In this book, Bernardo Fonseca Machado examines the transnationalization of American Broadway and the resulting cultural exchanges between New York and Sao Paulo at the turn of the twenty-first century. Machado combines ethnography and history to track the complexities of discourses, imaginaries, and economic interests within the flow of musical people, capital, practices, pedagogies, and shows between these two cities.

The Stranglers exploded onto the music scene in 1977 with their iconic debut album Rattus Norvegicus. Lazily classed as a punk band because of their notorious behaviour and outrageous lyrics, the truth was somewhat different. Many books have been written about the behaviour of the band but this book focuses in-depth on the music and lyrics of every song during the years of the original line-up and destroys the myth of mindless musical provocateurs to reveal their brilliance and dark beauty by shining a forensic light on these musical visionaries. For fans of the band, whether musically experienced or not, it is a must-read. And for fans in general of rock music in the 70s and 80s, it will highlight what makes their music stand out as special and result in them dusting down their vinyl copies of the band's records to re-acquaint themselves with their music in a new light.

In Art Effects Carlos Fausto explores the interplay between indigenous material culture and ontology in ritual contexts, interpreting the agency of artifacts and indigenous presences and addressing major themes in anthropological theory and art history to study ritual images in the widest sense. Fausto delves into analyses of the body, aerophones, ritual masks, and anthropomorphic effigies while making a broad comparison between Amerindian visual regimes and the Christian imagistic tradition. Drawing on his extensive fieldwork in Amazonia, Fausto offers a rich tapestry of inductive theorizing in understanding anthropology's most complex subjects of analysis, such as praxis and materiality, ontology and belief, the power of images and mimesis, anthropomorphism and zoomorphism, and animism and posthumanism. Art Effects also brims with suggestive, hemispheric comparisons of South American and North American indigenous masks. In this tantalizing interdisciplinary work with echoes of Franz Boas, Pierre Clastres, and Claude Levi-Strauss, among others, Fausto asks: how do objects and ritual images acquire their efficacy and affect human beings?

This book is the first to collect the most influential essays and lectures of Eduardo Viveiros de Castro. Published in a wide variety of venues, and often difficult to find, the pieces are brought together here for the first time in a one major volume, which includes his momentous 1998 Cambridge University Lectures, "Cosmological Perspectivism in Amazonia and Elsewhere." Rounded out with new English translations of a number of previously unpublished works, the resulting book is a wide-ranging portrait of one of the towering figures of contemporary thought - philosopher, anthropologist, ethnographer, ethnologist, and more. With a new afterword by Roy Wagner elucidating Viveiros de Castro's work, influence, and legacy, The Relative Native will be required reading, further cementing Viveiros de Castro's position at the center of contemporary anthropological inquiry.

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In 1956, in the Brazilian state of Rondonia, a group of Wari' Indians had their first peaceful contact with whites: Protestant missionaries and officers from the national Indian Protection Service. On returning to their villages, the Wari' announced, "We touched their bodies " Meanwhile the whites reported to their own people that "the region's most warlike tribe has entered the pacification phase " Initially published in Brazil, "Strange Enemies" is an ethnographic narrative of the first encounters between these peoples with radically different worldviews.

During the 1940s and 1950s, white rubber tappers invading the Wari' lands raided the native villages, shooting and killing their victims as they slept. These massacres prompted the Wari' to initiate a period of intense retaliatory warfare. The national government and religious organizations subsequently intervened, seeking to "pacify" the Indians. Aparecida Vilaca was able to interview both Wari' and non-Wari' participants in these encounters, and here she shares their firsthand narratives of the dramatic events. Taking the Wari' perspective as its starting point, "Strange Enemies "combines a detailed examination of these cross-cultural encounters with analyses of classic ethnological themes such as kinship, shamanism, cannibalism, warfare, and mythology.