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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi's work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful-and queer-use of masquerade and mistaken identity. Taken together, Mizrahi's films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi's contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.
The writings of Jacqueline Shohet Kahanoff (1917-1979) offer a
refreshing reassessment of Arab-Jewish relations in the Middle
East. A member of the bourgeois Jewish community in Cairo, Kahanoff
grew up in a time of coexistence. She spent the years of World War
II in New York City, where she launched her writing career with
publications in prominent American journals. Kahanoff later settled
in Israel, where she became a noted cultural and literary critic.
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