This book offers a fresh approach to a range of pressing issues, emphasising the value of establishing economic crime as a sub-discipline within criminology. This will be essential reading for a range of more applied graduate courses across the UK and Europe on counter-fraud, money laundering, corruption, security management and financial crime investigation. Given the prominence of 'economic crime' amongst police forces, law enforcement agencies and government, this book has a secondary market amongst practitioners.

This study analyses the causes of British manufacturing investment overseas, focusing primarily on the period from the mid 1960s to the mid 1980s. During these years there were significant changes in UK direct investment and this book represented the first major analysis of these changes based on detailed case studies of British international firms. The early chapters assess the available statistical evidence and the theories of overseas investment that had hitherto been put forward. The authors emphasize the need for recognizing the dynamic and varied nature of firms and the relevance of their historical development in order to understand business decision-making. Through a detailed consideration of the activities of a large sample of companies, the book explains why they manufacture abroad and assesses the overall consequences for the British economy of its overseas investment.

This book offers a fresh approach to a range of pressing issues, emphasising the value of establishing economic crime as a sub-discipline within criminology. This will be essential reading for a range of more applied graduate courses across the UK and Europe on counter-fraud, money laundering, corruption, security management and financial crime investigation. Given the prominence of 'economic crime' amongst police forces, law enforcement agencies and government, this book has a secondary market amongst practitioners.

While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era's most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.

While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era's most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

The fourteen essays collected in this volume, notwithstanding their diversity of subject matter and approach, share a concern with the contexts to which we need to refer in order to understand not only the origins, but also the potential of Mikhail Bakhtin's thought: contexts both immediate and oblique, personal and impersonal, intellectual and theoretical. Five of the essays are by well-known Russian scholars whose work on Bakhtin has not previously been translated in English; the other nine papers are by established and emerging Bakhtin specialists in North America, the United Kingdom, and Europe.

The fourteen essays collected in this volume, while diverse in their subject matter and approach, share a common concern with regard to the thoughts of Mikhail Bakhtin. This concern, relating to the context in which we need to refer in order to understand the origins and the potential of Bakhtin's thought, is reflected in essays that are immediate and oblique, personal and impersonal, intellectual and theoretical in context. Five of the essays are by well-known Russian scholars whose work on Bakhtin has not previously been translated in English, while the remaining nine are by established and emerging Bakhtin specialists in North America, the United Kingdom, and Europe.

This study analyses the causes of British manufacturing investment overseas, focusing primarily on the period from the mid 1960s to the mid 1980s. During these years there were significant changes in UK direct investment and this book represented the first major analysis of these changes based on detailed case studies of British international firms.

The early chapters assess the available statistical evidence and the theories of overseas investment that had hitherto been put forward. The authors emphasize the need for recognizing the dynamic and varied nature of firms and the relevance of their historical development in order to understand business decision-making.

Through a detailed consideration of the activities of a large sample of companies, the book explains why they manufacture abroad and assesses the overall consequences for the British economy of its overseas investment.

This Handbook provides an authoritative and practical road map for those implementing and managing BIM workflows. With the 2016 deadline for BIM level 2 fast approaching and the growing realisation of the huge benefits BIM brings these skills are increasingly becoming industry essentials. This will help you to adapt by clearly, and without jargon, explaining standard BIM processes, Government standards and the effective coordination of design, construction and asset information. Spanning both organisational strategy and day-to-day practical tasks it explores bottom line business reasoning as well as potential risks and challenges. This is the go-to guide for BIM coordinators and managers, architectural principals, design team leaders and architectural technicians that will ensure you are 'BIM ready' in 2016. It will also be invaluable for students of architecture and BIM getting to grips with strategy and implementation.

David Shepherd needs no introduction to transport enthusiasts - his railway photography is world renowned. This new collection presents a mesmerising portrait of the last days of steam north of the Thames.

The Russian philosopher and cultural theorist Mikhail Bakhtin has traditionally been seen as the leading figure in the group of intellectuals known as the Bakhtin Circle. The writings of other members of the Circle, when not attributed to Bakhtin himself, are considered much less important than his work. However, Bakhtin's achievement has been exaggerated in proportion to the downgrading of the thinkers with whom he associated in the 1920s. most important members of the Bakhtin Circle, sets out to correct the distortions in the established representations of its activity. The original contributions to literary and linguistic theory made by Valentin Voloshinov and Pavel Medvedev (but frequently credited to Bakhtin) are assessed, and the distinctiveness of their approaches is highlighted. The works and careers of less well-known members of the Circle, such as Lev Pumpianskii, Matvei Kagan, Ivan Kanaev and Ivan Sollertinskii, are also introduced. The Bakhtin Circle emerges from this reconsideration not as a set of followers or disciplines of one central figure, but as a dynamic confederation of independent thinkers. field of Bakhtin studies. It also makes available translations of key works by Voloshinov, Medvedev, Kagan and Pumpianskii. It should be a valuable point of reference for anyone interested in the trajectories of Russian thought and in the development of cultural theory in the 20th century.

An important collection of essays which treats Bakhtin as a provocative theorist whose work must be tested, explored and compared with the work of others. Contributors assess Bakhtin's contribution to difficult issues of colonialism, feminism, reception theory and theories of the body, amongst others. New articles explore the origins, previously unacknowledged, of Bakhtin's theory of language and provide a vivid account of the dramatic scandal surrounding Bakhtin's thesis on Rabelais. Contains dramatic new material, drawn from post-perestroika sources, which demythologizes the image of this important writer. A new bibliographical essay and introduction bring the English-language reader up-to-date with the progress of Bakhtin studies in Russia. -- .

Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions. Published for the International Brecht Society, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of particular interest to him, especially the politics of literatureand of theater in a global context. It embraces a wide variety of perspectives and approaches and, like Brecht himself, is committed to the use value of literature, theater, and theory. Volume 44 features the first publication of Gunter Kunert's translation of Edgar Lee Masters's poem "The Hill" with handwritten annotations by Brecht. A special section, "Brecht's Dramatic Fragments," includes essays on the unresolved tension between individual and collectivist resistance in Fatzer, the fragmentary aesthetic of Fleischhacker, and the first English translation and performance of the David fragments. The next section, "Pure Joke: The Comedy of Theater since Brecht," features articles on the poetics of interruption in the epilogue to The Good Person of Szechwan, Heiner Muller's Hamletmachine as theater of affirmation, a reassessment of the harlequin and the chorus in post-Brechtian performance, and the performative gestures of quotation in contemporary reality-satire. The volume also includes essays on capitalist guilt and debt in The Debts of Mister Julius Caesar, Heiner Muller's "Keuneresque" interview strategies, the 1962 world premiere of The Threepenny Opera in Yiddish, and Brecht's reception of Mao Tse-tung in two of his poems. Contributors include Gerrit-Jan Berendse, Andre Fischer, Phoebe von Held, Nicholas E. Johnson, Christian Kirchmeier, Gunter Kunert, Nikolaus Muller-Schoell, Stephan Pabst, Corina L. Petrescu, David Shepherd, Katrin Trustedt, Uwe Wirth, Burkhardt Wolf, and Xue Song. Editor Markus Wessendorf is aProfessor in the Department of Theatre and Dance at the University of Hawai'i at Manoa in Honolulu.

Although metafiction has been the subject of much critical and theoretical writing, this is the first full-length study of its place in Soviet literature. Focusing on metafictional works by Leonid Leonov, Marietta Shaginyan, Konstantin Vaginov, and Veniamin Kaverin, it examines, within a broadly Bakhtinian theoretical framework, the relationship between their self-consciousness and their cultural and political context. The texts are shown to challenge notions about the nature and function of literature fundamental to both Soviet and Anglo-American criticism. In particular, although metafictional strategies may seem designed to confirm assumptions about the aesthetic autonomy of the literary text, their effect is to reveal the shortcomings of such assumptions. The texts discussed take us beyond conventional understandings of metafiction by highlighting the need for a theoretically informed account of the history and reception of Soviet literature in which the inescapability of politics and ideology is no longer acknowledged grudgingly, but is instead celebrated.

"Images of the Word: Hollywood's Bible and Beyond" is a collection of essays by leading international scholars in the field of Bible and film. Recognizing the increasingly global nature of both media and religion, the volume focuses on the ways in which the Bible is interpreted and visualized not only within Hollywood but also far beyond it. Cutting-edge analysis of films from France, Canada, Sweden, India, and elsewhere reveals that the Bible's visualization is culturally rooted and contributes to the shaping of a particular culture, including its perception of the Bible itself.Essays range across the canon from "Exodus" to "Ecclesiastes" to "Revelation", interacting with films of various national traditions and periods from Blackton's "Life of Moses" (1909) to "Karunamayudu" (1978) to Cronenberg's "eXistenZ" (1999). The volume engages the breadth of current scholarly interest in this interdisciplinary field, including the critical reading of 'Bible films', the exploration of biblical motifs and themes within contemporary cinema, and concluding responses to the essays from both a biblical scholar and a film scholar. Paperback to this edition is available from the Society of Biblical Literature.