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The Park Avenue Cubists - Gallatin, Morris, Frelinghuysen and Shaw (Paperback): Robert S. Lubar The Park Avenue Cubists - Gallatin, Morris, Frelinghuysen and Shaw (Paperback)
Robert S. Lubar; Edited by Debra Bricker Balken
R1,002 Discovery Miles 10 020 Ships in 12 - 17 working days

This title was first published in 2002. The Park Avenue Cubists explores the work of a group of American artists committed to the belief that American abstraction could make a unique contribution to the evolution of the visual experiments begun by the European Modernists. All were inspired by the work of Braque, Picasso, Gris and Leger which they witnessed at first hand during repeated trips to Paris. Dubbed the 'Park Avenue Cubists' for the wealth and social status that enabled them to promote their own work and patronise that of their fellow members of the American Abstract Artists (AAA), the group included Albert Eugene Gallatin, George L.K. Morris, Suzy Frelinghuysen and Charles G. Shaw. Featuring essays by Debra Bricker Balken and Robert S. Lubar on the group's place in the history of modern art, along with individual studies of the four artists and an appendix bringing together the key statements written by the artists themselves, this volume provides the first in-depth study of the group.

The Park Avenue Cubists - Gallatin, Morris, Frelinghuysen and Shaw (Hardcover): Robert S. Lubar The Park Avenue Cubists - Gallatin, Morris, Frelinghuysen and Shaw (Hardcover)
Robert S. Lubar; Edited by Debra Bricker Balken
R3,172 Discovery Miles 31 720 Ships in 12 - 17 working days

This title was first published in 2002. The Park Avenue Cubists explores the work of a group of American artists committed to the belief that American abstraction could make a unique contribution to the evolution of the visual experiments begun by the European Modernists. All were inspired by the work of Braque, Picasso, Gris and Leger which they witnessed at first hand during repeated trips to Paris. Dubbed the 'Park Avenue Cubists' for the wealth and social status that enabled them to promote their own work and patronise that of their fellow members of the American Abstract Artists (AAA), the group included Albert Eugene Gallatin, George L.K. Morris, Suzy Frelinghuysen and Charles G. Shaw. Featuring essays by Debra Bricker Balken and Robert S. Lubar on the group's place in the history of modern art, along with individual studies of the four artists and an appendix bringing together the key statements written by the artists themselves, this volume provides the first in-depth study of the group.

Americans in Paris - Artists working in Postwar France, 1946 – 1962 (Hardcover): Lynn Gumpert, Debra Bricker Balken Americans in Paris - Artists working in Postwar France, 1946 – 1962 (Hardcover)
Lynn Gumpert, Debra Bricker Balken; Text written by Rashida Braggs
R1,016 Discovery Miles 10 160 Ships in 12 - 17 working days

Americans in Paris: Artists Working in Postwar France, 1946–1962 delves into the various circles of artists who lived in France following World War II. Featuring new scholarship and illuminating essays, this groundbreaking volume illustrates many of the paintings, sculptures, drawings, prints, photos, and films produced during these fertile years. Americans in Paris introduces the story of the American creative community that inhabited the City of Light following World War II. Proposing Paris as decisive for the development of postwar American art, this volume investigates the academies where many of these artists studied, the spaces where their work was exhibited, the aesthetic discourses that animated their conversations, their interactions with European artists, and the overarching issue of what it meant to be an American abroad.

Harold Rosenberg - A Critic's Life (Hardcover): Debra Bricker Balken Harold Rosenberg - A Critic's Life (Hardcover)
Debra Bricker Balken
R1,046 Discovery Miles 10 460 Ships in 12 - 17 working days

Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906-1978) was utterly incapable of fitting in-and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic's Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay "The Herd of Independent Minds." An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken brings to life with vivid accounts from Rosenberg's life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg's brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.

Philip Guston - Nixon Drawings 1971 & 1975 (Hardcover): Debra Bricker Balken, Musa Mayer Philip Guston - Nixon Drawings 1971 & 1975 (Hardcover)
Debra Bricker Balken, Musa Mayer
R1,574 R1,091 Discovery Miles 10 910 Save R483 (31%) Ships in 12 - 17 working days
Modern Mystic: The Art of Hyman Bloom (Hardcover): Henry Adams, Marcia Brennan Modern Mystic: The Art of Hyman Bloom (Hardcover)
Henry Adams, Marcia Brennan; Foreword by Debra Bricker Balken
R1,389 R1,136 Discovery Miles 11 360 Save R253 (18%) Ships in 12 - 17 working days
After Many Springs - Regionalism, Modernism, and the Midwest (Hardcover, New): Debra Bricker Balken After Many Springs - Regionalism, Modernism, and the Midwest (Hardcover, New)
Debra Bricker Balken; Introduction by Jeff Fleming
R824 Discovery Miles 8 240 Ships in 12 - 17 working days

After Many Springs is the title of a Thomas Hart Benton painting that evokes nostalgia for a fertile, creative time gone by. This bold new book--taking the name of this work by Benton--examines the intersections between Regionalist and Modernist paintings, photography, and film during the Great Depression, a period when the two approaches to art making were perhaps at their zenith. It is commonly believed that Regionalist artists Benton, John Steuart Curry, and Grant Wood reacted to the economic and social devastation of their era by harking back in tranquil bucolic paintings to a departed utopia. However, this volume compares their work to that of photographers such as Dorothea Lange and Ben Shahn and filmmakers such as Josef von Sternberg-all of whom documented the desolation of the Depression-and finds surprising commonalities. The book also notes intriguing connections between Regionalist artists and Modernists Jackson Pollock and Philip Guston, countering prevailing assumptions that Regionalism was an anathema to these New York School painters and showing their shared fascination with the Midwest. Distributed for the Des Moines Art Center Exhibition Schedule: Des Moines Art Center (January 30 - May 17, 2009)

Edna Andrade (Hardcover): Debra Bricker Balken Edna Andrade (Hardcover)
Debra Bricker Balken
R1,326 R1,237 Discovery Miles 12 370 Save R89 (7%) Ships in 12 - 17 working days

One of the foremost artists to emerge in Philadelphia in the 1960s, Edna Andrade (1917-2008) is now recognized as an early leader in the Op Art movement. Characterized by pulsating patterns, vivid colors, and a visual immediacy that surpasses narrative meaning, her work explores symmetry and rhythm through geometric design and structures inspired by nature. Andrade sought to create "democratic art" that dispensed with the need for elite aesthetic education or intricate explanations. As a result, her accessible and appealing compositions were often repurposed for commercial art and political campaigns. Edna Andrade takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus-inspired design and the distinctive geometric patterns of Op Art, to her late-life quasi-abstract studies of the Atlantic coastline. Accompanied by 170 illustrations, including full-color reproductions as well as photographs, drawings, sketches, and notes, the essays situate Andrade's work in the context of movements that surfaced in the United States in the 1960s, such as Minimalism and Pop Art. The first book-length study of her career as an artist and teacher, Edna Andrade examines the aesthetic influences, creative development, and enduring legacy of this dynamic twentieth-century artist. Contributors: Debra Bricker Balken, Joe Houston

Arthur Dove - A Catalogue Raisonne of Paintings and Things (Hardcover): Debra Bricker Balken Arthur Dove - A Catalogue Raisonne of Paintings and Things (Hardcover)
Debra Bricker Balken; Contributions by Jessie Sentivan
R3,112 Discovery Miles 31 120 Ships in 12 - 17 working days

New insights into the transformative work of this visionary modern artist accompany a comprehensive documentation of his paintings and assemblages Arthur Dove (1880-1946) was a major American modernist of the early 20th century. While he is tied to a circle of artists, including John Marin and Georgia O'Keeffe, who were associated with the preeminent photographer and art dealer Alfred Stieglitz, Dove's work is uniquely radical, anticipating the rise of abstract expressionism in the late 1940s. This catalogue raisonne surveys the artist's known paintings and assemblages, or "things," alongside an incisive essay on his work's critical reception, an illustrated chronology, and an extensive bibliography and exhibition history. Additional essays emphasize monumental works such as Fields of Grain as Seen from Train (1931), the magisterial Sunrise series (1936), and High Noon (1944), a culmination of his ongoing preoccupation with abstracting the ephemeral in nature. Previously unpublished materials and images advance the known corpus of Dove's work while ensuring that this is the most definitive publication on the artist to date. Elegantly and inventively designed, it is also the first book on the artist to illustrate all his extant paintings in color. Distributed for the Arthur Dove Catalogue Raisonne Project

Philip Guston's "Poor Richard" (Paperback, 2nd ed.): Philip Guston, Debra Bricker Balken Philip Guston's "Poor Richard" (Paperback, 2nd ed.)
Philip Guston, Debra Bricker Balken
R848 Discovery Miles 8 480 Out of stock

In 1971, as the race for the presidency heated up, the artist Philip Guston (1913-1980) created a series of caricatures of Richard Nixon titled Philip Guston's Poor Richard. Produced two years before Watergate and three years before Nixon's resignation, these provocative, searing condemnations of a corrupt head of state are remarkable, prescient political satire. The drawings mock Nixon's physical attributes--his nose is rendered as an enlarged phallus throughout-as well as his notoriously dubious, shifty character. Debra Bricker Balken's book is the first book--length publication of these drawings.
A visual narrative of Nixon's life, the drawings trace Nixon from his childhood, through his ascent to power, to his years in the White House. They incorporate Henry Kissinger (a pair of glasses), Spiro Agnew (a cone-head), and John Mitchell (a dolt smoking a pipe). They depict Nixon and his cohorts in China, plotting strategy in Key Biscayne, and shamelessly pandering to African Americans, hippies, and elderly tourists.
As Balken discusses in her accompanying essay, these drawings also reflect a dramatic transformation in Guston's work. In response to social unrest and the Vietnam War, he began to question the viability of a private art given to self-expression. His betrayal of aesthetic abstraction in favor of imagery imbued with personal and political meaning largely engendered the renewal of figuration in painting in America in the 1970s. These drawings not only represent one of the few instances of an artist in the late twentieth century engaging caricature in his work, they are also a witty, acerbic take on a corrupt figure and a scandalous political regime.

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