting the graves of his deceased parents when he finds himself confronted by an escaped convict, Magwitch (Finlay Currie). Unfortunately for Pip, Magwitch isn't the only frightening adult he becomes acquainted with. When Miss Havisham (Martita Hunt), an eccentric old woman still dressed for the wedding at which she was abandoned by her groom years ago, seeks a playmate for her charge, Estella (Jean Simmons), it is Pip who is sent for. The boy quickly falls in love with Estella, though his hopes seem forlorn due to the gap in social standing between the two. When an older Pip (John Mills) discovers that he has a benefactor, he feels that Estella may be won, but has he read the situation correctly?

In this Noel Coward comedy, cynical writer Rex Harrison asks a medium (Margaret Rutherford) to hold a seance in his house so he can collect material for his latest book. No one is more surprised than the medium when she inadvertently conjures up the ghost of Harrison's first wife (Kay Hammond). The ghost refuses to go away, preferring to taunt her less sophisticated replacement (Constance Cummings).

David Lean's lush, Oscar-winning biopic stars Peter O'Toole as T.E. Lawrence, the Oxford-educated British army officer who aided the Arabs in their revolt against the Turks. Teaming up with Sherif Ali (Omar Sharif), Lawrence crosses a desert (considered uncrossable) in order to join two separate Arab tribes together as a single fighting force. Aiming to achieve Arab sovereignty, he wins a series of military victories but always keeps his eye on the larger picture, doing his best to prevent the subjection of the Arabs to British colonial rule. The film won seven Academy Awards including Best Picture and Best Director.

Rex Harrison plays novelist Charles Condomine who is plagued by the ghost of his sexy first wife Elvira.

Second wife Ruth doesn't believe him and brings in eccentric medium Madam Arcati to get proof.

Lean and Coward's third screen collaboration (after In Which We Serve and This Happy Breed and before Brief Encounter) is a sophisticated and witty delight.

In black & white.

Classic British war film based on the novel by Pierre Boulle in which a group of POWs are forced to build a bridge in Burma for the Japanese. Colonel Nicholson (Alec Guinness) is the appointed leader of the men interned in the camp. When the Japanese commander, Colonel Saito (Sessue Hayakawa), orders his captives to build a bridge across the river Kwai, Nicholson agrees on the basis that the project will keep his men occupied and give them an opportunity to prove, through the quality of their work, the superiority of British engineering. However, as the bridge progresses and the POWs strive to show their craftsmanship, Nicholson appears to lose sight of the fact that the ultimate object of the bridge is to help the Japanese win the war. The impending arrival of a British commando team, sent to destroy the bridge, looks set to provide a stern test of where the true loyalties of the increasingly obsessive Nicholson lie.

David Lean directs this film based on the true story of a Glasgow woman accused of murdering her lover in 1857. Madeleine (Ann Todd) is the eldest daughter in a respectable Victorian Glasgow family. She begins an affair with Frenchman Piere Emile L'Anglier (Ivan Desny) without her father's knowledge. Meanwhile, Madeleine's father (Leslie Banks) insists on her seeing various suitors. When Madeleine becomes engaged to William Minnoch (Norman Wooland), Pierre threatens to reveal their relationship. Five weeks later, Pierre is found dead, and Madeleine is arrested for his murder.

David Lean's classic adaptation of Charles Dickens' novel. Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumble (Francis L. Sullivan). After becoming an apprentice to an undertaker Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness).

Noel Coward co-directed, wrote and starred in this patriotic World War II drama about a destroyer, told through flashbacks and the reminiscences of the surviving crew after their beloved ship is torpedoed. Coward was awarded a Special Oscar for 'outstanding production achievement'. Also included is a 'making of' documentary.

Classic drama starring Celia Johnson as a married woman whose life is thrown into turmoil when she unexpectedly falls in love with a stranger. Laura Jesson (Johnson) appears to be the very embodiment of a respectable, happily-married British housewife and mother. Equally, the man who comes to her assistance when a passing train blows grit into her eye, Dr Alec Harvey (Trevor Howard), enjoys a settled and comfortable life. Neither of the pair are prepared for the emotions the encounter will evoke in them. Unable to forget each other, they begin meeting covertly in the railway cafe. Given that both are married with children, pursuing a romantic relationship seems impossible, but will the power of their love overwhelm all other concerns?

Classic drama starring Celia Johnson as a married woman whose life is thrown into turmoil when she unexpectedly falls in love with a stranger. Laura Jesson (Johnson) appears to be the very embodiment of a respectable, happily-married British housewife and mother. Equally, the man who comes to her assistance when a passing train blows grit into her eye, Dr Alec Harvey (Trevor Howard), enjoys a settled and comfortable life. Neither of the pair are prepared for the emotions the encounter will evoke in them. Unable to forget each other, they begin meeting covertly in the railway cafe. Given that both are married with children, pursuing a romantic relationship seems impossible, but will the power of their love overwhelm all other concerns?

Lancashire bootmaker Henry Horatio Hobson (Charles Laughton) keeps a tight rein on his three daughters, until his eldest, Maggie (Brenda De Banzie), marries his assistant Willie Mossop (John Mills) and sets him up in his own bootmaking firm. To Hobson's consternation, Willie has soon become his father-in-law's main business rival.

Classic British war film based on the novel by Pierre Boulle in which a group of POWs are forced to build a bridge in Burma for the Japanese. Colonel Nicholson (Alec Guinness) is the appointed leader of the men interned in the camp. When the Japanese commander, Colonel Saito (Sessue Hayakawa), orders his captives to build a bridge across the river Kwai, Nicholson agrees on the basis that the project will keep his men occupied and give them an opportunity to prove, through the quality of their work, the superiority of British engineering. However, as the bridge progresses and the POWs strive to show their craftsmanship, Nicholson appears to lose sight of the fact that the ultimate object of the bridge is to help the Japanese win the war. The impending arrival of a British commando team, sent to destroy the bridge, looks set to provide a stern test of where the true loyalties of the increasingly obsessive Nicholson lie.

Collection of ten classic films from the award-winning British director. In 'The Sound Barrier' (1952), Ralph Richardson stars as an aircraft manufacturer whose all-consuming passion with making the ultimate supersonic jet kills both his son and son-in-law and almost destroys him and the rest of his family. In 'Hobson's Choice' (1953), Lancashire bootmaker Henry Horatio Hobson (Charles Laughton) keeps a tight rein on his three daughters until his eldest, Maggie (Brenda De Banzie), marries his assistant, Willie Mossop (John Mills), and sets him up in his own bootmaking firm. To Hobson's consternation, Willie has soon become his father-in-law's main business rival. In 'Blithe Spirit' (1945), cynical writer, Charles Condomine (Rex Harrison), asks a medium (Margaret Rutherford) to hold a seance in his house so he can collect material for his latest book. No one is more surprised than the medium when she inadvertently conjures up the ghost of Condomine's first wife (Kay Hammond). The ghost refuses to go away, preferring to taunt her less sophisticated replacement (Constance Cummings). In 'Brief Encounter' (1945), a respectable, happily married doctor (Trevor Howard) comes to the aid of an equally upstanding housewife (Celia Johnson) when a passing train blows cinder into her eye. Thus begins a tentative romance, conducted in the tearooms and railway cafe of a small English town. In 'Great Expectations' (1946), orphan, Pip (Anthony Wager), befriends an escaped convict before being elevated to higher circles as the companion of Miss Havisham and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumbel (Francis L. Sullivan). After becoming an apprentice to an undertaker, Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). In 'Madeleine' (1949), Madeleine (Ann Todd) is the eldest daughter in a respectable Victorian Glasgow family. She begins an affair with Frenchman, Emile L'Anglier (Ivan Desny), without her father's knowledge. Meanwhile, Madeleine's father insists on her seeing various suitors. When Madeleine becomes engaged to William Minnoch (Norman Wooland), Emile threatens to reveal their relationship. 'The Passionate Friends' (1944) is an episodic tale of an average working class family in the interwar years. The story traces the melodrama caused by illicit affairs, family bereavement, the first ripples of women's liberation and political instability in the country during the General Strike. It highlights the fact that these internal wranglings are all happening in one house in an average street, and that each average house has its own dramatic stories to tell. Finally, 'In Which We Serve' (1942) is a World War II drama about a destroyer, told through flashbacks and the reminiscences of the surviving crew after their beloved ship is torpedoed.

David Lean directs this classic adaptation of Dickens's novel about a young orphan who develops 'great expectations' after a mysterious benefactor pledges to sponsor his transformation into a gentleman. Pip (Anthony Wager) is visiting the graves of his deceased parents when he finds himself confronted by an escaped convict, Magwitch (Finlay Currie). Unfortunately for Pip, Magwitch isn't the only frightening adult he becomes acquainted with. When Miss Havisham (Martita Hunt), an eccentric old woman still dressed for the wedding at which she was abandoned by her groom years ago, seeks a playmate for her charge, Estella (Jean Simmons), it is Pip who is sent for. The boy quickly falls in love with Estella, though his hopes seem forlorn due to the gap in social standing between the two. When an older Pip (John Mills) discovers that he has a benefactor, he feels that Estella may be won, but has he read the situation correctly?

Lancashire bootmaker Henry Horatio Hobson (Charles Laughton) keeps a tight rein on his three daughters, until his eldest, Maggie (Brenda De Banzie), marries his assistant Willie Mossop (John Mills) and sets him up in his own bootmaking firm. To Hobson's consternation, Willie has soon become his father-in-law's main business rival.

Three classic films adapted from novels by Charles Dickens. In 'A Tale of Two Cities' (1958), Sydney Carton (Dirk Bogarde) is a frivolous London barrister, hopelessly in love with Lucie (Dorothy Tutin), even after she marries Charles Darnay (Paul Guers), who is descended from an unpleasant French aristocrat. Darnay is lured back to France as the Revolution gets into swing where he is arrested and awaits execution. Sydney, seeing Lucie's despair, goes to France, frees Charles and takes his place in the queue for the guillotine. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumble (Francis L. Sullivan). After becoming an apprentice to an undertaker Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). Finally, in 'Great Expectations' (1946), orphan Pip (Anthony Wager) befriends an escaped convict before being elevated to higher circles as the companion of mad Miss Havisham (Martita Hunt) and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (John Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible.