There have been many grimoires attributed to St Cyprian of Antioch due to his reputation as a consummate magician before his conversion to Christianity, but perhaps none so intriguing as the present manuscript. This unique manuscript (unlike the more rustic examples attributed to St Cyprian called the Black Books of Wittenburg, as found in Scandinavia, or the texts disseminated under his name in Spain and Portugal) is directly in line with the Solomonic tradition, and therefore relevant to our present series of Sourceworks of Ceremonial Magic. It is unique in that instead of being weighed down with many prayers and conjurations it addresses the summoning and use of both the four Archangels, Michael, Raphael, Gabriel and Uriel as well as their opposite numbers, the four Demon Kings, Paymon, Maimon, Egyn and Oriens. The later are shown in their animal and human forms along with their sigils, a resource unique amongst grimoires. The text is in a mixture of three magical scripts, Greek, Hebrew, cipher, Latin, (and reversed Latin) with many contractions and short forms, but expanded and made plain by the editors. The title literally means 'The Key of Hell with white and black magic as proven by Metatron'.

The Grimoire of Arthur Gauntlet is an outstanding example of a seventeenth century London Cunning-man's book of practice. Cunning-folk were practitioners of magic and herbal medicine who dealt with problems in their local communities. Cunning-man Arthur Gauntlet was based in Gray's Inn Lane in London, and his personal working book contains a fascinating diverse mixture of herbal remedies, prayers, magical and biblical charms, with previously unseen angelic conjurations and magic circles, in an eclectic blend of practical magic for health, wealth, love and protection. This unique manuscript demonstrates both the diverse and spiritual nature of such Cunning-folk's books of practice, as well as their magical emphasis on Biblical scripture, particularly the Psalms, and their opposition to witchcraft, found in charms and conjurations. Arthur Gauntlet worked with a female skryer called Sarah Skelhorn, and drew on numerous preceding sources for his craft, including the Arbatel, the Heptameron, Folger Vb.26, The Discoverie of Witchcraft, the Book of Gold, the writings of the German magus Cornelius Agrippa, the astrologer William Bacon and Queen Elizabeth I's court astrologer Dr. John Dee, as well as other London Cunning-folk. In his introduction, the author provides fresh insights into the hidden world of seventeenth century magical London, exploring the web of connections between astrologers, cunning-folk and magicians, playwrights, authors and church figures. These connections are also highlighted by the provenance of the manuscript, which is traced from Arthur Gauntlet through the hands of such notable angel magicians as Elias Ashmole (founder of the world's first public museum, the Ashmolean in Oxford), Baron Somers (the Lord Chancellor), Sir Joseph Jekyll (Master of the Rolls) and Sir Hans Sloane (founder of the British Museum), as well as the astrologer John Humphreys and the cunning-woman Ann Savadge. This is a unique work which draws attention to the often neglected place of women in seventeenth century magic, both as practitioners (such as skryers and Cunning-women), and customers. It also emphasises the vital and influential role played by Cunning-Men and Women in synthesising and transmitting the magical traditions of medieval Britain into the subsequent centuries, as well as their willingness to conjure a wide range of spiritual creatures to achieve results for their clients, including angels, demons, fairies, and the dead.

Le Livre d'Or (The Book of Gold) is a unique 17th century French magical work comprising numerous amulets, charms, prayers, spells and sigils for working with the Biblical Book of the Psalms of King David. Written in a simple style akin to a medieval Book of Secrets combined with magical practices from the ancient world, Le Livre d'Or brings together practices which have their roots in major works from the Dead Sea Scrolls and the Cairo Genizah, to the Greek Magical Papyri and Sepher Shimmush Tehillim (Magical Use of the Psalms). Now translated into English for the first time, this exceptional text demonstrates the significance of the Psalms as a unifying and vital thread throughout the development of Western magic. From Sweden to Syria, Britain to the Baltic, the use of appropriate Psalms has spread as a significant part of popular folk and religious magic, and Le Livre d'Or is an inimitable example of the transmission of divine power through the written and spoken word. Le Livre d'Or was originally bound as part of Lansdowne MS 1202 with a 17th century French copy of the most important of grimoires, the Key of Solomon. The extensive commentary by David Rankine and Paul Harry Barron emphasises the place of the Psalms within the Grimoire tradition, detailing their extensive apotropaic, amuletic and coercive uses in works such as the Book of Abramelin, the Key of Solomon and the Goetia. The editors also illustrate how the magic of the Psalms has underlain and cross-fertilised numerous traditions over the last two thousand years, from Hellenic magicians, early Christians and Jews of the ancient world to practitioners of the medieval Grimoires and Renaissance Cunning-folk. Whether it was for benevolent or malefic results, Le Livre d'Or provided the appropriate Psalm verses and relevant techniques. This previously ignored work is an outstanding example of eminently practical magic which not only draws on such major works as the Heptameron and the Steganographia, but also many of the divine names found in the Kabbalah. From Saints to spirits, characters to Creeds, Le Livre d'Or shines forth as a significant and reclaimed chapter in the Western Esoteric Traditions. There is also a paperback edition available of this book.

This book explores the life-history of the individual within the context of Plato's social thought. The author examines Plato's treatment of the principal crises in an individual life - birth, educational selection, sex, the individual's contract with society, old age, death, and life after death - and provides an unprecedented analysis of Plato's theory of genetics as it appears in the Timaeus. Comparisons are made with contemporary developments in anthropology, sociology, and comparative myth but without losing sight of the fact that Plato, whilst having much to say to the modern world, was not a modern.

"The Goetia" is the most famous grimoire after the Key of Solomon. This volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton which includes four whole grimoires: "Liber Malorum Spituum seu Goetia"; "Theurgia-Goetia"; "Ars Paulina" (Books 1 & 2); and, "Ars Almadel". This was owned by Dr Thomas Rudd, a practising scholar-magician of the early seventeenth century. There are many editions of the "Goetia", of which the most definitive is that of Joseph Peterson, but here we are interested in how the "Goetia" was actually used by practising magicians in the 16th and 17th century, before the knowledge of practical magic faded into obscurity. To evoke the 72 demons listed here without the ability to bind them would be foolhardy indeed. It was well known in times past that invocatio and ligatio, or binding, was a key part of evocation, but in the modern editions of the "Goetia" this key technique is expressed in just one word 'Shemhamaphorash', and its use is not explained. This volume explains how the 72 angels of the Shem ha-Mephorash are used to bind the spirits, and the correct procedure for safely invoking them using special seals incorporating the necessary controlling angel, whose name is also engraved on the breastplate and Brass Vessel.

"The Key of Solomon" is the most famous and infamous of the Grimoires ever produced. Yet amazingly only one version of it has ever been published, by S L MacGregor Mathers, over 100 years ago. What Mathers may not have known is that there were much more detailed and complete versions of this grimoire available in many other languages. This is not just a variant of Mathers' text, but a translation of three completely different and beautifully illustrated 1796 French manuscripts of the Key of Solomon. These are the most beautiful and complete manu-scripts of "The Key of Solomon" ever published. Much of the detail omitted from Mathers' edition is given here, providing a complete and workable system of high magic with full details of implements, procedures, and a wide range of talismans. Much material not available to Mathers is also found in this extraordinary book, including planetary prayers, names of angels and demons, and a vast array of pentacles, as well as material on the Olympic Spirits, Planetary Spirits and Intelligences. The commentary by two of the best known scholar-magicians provides much additional material, a full survey of all the extant manuscripts of this famous grimoire and how they relate to each other, as well as the historical influence of the Key of Solomon on the development of magic from the Renaissance until now. The pentacles as drawn by Fyot, the original scribe, are reproduced here, with more than twice as many pentacles as were produced in Mathers' text. "The Key of Solomon" is the most significant magical grimoire ever penned, certainly for the period from the sixteenth through to the nineteenth century. This present work finally restores "The Key of Solomon" back to its place at the heart of practical Western magic.

This book explores the representation of the idea or theme of redemption in contemporary, popular film. The discussion focuses primarily on the work of three directors - Clint Eastwood, Martin Scorsese and Kore-eda Hirokazu - but also considers a few films from other directorial hands. David Rankin divides the notion of personal redemption into transactional and transformational aspects, differentiating between redemption, understood as that which is external to the person but impacting on their being and environment, and that which is internal to the person. Redemption is viewed broadly as a journey from brokenness to wholeness, from imprisonment to release, or from some form of slavery to freedom. Both secular and religious (especially Christian) understandings of the notion are discussed, and consideration is given to how the former might inform the latter.

The 'Grimoire of Pope Honorius' is the first and most important of the French 'black magic' grimoires which proliferated across Europe in the 17th-19th centuries. Combining a grimoire of conjurations to demons of the four directions and seven days of the week with a Book of Secrets full of simple charms, the 'Grimoire of Pope Honorius' was second only to the Key of Solomon in the influence it exerted on magicians, charmers and cunning-folk in both rural and urban France. 'The Complete Grimoire of Pope Honorius' contains material translated from all four of the different French editions of the 'Grimoire of Pope Honorius'.

This book explores how post-death existence is represented in popular film, looking at issues such as continuity, personal identity, and the nature of existence beyond the grave. Film often returns to the theme of dying, death and the afterlife, both directly and indirectly, because there are very few subjects as compelling and universal. The book compares the representation of death, dying and the afterlife in films to scholarly surveys of attitudes towards life-after-death through the analysis of twenty films made between the end of World War II and now. It looks at the portrayals of stages between death and a final destination; spatio-temporal and personal continuity; the nature of afterlife existence in terms of embodiment, or not; and the contact between the worlds of the living and the dead. This book offers a wide-ranging view on a compelling subject in film. As such, it will be of great interest to scholars of Religion and Film, Religion and Media, the Philosophy of Religion, and the Sociology of Religion, as well as Religion, Media and Film Studies more generally .

The resurrection of the dead was, as Tertullian says, 'the chief article of the whole Christian faith' (De resurrectione 39.3) and one of those beliefs which most distinguished Christian thought from much other contemporary thinking. This book looks at the way in which post-death existence is represented in the work of the early Church Fathers - notably Athenagoras, Tertullian, and Origen - and the Letter to Rheginos, and how these representations compare with its treatment both in Scripture and in contemporary, modern theological reflection. Examining these attitudes to life after death, and putting them into conversation with more modern interpretations, the book asks four main questions. Firstly, whether resurrection happens immediately after death. Secondly, if there is continuity or discontinuity of space and time between death and a resurrection life. Thirdly, it explores whether post-death existence was thought to be embodied or not, and if so how might it be embodied. Finally, it addresses the issue of continuity, or discontinuity, of personal identity after death. This book sheds light on the formation of a key doctrine of Christian faith. As such, it will be of significant interest to scholars and academics working in the History of Religion, Theology and Patristics.

This work includes the complete unabridged version with variants of "The Nine Great Keys", a vital early 17th century manuscript detailing the invocation of the Archangels and nine Orders of Angels. The full practical techniques of summoning the Archangels, details of the hierarchies of spiritual beings, and how the full Enochian system fits in with the Angelic and Demonic hierarchies are all covered, as well as the theology and philosophy associated with Angelic magic, giving the context that these magical practitioners were working with. It includes the evocation of the Four Demon Princes and their role within the traditional system of magic. The book deals clearly with the full continuum of spiritual creatures from Archangels through Angels to Demon Princes (Fallen Angels), to Olympic Spirits and Elementals. This is presented in practical detail, with much rare manuscript material being made available in print for the first time.

This book explores how post-death existence is represented in popular film, looking at issues such as continuity, personal identity, and the nature of existence beyond the grave. Film often returns to the theme of dying, death and the afterlife, both directly and indirectly, because there are very few subjects as compelling and universal. The book compares the representation of death, dying and the afterlife in films to scholarly surveys of attitudes towards life-after-death through the analysis of twenty films made between the end of World War II and now. It looks at the portrayals of stages between death and a final destination; spatio-temporal and personal continuity; the nature of afterlife existence in terms of embodiment, or not; and the contact between the worlds of the living and the dead. This book offers a wide-ranging view on a compelling subject in film. As such, it will be of great interest to scholars of Religion and Film, Religion and Media, the Philosophy of Religion, and the Sociology of Religion, as well as Religion, Media and Film Studies more generally .

Athenagoras of Athens was a Christian thinker of the second century who engaged with contemporary philosophical thought in the matters of the divine, and the relationship of that divine to the material world. While clearly a Christian apologist, Athenagoras presents doctrines of God, of the Holy Trinity, and of other theological matters which clearly evidence an engagement with Greek philosophical thought which goes beyond the merely linguistic and embraces the notion of God as true being. Athenagoras is a Church Father who has not been given great attention in twentieth-century and early twenty-first-century scholarship. This book explores Athenagoras' undeniable place in the development of Christian thought on the divine, on the Trinity, on the human person, and on the resurrection. His work provides an important link between the mid-second-century and the work of Justin and that of the third-century Christian theologians of the East.

To observe the Celts through the eyes of the Greeks and Romans is the first aim of this book.

The Sophists, the Socratics and the Cynics had one important characteristic in common: they mainly used spoken natural language as their instrument of investigation, and they were more concerned to discover human nature in its various practical manifestations than the facts of the physical world. The Sophists are too often remembered merely as the opponents of Socrates and Plato. Rankin discusses what social needs prompted the development of their theories and provided a market for their teaching. Five prominent Sophists - Protagoras, Gorgias, Prodicus, Hippias and Thrasymachus - are looked at individually. The author discusses their origins, aims and arguments, and relates the issues they focussed on to debates apparent in contemporary literature. Sophists, Socratics and Cynics, first published in 1983, also traces the sophistic strand in Greek thought beyond the great barrier of Plato, emphasising continuity with the Cynics, and concludes with a look forward to Epicureans and Stoics.

Was Tertullian of Carthage a schismatic? How did he view the church and its bishops? In this study David Rankin sets the writings of Tertullian in the context of the early third-century church and its developments, and discusses Tertullian's own theology of the church, his imagery and his perception of church office and ministry. Tertullian's contribution to the development of the church has often been misunderstood, and this thorough exploration provides a timely reassessment of its nature and importance.

Athenagoras of Athens was a Christian thinker of the second century who engaged with contemporary philosophical thought in the matters of the divine, and the relationship of that divine to the material world. While clearly a Christian apologist, Athenagoras presents doctrines of God, of the Holy Trinity, and of other theological matters which clearly evidence an engagement with Greek philosophical thought which goes beyond the merely linguistic and embraces the notion of God as true being. Athenagoras is a Church Father who has not been given great attention in twentieth-century and early twenty-first-century scholarship. This book explores Athenagoras' undeniable place in the development of Christian thought on the divine, on the Trinity, on the human person, and on the resurrection. His work provides an important link between the mid-second-century and the work of Justin and that of the third-century Christian theologians of the East.

The resurrection of the dead was, as Tertullian says, 'the chief article of the whole Christian faith' (De resurrectione 39.3) and one of those beliefs which most distinguished Christian thought from much other contemporary thinking. This book looks at the way in which post-death existence is represented in the work of the early Church Fathers - notably Athenagoras, Tertullian, and Origen - and the Letter to Rheginos, and how these representations compare with its treatment both in Scripture and in contemporary, modern theological reflection. Examining these attitudes to life after death, and putting them into conversation with more modern interpretations, the book asks four main questions. Firstly, whether resurrection happens immediately after death. Secondly, if there is continuity or discontinuity of space and time between death and a resurrection life. Thirdly, it explores whether post-death existence was thought to be embodied or not, and if so how might it be embodied. Finally, it addresses the issue of continuity, or discontinuity, of personal identity after death. This book sheds light on the formation of a key doctrine of Christian faith. As such, it will be of significant interest to scholars and academics working in the History of Religion, Theology and Patristics.

To observe the Celts through the eyes of the Greeks and Romans is the first aim of this book.

eBook available with sample pages: 0203441982

This book explores the life-history of the individual within the context of Plato s social thought. The author examines Plato s treatment of the principal crises in an individual life - birth, educational selection, sex, the individual s contract with society, old age, death, and life after death and provides an unprecedented analysis of Plato s theory of genetics as it appears in the Timaeus. Comparisons are made with contemporary developments in anthropology, sociology, and comparative myth but without losing sight of the fact that Plato, whilst having much to say to the modern world, was not a modern.

The Goetia is the most famous grimoire after the Key of Solomon. The owner of this handbook of sorcery was Dr. Thomas Rudd, the most important scholar-magician of the early seventeenth century, and a magical successor to Dr. John Dee.

The Goetia of Dr. Rudd explains how the 72 angels of the Shemhamphorash are used to evoke and safely bind demons--material that has not been made available in any previous edition. This rare volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton and includes illustrations drawn from rare manuscripts held in the British Library.

From Dr. Stephen Skinner and the Golden Hoard Press comes a historical grimoire that features a fascinating blend of high magic and local village magic. Originally a handbook for a working sorcerer, this book includes a wealth of magical workings in addition to a treasure trove of critical astrological information, including a unique set of astrological tables that are generally absent from other grimoires. Going beyond the planetary days and hours, A Cunning Man's Grimoire reveals detailed aspects of timing and magical operations connected with the 28 Mansions of the Moon and image magic, which rarely appear in Solomonic grimoires. This practical manual of magic is strongly influence by Arabic and Indian roots, placing it at the crossroads of several powerful magical streams.

This classic text of the Nine Great Keys details the invocation of the Archangels, the full hierarchy of spiritual beings (including Olympic Spirits and Elementals) and the evocation of the four Demon Princes.

Highly sought-after, this edition of a rare early seventeenth century grimioire has never before appeared in English. Occult scholar Stephen Skinner, along with magician and author David Rankine, trace the history of the Keys and offer full transcriptions of four key seventeenth century manuscripts in the British Library and in the Bodleian Library.