Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

What we say, what we don't, and why it matters. This new collection of essays from rhetoric authority and celebrated writing blogger David Murray applies his signature blend of humor and heart to a free-wheeling conversation about how we communicate in America. With essays like "We Deserve Leaders Who Act Like They Like Us," and "Speaking Truth to Power: Talking to Myself," Murray's words give readers a window into everyday American discourse-from the backroads of rural Illinois to the carpeted halls of the C-suite. Guided by an ear for the lessons of history, An Effort to Understand shows that the personal and political gulfs between us are small compared to our common desire to connect. American discord is nothing new, but we have a chance at trust, peace, and solidarity if we make an effort to speak more honestly and listen to understand.

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.

The introduction of new anticancer drugs and drug combinations, as well as the use of high-dose chemotherapy with growth factor and hemopoietic stem cell support, has greatly increased clinical remission rates. Unfortunately palliation, rather than cure, remains the most realistic goal of chemotherapy for many patients. The failure to cure metastatic cancer is commonly attributed to drug "resistance." Resistance can be broadly viewed as the survival of malignant cells because of a failure to deliver an effective drug dose to the (cellular) target, resulting from any one of or combination of individual factors. For example, inter-individual genetic differences in drug metabolism, as well as differences in tumor kinetics and vascularization, may be important for treatment outcome. In addition, numerous molecular mechanisms of resistance have been elucidated at the level of the individual tumor cell.
The present volume reviews clinically relevant aspects of the pharmacokinetics of commonly used anticancer agents as well as mechanisms of cellular/experimental resistance to such agents. This extends to technological advances that enable high-throughput studies of genetic polymorphisms, which has opened up new avenues to the study of drug resistance and to the individualization of chemotherapy in order to decrease clinical toxicity and optimize treatment results.
"This text provides a comprehensive review of the mechanisms of resistance to cancer chemotherapuetic agents. Leading experts discuss molecular and biochemical pathways that influence cytotoxicity. Knowledge of these potential obstacles to therapy will allow for the development of more effective strategies to treat malignantdiseases."
Steven T. Rosen, M.D., Series Editor

A historical investigation of the phenomena of religious conversion from ancient to modern times. This volume explores the subject of religious conversion over broad expanses of time and space, considering cases from the thirteenth through the twentieth centuries and from settings across the world. Leading scholars from a variety of historical sub-fields address the theme at a moment when the utility of the concept of conversion is vigorously debated. The historical settings treated here stretch from thirteenth-century England to sixteenth-century southern India and Andean Peru, from Bohemia to China during the age of the Reformations, from the fifteenth-century Low Countries to seventeenth-century New France and from the nineteenth-century Minnesota borderlands to late colonial Zimbabwe and modern India. The book's broad mixture of examples and approaches will both encourage a deepening of specialist knowledge about particular places and times, and spark new thinking about religious change, cultural appropriations, and interactive emergence across discipline and fields. This book is one of two collections of essays on religious conversion drawn from the activities of the Shelby Cullum Davis Center for Historical Studies at Princeton University between 1999 and 2001. The other volume, Conversion in Late Antiquity and the Early Middle Ages, is also published by the University of Rochester Press.

Join author and minister David Murray as he introduces you to Jesus through the lens of the Old Testament. When you think of a son trudging uphill, carrying wood for his own sacrifice because his father has decided to give him up to death, what biblical event does this bring to mind? Is it Abraham and Isaac in Genesis 22, or is it Christ's passion in the Gospels of Matthew, Mark, Luke, and John? The kinship between these two stories is deeper than mere coincidence, and the similarities don't end there. In fact, Murray argues that Christ isn't just present in the story of Abraham and Isaac--he's present on every page of the Old Testament. In Jesus on Every Page, Dr. Murray guides the reader down his own Road to Emmaus, describing how the Scriptures were opened to him, revealing Jesus from Genesis 1 all the way through Revelation 22. Dr. Murray shares his ten simple ways to seek and find Christ in the Old Testament, diving deep into: Christ's planet--discovering Jesus in the story of Creation Christ's people--discovering Jesus in the characters of the Old Testament Christ's promises--discovering Jesus in the covenants of the Old Testament Recognizing Jesus in the full breadth of scripture is important for every Christian. In this step-by-step guide to discovering Jesus in the Old Testament, Dr. Murray provides a framework that will help you start practicing this wonderful way of enjoying Jesus throughout the Bible. Whether you are preaching Jesus through Old Testament readings or just beginning to discover the reality of Christ in the Old Testament, Jesus on Every Page is an accessible guide to getting to know the Old Testament for what it truly is: full of Jesus.

Over the last several decades, the introduction of new chemotherapeutic drugs and drug combinations has resulted in increased long term remission rates in several important tumor types. These include childhood leukemia, adult leukemias and lymphomas, as well as testicular and trophoblastic tumors. The addition of high-dose chemotherapy with growth factor and hemopoietic stem cell support has increased clinical remission rates even further. For the majority of patients with some of the more common malignancies, however, palliation (rather than cure) is still the most realistic goal of chemotherapy for metastatic disease. The failure of chemotherapy to cure metastatic cancer is commonly referred to among clinicians as "drug resistance". This phenomenon can, however, often be viewed as the survival of malignant cells that resulted from a failure to deliver an effective drug dose to the (cellular) target because of anyone of or combination of a multitude of individual factors. Clinically, this treatment failure is often viewed as the rapid occurrence of resistance at the single cell level. However, in experimental systems, stable drug resistance is usually relatively slow to emerge.

The ESV Teen Study Bible informs the mind, encourages worship and communion with God, and promotes living for the Lord in day-to-day life. 

Matter, Magic, and Spirit Representing Indian and African American Belief David Murray "A major work by a mature, strong, and creative scholar."--Arnold Krupat, Sarah Lawrence College The spiritual and religious beliefs and practices of Native Americans and African Americans have long been sources of fascination and curiosity, owing to their marked difference from the religious traditions of white writers and researchers. "Matter, Magic, and Spirit" explores the ways religious and magical beliefs of Native Americans and African Americans have been represented in a range of discourses including anthropology, comparative religion, and literature. Though these beliefs were widely dismissed as primitive superstition and inferior to "higher" religions like Christianity, distinctions were still made between the supposed spiritual capacities of the different groups. David Murray's analysis is unique in bringing together Indian and African beliefs and their representations. First tracing the development of European ideas about both African fetishism and Native American "primitive belief," he goes on to explore the ways in which the hierarchies of race created by white Europeans coincided with hierarchies of religion as expressed in the developing study of comparative religion and folklore through the nineteenth century. Crucially this comparative approach to practices that were dismissed as conjure or black magic or Indian "medicine" points as well to the importance of their cultural and political roles in their own communities at times of destructive change. Murray also explores the ways in which Indian and African writers later reformulated the models developed by white observers, as demonstrated through the work of Charles Chesnutt and Simon Pokagon and then in the later conjunctions of modernism and ethnography in the 1920s and 1930s, through the work of Zora Neale Hurston, Zitkala Sa, and others. Later sections demonstrate how contemporary writers including Ishmael Reed and Leslie Silko deal with the revaluation of traditional beliefs as spiritual resources against a background of New Age spirituality and postmodern conceptions of racial and ethnic identity. David Murray is Professor of American Studies at the University of Nottingham. He is the author of many books, including "Indian Giving: Economies of Power in Early Indian-White Exchanges." 2007 224 pages 6 x 9 ISBN 978-0-8122-3996-6 Cloth $59.95s 39.00 ISBN 978-0-8122-0287-8 Ebook $59.95s 39.00 World Rights Religion, Anthropology, Literature Short copy: "Matter, Magic, and Spirit" explores the ways religious and magical beliefs of Native Americans and African Americans have been represented in a range of discourses including anthropology, comparative religion, and literature.

Airplane crashes. The AIDS epidemic. Presidential election polls and voting results. Global warming. The latest cancer scare. All these news stories require scientific savvy first, to report, and then-for news consumers-to understand. It Ain't Necessarily So cuts through the miasma surrounding media reporting of scientific studies, surveys, and statistics. Whether the problem is bad science, media politics, or a simple lack of information or knowledge, this book gives news consumers the tools to penetrate the hype and dig out the facts. Don't stop flying, run to the doctor, or change your diet before reading It Ain't Necessarily So.

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.

The ESV Teen Study Bible informs the mind, encourages worship and communion with God, and promotes living for the Lord in day-to-day life.