This collection of essays, the proceedings of an international conference held at King's College London in 2008, explores issues in the construction of gender that appear in the Hebrew Bible both in relation to priesthood itself and in literature with a priestly world-view (the P source, Chronicles, Ezra-Nehemiah, Ezekiel). Topics covered include female religious functionaries and their absence from the Hebrew Bible, masculinity and femininity as seen through the lens of priestly purity legislation, priestly genealogies as an expression of Jacques Derrida's 'archive fever', the definition of masculinity that is evidenced by priests' clothing, and the marginalization of women in priestly ideologies of nationality and kinship. This is the second volume in the sub-series King's College London Studies in the Bible and Gender. The first was A Question of Sex: Gender and Difference in the Hebrew Bible and Beyond (2007).

This unique study is the first systematic examination to be undertaken of the high priesthood in ancient Israel, from the earliest local chief priests in the pre-monarchic period down to the Hasmonaean priest-kings in the first century BCE. It discusses material from the Old Testament and Apocrypha, together with contemporary documents and coins. It challenges the view that by virtue of his office the high priest became sole political leader of the Jews in later times.

Gender differences between men and women are not just a matter of sexual differentiation; the roles that men and women play are also socially and culturally determined, in ancient Israel and post-biblical Judaism as in every other context. That is the theme of these ten studies. The first part of the volume examines the gender definitions and roles that can be identified in the Hebrew Bible's legal and ritual texts. The second part uses archaeological and anthropological perspectives to interrogate the biblical text and the society that formed it on issues of gender. The third part explores similar gender issues in a range of material outside the Hebrew Bible, from the Apocrypha through Josephus and Philo down to mediaeval Jewish marriage contracts (ketubbot). Among the questions here discussed are: Why are men, but not women, required to bathe in order to achieve ritual purity after incurring certain types of defilement? What understandings of masculinity and femininity underlie the regulations about incest? Was ancient Israel simply a patriarchal society, or were there more complex dynamics of power in which women as well as men were involved? What do post-biblical re-interpretations of the female figures of Wisdom and Folly in Proverbs 1-9 suggest about heterosexual masculinity? And what kind of rights did mediaeval Middle-Eastern Jewish women have within their marriage relationships?

This unique study is the first systematic examination to be undertaken of the high priesthood in ancient Israel, from the earliest local chief priests in the pre-monarchic period down to the Hasmonaean priest-kings in the first century BCE. Deborah Rooke argues that, contrary to received scholarly opinion, the high priesthood was fundamentally a religious office which in and of itself bestowed no civil responsibilities upon its holders, and that not until the time of the Maccabean revolt does the high priest appear as the sole figure of leadership for the nation. However, even the Maccabean / Hasmonaean high priesthood was effectively a reversion to the monarchic model of sacral kingship which had existed several centuries earlier in the pre-exilic period, rather than being an extension of the powers of the high priesthood itself. The idea that high priesthood per se bestowed the power to rule should therefore be reconsidered.

Handel's Israelite oratorios are today little known among non-specialists, but in their own day they were unique, pioneering and extremely popular. Dating from the period 1732-1752, they combine the musical conventions of Italian opera with dramatic plots in English that are adaptations of Old Testament narratives. They constitute a form of biblical interpretation, but to date, there has been no thoroughgoing study of the theological ideas or the attitudes towards the biblical text that might be conveyed in the oratorios' libretti. This book aims to fill that gap from an interdisciplinary perspective. Combining the insights of present-day biblical studies with those of Handelian studies, Deborah W. Rooke examines the libretti of ten oratorios - Esther, Deborah, Athalia, Saul, Samson, Joseph and his Brethren, Judas Macchabaeus, Solomon, Susanna and Jephtha - and evaluates the relationship between each libretto and the biblical story on which it is based. Rooke comments on each biblical text from a modern scholarly perspective, and then compares the modern interpretation with the version of the biblical narrative that appears in the relevant libretto. Where the libretto is based on a prior dramatic or literary adaptation of the biblical narrative, she also discusses the prior adaptation and how it relates to both the biblical text and the corresponding oratorio libretto. In this way the distinctive nuances of the oratorio libretti are highlighted, and each libretto is then analysed and interpreted in the light of eighteenth-century religion, scholarship, culture and politics. The result is a fascinating exploration not only of the oratorio libretti but also of how culture and context determines the nature of biblical interpretation.

Gender differences between men and women are not just a matter of sexual differentiation; the roles that men and women play are also socially and culturally determined, in ancient Israel and post-biblical Judaism as in every other context. This is the theme of these ten studies.