A group of teenagers do something bad, really bad, then panic and cover the whole thing up. But when they find that the cover-up unites them and brings harmony to their otherwise fractious lives, where's the incentive to put things right? DNA is a poignant and, sometimes, hilarious tale with a very dark heart. A contemporary play for younger people,DNA opened at the National Theatre in February 2008

Jude Law stars in this underwater thriller directed by Kevin Macdonald. Law stars as Captain Robinson, a seasoned submarine captain who, after losing his crew and his job, learns of an unclaimed bounty of Nazi gold lying in a U-boat at the bottom of the Black Sea. Seeing an opportunity to strike it rich and leave the job behind him once and for all, Robinson acquires the support of a shady businessman and assembles a crew of British and Russian sailors before embarking on the hunt. However, with such a huge pay off on offer, it isn't long before tensions flare on board and some of the crew begin to think about how they can increase their share of the gold...

David conducts an office romance by e-mail. He has love at his fingertips. But a shocking admission unravels his relationship piece by chilling piece. Jess loves David. She believes happiness can be bought - but it doesn't come cheap in a world of easy credit. Jess and David's ideal blend of love and money is killing them. Funny but heart wrenching, this ingenious drama dares us to enter a dislocated world of bad debts and even worse desires. Love and Money opened at the Manchester Royal Exchange in October 2006 with a transfer to the Young Vic, London.

This tale of a mother accused and convicted of the deaths of her two young babies is a horrific yet powerful. By adopting a form commonly associated with verbatim theatre, the subject is imbued with a clarity that is at once both unrelenting and utterly engaging, as it slowly emerges that these events are not truth at all, but Kelly masquerading theatrical illusion as truth. What unfolds is a bleak yet tender exploration of grief, exploitation, and the innate hypocrisies of reportage.

They were all in the pub when the explosion happened. Louise wakes up to find herself trapped with Mark, who has saved her life. Mark is always prepared for the worst and has everything he thinks they will need to survive; tinned chilli, Dungeons and Dragons and a knife - now all they need to do is to wait until it's safe to go outside. Can they survive the attack? Can they survive each other? After The End received its world premiere at The Traverse Theatre in August 2005.

Helen and Danny keep themselves to themselves. But the outside world comes crashing into their lives one day when Helen's brother turns up. Covered in blood. Dennis Kelly's new play is a thrilling contemporary suspense story which takes its audience on a chilling journey into a world just outside the front door. This disturbing urban drama has it's world premiere at the Traverse Theatre on 31st July 2009, reuniting the team that brought Kelly's play After The End to the Traverse Theatre in 2005. After a month's run at the Traverse, it transfers to Birmingham Rep and the Soho Theatre (London).

If you could lie without flinching, corrupt without caring and succeed at all costs - how far could you go - how much could you make? From the early promise of the 70s through to unrelenting capitalism of the 80s and 90s, follow George on the journey from innocence to savage greed and knotted honesty, as he invents three golden rule for success, whatever the cost. An electrifying dark morality tale, this new play from award- winning writer marks Dennis Kelly's Royal Court debut.

"Heroic commander of the Prussian cavalry, the Prince of Homburg dreams of victory, glory and fame. But reckless disobedience during a crucial military operation leads the Prince into his greatest battle yet. The creative team behind the Donmar's critically acclaimed production of Life Is A Dream present Von Kleist's poetic masterpiece, which is considered to be one of the most haunting and beautiful plays of the nineteenth century, exploring honour, courage, ambition and love. Adapted for stage by acclaimed British writer Dennis Kelly, this is an exciting new adaptation of a classic of European literature."

'I never know when things are funny, so what I do is wait until someone else starts laughing and then I join in, quick as I can and hope I haven't got in too late because there's nothing worse than being left out in the cold with a laugh hanging. People laugh a lot nowadays. I think that's fear. ' Gary's not stupid. He just dares to see the world differently. In the classroom and on the estate he provokes without intent. When another act of violence unsettles those around him, Gary must take the blame. Osama the Hero is a visceral rollercoaster of a play by one of Britain's hottest emerging writers. Raw, angry and urgent, this is an explosive piece of work.

" Silesia, 1903. Every man falls for Rose Bernd. But her actions lead her into danger. In a deeply traditional community how can she avoid disgrace? Rose Bernd is a compassionate but shocking account of a young woman's downfall. This new translation was performed at the Arcola Theatre in 2005 as part of the 'Last Waltz' season by Oxford Stage Company & Dumbfounded Theatre."

Once there were two terrible twins called Holly and Sean, who gave their Head Teacher a nervous breakdown. The twins were extremely pleased with themselves. That is, until the new Head Teacher arrived. For you see, the new Head Teacher was - a Troll. That's right. _x000D_ And this Troll Head Teacher soon created all kinds of mad new rules for the pupils and teachers. Can Holly and Sean save the day and stop the Troll from eating their classmates and teachers? Can naughtiness be restored to its rightful place? Will Brussels sprouts and peanut butter be taken off the menu?

'None of this is the truth. It's just people saying things. It's all subjective. There's the truth, and there's what people think is the truth, and it all depends on how you slant it...' "Taking Care of Baby" tackles the complex case of Donna McAuliffe, a young mother convicted of the murder of her two infant children. In a series of probing interviews the people in this extraordinary story, including Donna herself and her bewildered mother Lynn, reveal how they may have harmed those they sought to protect. Dennis Kelly's ambitious new play uses the popular techniques of drama-documentary and verbatim theatre to explore how truth is compromised by today's information culture. "Taking Care of Baby" opens at the Hampstead Theatre in May 2007.

A city under attack from a nuclear blast. As the dust settles, Louise wakes to find herself in a fallout shelter with Mark, the colleague who has saved her life. They have enough water and food to last two weeks. Now they just need to find a way of surviving each other. A chilling post-nuclear play that examines what it takes to endure catastrophe. After the End was originally published in 2005. This revised and updated edition was published to coincide with the London production at Theatre Royal Stratford East in February 2022.

This new Student Edition of Dennis Kelly’s popular play DNA contains introductory commentary and notes by Clare Finburgh Delijani, which gives an in-depth analysis of the play’s context and themes. As well as the complete text of the play, this new Methuen Drama Student Edition includes: · An introduction to the playwright and social context of the play · Discussion of the context, themes, characters and dramatic form · Overview of staging and performance history of the play · Bibliography of suggested primary and secondary materials for further study. Dennis Kelly's play DNA centres on friendship, morality and responsibility in odd circumstances. When a group of young friends are faced with a terrible accident, they deliberately make the wrong choices to cover it up and find themselves in an unusually binding friendship where no one will own up to what they've done.

From Morning To Midnight, among the most frequently performed German Expressionist works, charts the life of a cashier who steals money from the bank and flees to Berlin. The un-named protagonist's bid to escape his middle-class daily life is ultimately frustrated. It is a popular piece in which Kaiser satirized the cheapness and futility of modern society. His hero, a kind of machine-age Everyman, searches everywhere for some kind of fulfilment - in commercial sex, in salvationist religion - but discovers through a series of nightmarish episodes that the world is deceitful and illusory. In the end, disillusioned and pursued by the police, he takes his own life. This new version by Dennis Kelly, opened at the National Theatre's Lyttelton Theatre in November 2013, as part of the National's 50th Anniversary Season.

Across the UK thousands of people are involved in protests and debates, sparked into action by the largest cuts to publicspending since WWII - cuts which are the turning point of a generation, undermining the welfare state, higher education and the arts in one fell swoop. Theatre Uncut is a national theatre event in response to these cuts, bringing together some of the UK's leading dramatists. Drama groups, universities, youth clubs and theatre companies nationwide joined the event, staging their own versions of the shorts in a national theatrical uprising. Now published in this new collection, Theatre Uncut contains these short plays, addressing audiences who want to think about what the budget cuts really mean, and who they are really hitting. A debate is underway. Protest might begin, minds might be changed, views challenged, ideas formed. Theatre Uncut is a response to a situation that we cannot control, and over which we had no say. Click below to hear an interview with Libby Brodie and Hannah Price of Theatre Uncut:

An odyssey of pain, blood, love and loss. An unreal journey through two disturbed minds, and the unfolding events leading up to the self crucifixtion of their father in the front room. Enter the insane world of siblings Michael and Michelle. Debris is a depraved vision of an alien world seen through their eyes. Debris was developed whilst Kelly was on attachment at the National Theatre Studio. A production by the Latchmere Theatre opened at Battersea Arts Centre in March 2004.