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Commemorating the 25th anniversary of the Telecommunications Policy
Research Conference (TPRC), this volume begins with a historical
survey of a quarter-century of TPRC meetings as one measure of
change in and research about the telecommunications industry.
Additional papers reflecting the ongoing pace of change in
technological, economic, and policy issues are organized around
four topics:
The Telecommunications Act of 1996 and the Federal Communications
Commission's Local Competition Order are just two examples of the
continuing monumental and far-reaching changes occurring throughout
the telecommunications industry. At the 1996 Telecommunications
Policy Research Conference (TPRC) -- an annual forum for dialogue
among scholars and the policymaking community on a wide range of
telecommunications issues -- leading industry and academic
researchers presented results of their research and insights in key
areas of activity, including:
Out-of-control costs. Box office bombs that should have been foreseen. A mania for sequels at the expense of innovation. Blockbusters of ever-diminishing merit. What other industry could continue like this--and succeed as spectacularly as Hollywood has? The American movie industry's extraordinary success at home and abroad--in the face of dire threats from broadcast television and a wealth of other entertainment media that have followed--is David Waterman's focus in this book, the first full-length economic study of the movie industry in over forty years. Combining historical and economic analysis, "Hollywood's Road to Riches" shows how, beginning in the 1950s, a largely predictable business has been transformed into a volatile and complex multimedia enterprise now commanding over 80 percent of the world's film business. At the same time, the book asks how the economic forces leading to this success--the forces of audience demand, technology, and high risk--have combined to change the kinds of movies Hollywood produces. Waterman argues that the movie studios have multiplied their revenues by effectively using pay television and home video media to extract the maximum amounts that individual consumers are willing to pay to watch the same movies in different venues. Along the way, the Hollywood studios have masterfully handled piracy and other economic challenges to the multimedia system they use to distribute movies. The author also looks ahead to what Internet file sharing and digital production and distribution technologies might mean for Hollywood's prosperity, as well as for the quality and variety of the movies it makes.
Pat Barker is one of the most compelling of the current generation of British novelists, especially in her use of the novel as an instrument of social critique, fashioning a literature which does not shy away from asking thorny questions, refusing the doctrinaire of what goes without saying, suspicious of simple answers. To date she has published eleven novels, some of which have been adapted for stage and screen. In this critical study, David Waterman examines questions of social representation in all of Pat Barker's novels, published over the last twenty-five years, from Union Street (1982) to the recent Life Class (2007), especially the ways in which Barker encourages us to interrogate the reality created by such conventionalizing, prescriptive representations in favor of a reality more accurately represented through a critical assessment of the uses and abuses of collective representations. Barker's principal characters are out of step with the natural order of things; they question cultural constructions like masculinity, heroism, the unquestionable right of institutions, and they worry about their role as members of the larger community. Such questions are often, fundamentally, questions of representation, whether we examine how existing representations serve to maintain the status quo, or whether we are interested in how to represent the horrors of war or the atrocities of civil life, how to give voice to trauma in an effort to approach something resembling truth--in other words, how best to represent the kinds of human experiences which resist representation. Pat Barker and the Mediation of Social Reality is an important book for scholars interested in contemporary British fiction, women's writing, and social-psychological approaches to literature. "A valuable addition to Barker scholarship in that it gives us ways to read the deep influence of social structures and how, through language and other means, they work themselves into individuals social and sexual identities ... it comprehensively covers Barker's eleven novels, and how the contrast between social inscription and traumatic experience is a repeated theme revisited in different contexts in each text ... the author highlights the value of Barker's work as social commentary and makes readers aware of her artistry in creating the rich inner lives of her complex characters and their multiple discourses that offer up ways to rethink enormous social and personal issues with a compelling clarity about the need for re-visioning our world." - Prof. Laurie Vickroy, Bradley University
Commemorating the 25th anniversary of the Telecommunications Policy
Research Conference (TPRC), this volume begins with a historical
survey of a quarter-century of TPRC meetings as one measure of
change in and research about the telecommunications industry.
Additional papers reflecting the ongoing pace of change in
technological, economic, and policy issues are organized around
four topics:
The Telecommunications Act of 1996 and the Federal Communications
Commission's Local Competition Order are just two examples of the
continuing monumental and far-reaching changes occurring throughout
the telecommunications industry. At the 1996 Telecommunications
Policy Research Conference (TPRC) -- an annual forum for dialogue
among scholars and the policymaking community on a wide range of
telecommunications issues -- leading industry and academic
researchers presented results of their research and insights in key
areas of activity, including:
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