SARS (Acute Respiratory Syndrome) first presented itself to the global medical community as a case of atypical pneumonia in one small Chinese village in November 2002. Three months later the mysterious illness rapidly spread and appeared in Vietnam, Hong Kong, Toronto and then Singapore. The high fatality rate and sheer speed at which this disease spread prompted the World Health Organization to initiate a medieval practice of quarantine in the absence of any scientific knowledge of the disease. Now three years on from the initital outbreak, SARS poses no major threat and has vanished from the global media. Written by a team of contributors from a wide variety of disciplines, this book investigates the rise and subsequent decline of SARS in Hong Kong, mainland China and Taiwan. Multidisciplinary in its approach, SARS explores the epidemic from the perspectives of cultural geography, media studies and popular culture, and raises a number of important issues such as the political fate of the new democracy, spatial governance and spatial security, public health policy making, public culture formation, the role the media play in social crisis, and above all the special relations between the three countries in the context of globalization and crisis. It provides new and profound insights into what is still a highly topical issue in today's world.

SARS (Acute Respiratory Syndrome) first presented itself to the global medical community as a case of atypical pneumonia in one small Chinese village in November 2002. Three months later the mysterious illness rapidly spread and appeared in Vietnam, Hong Kong, Toronto and then Singapore. The high fatality rate and sheer speed at which this disease spread prompted the World Health Organization to initiate a medieval practice of quarantine in the absence of any scientific knowledge of the disease. Now three years on from the initital outbreak, SARS poses no major threat and has vanished from the global media. Written by a team of contributors from a wide variety of disciplines, this book investigates the rise and subsequent decline of SARS in Hong Kong, mainland China and Taiwan. Multidisciplinary in its approach, SARS explores the epidemic from the perspectives of cultural geography, media studies and popular culture, and raises a number of important issues such as the political fate of the new democracy, spatial governance and spatial security, public health policy making, public culture formation, the role the media play in social crisis, and above all the special relations between the three countries in the context of globalization and crisis. It provides new and profound insights into what is still a highly topical issue in today's world.

A beautifully written history of high society in Newport, Rhode Island, from the acclaimed author of Party of the Century

Newport is the legendary and beautiful home of American aristocracy and the sheltered super-rich. Many of the country's most famous blueblood families?the closest thing we have to royalty?have lived and summered in Newport since the nineteenth century. The Astors, the Vanderbilts, Edith Wharton, JFK and Jacqueline Kennedy Onassis, Doris Duke, and Claus and Sunny von Bulow are just a few of the many names who have called the city home. Gilded takes you along as you explore the fascinating heritage of the Newport elite, from its first colonists to the newest of its new millennium millionaires, showing the evolution of a town intent on living in its own world. Through a narrative filled with engrossing characters and lively tales of untold extravagance, Davis brings the resort to life and uncovers the difference between rich and Newport rich along the way.An engrossing multigenerational saga that tells the real story of the rich and famous in NewportVibrant, praiseworthy writing: "" Davis] brings splendidly colorful behind-the-scenes action and players up front"" (the "New York Times" on Party of the Century)34 evocative black-and-white photographs

Written with insight and dramatic flair, Gilded gives you a rare peek into the cloistered coastal playground of America's moneyed elite.

"Parties are the nightly ritual of sophisticated society. I find it fascinating that Truman Capote's famous Black and White Ball at the Plaza Hotel in New York in 1966 has become one of those legendary parties that exemplifies the ritual as a part of social and literary history. How beautifully Bedorah Davis has recounted the creation and execution of Truman's ball in minute and dishy detail. The ball marked the very peak of his dazzling literary career and the beginning of the literary downfall from which he never recovered. I knew Truman, and I was riveted by Davis's book."
--Dominick Dunne, author of "The Two Mrs. Grenvilles and An Inconvenient Woman"

"Deborah Davis captures a crystal moment in time with all the elegance and irony it deserves. A black and white truffle of a book--delicious."
--Jane Stanton Hitchcock, author of "One Dangerous Lady and Social Crimes"

"In this extraordinary book, Deborah Davis tells the story of how international society and the 1960s converged at the Plaza Hotel at the party of the century. It was a moment in time and Davis captures the excitement in delicious detail. I loved this book."
--Ina Garten, author of the "Barefoot Contessa" cookbooks

"Davis shines a kaleidoscopically colorful light on the Black and White Ball, a cultural happening that defined the time. Immersing oneself in these pages is the next best thing to being there."
--Jill Kargman, coauthor of "The Right Address and Wolves in Chic Clothing"

"One of the best reads of the season will be Deborah Davis's Party of the Century, an encyclopedic look at the famous Black and White Ball."
--Billy Norwich, "Vogue"

From Patricia Altschul, breakout star of Bravo's hit reality show Southern Charm, comes a lifestyle guide as refreshing and fun as a gin martini. "Patricia on #SouthernCharm, like lookin' in the damn mirror. Cheers queen." -Lady Gaga Fan-favorite Bravolebrity Patricia Altschul presents fans her coveted opus on etiquette and the glamorous Southern lifestyle. With the poise of a true grande dame, Patricia provides advice on every situation, from hosting a memorable cocktail party, to handling a drunken boor at the dinner table, to delivering the perfectly phrased insult-like her now iconic "shameless strumpet." The Art of Southern Charm takes readers inside the world of Charleston's most enchanting matriarch, who (with Michael the Butler) offers a blueblood's blueprint for curating and celebrating life at its best. "Some viewers might watch the Bravo reality show Southern Charm to witness the escapades of Charleston's young elite, but at T&C we watch just to see Patricia Altschul in action...She's the show's resident expert in decorum, manners, and entertaining...." -Emily Selter, Town & Country

A Paradise to Regain: Post-Obama Insights from Women Educators of the Black Diaspora seeks to avert the likelihood of erasure of President Barack Obama's legacy of hope and possibility that every child, regardless of race, faith, and gender affiliation, can dream big and live to see his/her dream turn into reality. As women educators of color, we all agree that the socio-political climate prevailing in the United States of America, since the aftermath of the 2016 election, requires unprecedented agency. The book provides space for Black women educators-African Americans, Naturalized Black Americans, and Foreign-born Blacks from Africa, the Caribbean Islands and South America (e.g., Guyana)-to have a candid conversation with their young children-sons and daughters, nephews and nieces-about the roadblocks they are likely to face as minority youth of color in their pursuit of greatness and the reminder that they have a role model in President Obama to look up to in moments of extreme frustration and exasperation. Voices of engaged educators of color are indispensable to make sure that children understand that that despite a-360-degree turn from eight consecutive years of a reassuring message that "change had come", that paradise had been gained, into the threatening message of "making America white again", we count on them to regain the paradise.

In this revealing social history, one remarkable White House dinner becomes a lens through which to examine race, politics, and the lives and legacies of two of America's most iconic figures.
In 1901, President Theodore Roosevelt invited Booker T. Washington to have dinner at the executive mansion with the First Family. The next morning, news that the president had dined with a black man sent shock waves through the nation. Fueled by inflammatory newspaper articles, political cartoons, and even vulgar songs, the scandal escalated and threatened to topple two of America's greatest men.
In this smart, accessible narrative, one seemingly ordinary dinner becomes a window onto post-Civil War American history and politics, and onto the lives of two dynamic men whose experiences and philosophies connect in unexpected ways. Deborah Davis also introduces dozens of other fascinating figures who have previously occupied the margins and footnotes of history, creating a lively and vastly entertaining book that reconfirms her place as one of our most talented popular historians.

"A tantalizing aperitif?a confection of a book."
--"Cleveland Plain Dealer"

"One of the best reads of the season."
--Billy Norwich, "Vogue"

In "Party of the Century," Deborah Davis transports readers back to the Oz-like splendor of New York in 1966, where Truman Capote, at the pinnacle of his fame after the huge bestsellerdom of In Cold Blood, threw himself the party to end all parties. Everyone who was anyone wanted an invitation to Capote's "Black and White Dance," to which the guests were instructed to wear masks and just two colors--black and white. The glittering roster of guests included newlyweds Frank Sinatra and Mia Farrow, the young actress Candice Bergen, writers Norman Mailer and William F. Buckley, various international crowned heads, Kennedys, Rockefellers, Vanderbilts, and Whitneys, and style divas Babe Paley, Slim Keith, and C. Z. Guest. In this vivid and delightful narrative, Deborah Davis chronicles the social whirl of the preparation and the anticipation leading up to the party, plus the drama and excitement of the ball itself.

Lavishly illustrated with photographs and drawings of the guests and their extravagant costumes, masks, and jewels designed by the likes of Halston and Adolfo, this portrait of revelry at the height of the swirling, swinging, turbulent sixties is a must for anyone interested in American popular culture and the lifestyles of the rich, famous, and talented.

"Captures the spirit and significance of the occasion with new material and fresh perspective, making this a party worth crashing."
--"Town & Country"

"Vastly entertaining."
--Liz Smith

"A stylish, sparkling little volume."
--"The Sunday Times" BookReview (London)

As freelance advertising copywriters, Tina Rabb and Deborah Davies were selling supersonic sub-woofers and touting Tijuana getaways on everything from billboards to fast food tray lines when it hit them: They were using their expertise to persuade people to buy things they may not really need -- so why not use that knowledge to help churches get the most mileage from their billboards? Why not promote something people truly need in their daily lives -- the love of God?

There are probably more than a million church signs and marquees in the United States, each offering an unparalleled chance to promote the kingdom of Christ. Yet many passersby are greeted with muddled and ungrammatical messages. The Proverbial Marquee is the cure for what's ailing so many church marquees today. It's a complete collection of both proven proverbs and original wisdom, all especially suited to signage. And it couldn't be more practical:
-- Maxims are categorized for easy reference
-- Each message is formatted line by line for easy drive-by reading
-- Line lengths are calculated to fall well within the average church sign's width
-- Best of all, a convenient letter count is provided

So while this book may have started out as atonement for their advertising sins, Rabb and Davies discovered that The Proverbial Marquee became a labor of love that was too gratifying (not to mention too much fun) to count as penance. But isn't that how a wise Father often works?

The title of John Killinger's newest book, "Preaching To A Church In Crisis," is meant to underline the uniqueness of the present situation in mainline Protestantism, and perhaps the urgency of it, but not to sensationalize it. He makes the point that inasmuch as the mainline churches for so many years established the social and political norms in our country, as well as the spiritual norms, any crisis in their existence becomes a major crisis in modern Christendom, and, by extension, in American life as a whole.
In the opening chapters of the book Killinger creates a general understanding of the malaise now affecting our churches. He then extrapolates from that understanding a sense of the moods and feelings affecting the people in America's congregations. Answering the question of what influence the disintegration of the mainline church has on the psyche of the persons attending these congregations, he places the preacher in a better position for thinking about preaching and what its hallmarks must be in order to speak truly and effectively for the gospel in our time.
"I don't think I'm tipping my hand to say that preachers have not faced such challenges, or lived in such a tumultuous era, since the days of the Reformation itself when a similar series of shocks and stresses occurred in the history and culture of the world. Then, a revolution of far-reaching and deeply felt consequences produced radical changes in the life of the church and in the way many preachers came to understand their calling and their craft.... The fundamentalist and traditionalist voices attempting to reinforce the dogmas and emphases of an earlier age, sincere and faithful as they may be, do no service to the church or the world at this point in what is transpiring."(from author introduction)
Though anguish fills these pages at times, the profound and hope-filled review of the themes and factors Killinger feels necessary to turn the tide will inspire and motivate the modern preacher. This is one of the most forceful and insightful books on preaching and the modern day church to appear in years.
John Killinger, one of the best known preachers and teachers of preachers in America, has pastored churches In Kentucky, Massachusetts, New Jersey, Virginia, and California. He has taught preaching, worship, and literature at Vanderbilt Divinity School, Princeton Theological Seminary, The University of Chicago, and the School of Theology at Claremont. His book"The Fundamentals Of Preaching"is widely used as a textbook in preaching.

More than half of all Native Americans live in cities, yet urban indians have not received the same attention as "traditional" indians who dwell on reservations. This groundbreaking anthropological investigation shatters stereotypes of what it means to be an ndian in America, arguing that the transition to an urban lifestyle requires a reshaping and reconceptualizing of self-identity. One of the most pressing concerns facing urban Native Americans today is the question of what constitutes a legitimate claim to Native identity. The importance of identity emerges in such practical matters as participation in tribal functions, entitlement to community aid, and political representation. The appropriation of indian symbols and lifeways by nonIndians has further blurred notions of identity. Explaining that ethnic identity is constructed and maintained through social interaction, Jackson demonstrates the importance of community in indian culture. Our Elders Lived It is the result of extensive fieldwork in an Upper Great Lakes midsized city, where life has been complicated by economic misfortune and social deprivation. Informed but not dominated by identity theory, Jackson's sensitive interviews and personal narratives allow the indian community to speak for itself and to present its own vision of the challenges facing urban Native Americans.

More than half of all Native Americans live in cities, yet urban indians have not received the same attention as "traditional" indians who dwell on reservations. This groundbreaking anthropological investigation shatters stereotypes of what it means to be an ndian in America, arguing that the transition to an urban lifestyle requires a reshaping and reconceptualizing of self-identity. One of the most pressing concerns facing urban Native Americans today is the question of what constitutes a legitimate claim to Native identity. The importance of identity emerges in such practical matters as participation in tribal functions, entitlement to community aid, and political representation. The appropriation of indian symbols and lifeways by nonIndians has further blurred notions of identity. Explaining that ethnic identity is constructed and maintained through social interaction, Jackson demonstrates the importance of community in indian culture. Our Elders Lived It is the result of extensive fieldwork in an Upper Great Lakes midsized city, where life has been complicated by economic misfortune and social deprivation. Informed but not dominated by identity theory, Jackson's sensitive interviews and personal narratives allow the indian community to speak for itself and to present its own vision of the challenges facing urban Native Americans.

Artists have always had a role in imagining a more socially just, inclusive world-many have devoted their lives to realizing this possibility. In a culture ever more embedded in performance and the visual, examining the role of arts in multicultural teaching for social justice is a timely focus. In Activist Art in Social Justice Pedagogy approaches to using activist art to teach a multicultural curriculum are examined and critiqued. Examples of activist artists and their strategies illustrate how study of and engagement in activist art processes glocally-connecting local and global issues-can deepen critical literacy and commitment to social justice. This book is relevant to those (1) interested in teaching more about artist/activist social movements around the globe, (2) preparing pre-service teachers to teach for social justice, (3) concerned about learning how to engage diverse learners through the arts, (4) teaching courses related to arts-based multicultural education, critical literacy, and culturally relevant teaching. As we think more broadly we address the question "why does a 'social justice through the arts in education' approach make sense"; describe examples of preservice teacher assignments examining artists' roles in activist movements, promoting multicultural understanding and social justice; and share approaches to and examples of using the arts in the United States and abroad to deepen multicultural comprehension and teaching for social justice.

How have the momentous policy shifts that followed the death of Mao Zedong changed families in China? What are the effects of the decollectivization of agriculture, the encouragement of limited private enterprise, and the world's strictest birth-control policy? Eleven sociologists and anthropologists explore these and other questions in this path-breaking volume. The essays concern both urban and rural communities and range from intellectual to working-class families. They show that there is no single trend in Chinese family organization today, but rather a mosaic of forms and strategies that must be seen in the light of particular local conditions.

Artists have always had a role in imagining a more socially just, inclusive world - many have devoted their lives to realizing this possibility. In a culture ever more embedded in performance and the visual, an examination of the role of the arts in multicultural teaching for social justice is timely. This book examines and critiques approaches to using activist art to teach a multicultural curriculum. Examples of activist artists and their strategies illustrate how study of and engagement in this process connect local and global issues that can deepen critical literacy and a commitment to social justice. This book is relevant to those interested in teaching more about artist/activist social movements around the globe; preparing pre-service teachers to teach for social justice; concerned about learning how to engage diverse learners through the arts; and teaching courses related to arts-based multicultural education, critical literacy, and culturally relevant teaching.

The story behind the legendary John Singer Sargent painting "Madame X" that propelled the artist to international renown but condemned his subject to a life of public ridicule.

Adult learners face unique challenges--work, family, and the numerous responsibilities and obligations that they must juggle while pursuing a degree. With limited time and financial resources, adult learners need to know where and how to get help quickly and easily, and who to turn to when they have questions. The second edition of THE ADULT LEARNER'S COMPANION: A GUIDE FOR THE ADULT COLLEGE STUDENT preserves the principal core of the first edition while extending the scope and relevance of the relationship between life experience and its practical application to college and work. Essentially, the new edition teaches adult students how what they already know can be applied to all facets of college and career. Author Deborah Davis, a former adult student herself, provides a concise manual that helps adult learners navigate their way through the college experience, while providing the skills necessary for academic achievement.