Notwithstanding the importance of modern technology, fieldwork remains vital, not least through helping to inspire and educate the next generation. Fieldwork has the ingredients of intellectual curiosity, passion, rigour and engagement with the outdoor world - to name just a few. You may be simply noting what you see around you, making detailed records, or carrying out an experiment; all of this and much more amounts to fieldwork. Being curious, you think about the world around you, and through patient observation develop and test ideas. Forty contributors capture the excitement and importance of fieldwork through a wide variety of examples, from urban graffiti to the Great Barrier Reef. Outdoor learning is for life: people have the greatest respect and care for their world when they have first-hand experience of it. The Editors are donating all royalties due to them to the environmental charity, The Field Studies Council, to support student fieldwork at the Council's field centres.

An Illustrated Guide to British Upland Vegetation is the first comprehensive, single book on plant communities in the British uplands. It provides concise descriptions of all currently recognised British upland vegetation types. Written by a team comprising some of the most experienced upland field botanists and ecologists in the UK, the book brings together all of the upland communities described in the National Vegetation Classification together with a number of previously undescribed assemblages of plant species. A key enables the reader to classify vegetation in the field. Each vegetation type is described clearly and vividly, with guidance on how to differentiate between similar looking communities. There are detailed sections on the ecology, conservation and management of each community, and up-to-date distribution maps. This is the outcome of many years of field work in the British uplands, much of it supported by the UK Government conservation agencies. The book will be an indispensable guide for anyone with a keen interest in the uplands, notably ecologists, land managers, lecturers, and students, as well as the many organisations actively involved in this special environment. 'Using the Rodwell classification, the authors have blended in their own ecological expertise to produce - at last - an account of British upland vegetation which is readable, visual and comprehensive. Its value to nature conservation will be immense.' Dr Derek Ratcliffe, former Chief Scientist, Nature Conservancy Council 'Here is an outstanding companion and rich information-source for all whose occupations and interests lead them to the uplands. It not only furnishes a clear and 'user-friendly' guide to the diversity of vegetation types, but also provides a masterly overview of the upland environment.' Professor Charles H. Gimingham, Former Regius Professor of Botany, University of Aberdeen This book is a reprint edition of ISBN-10 1-86107-553-7 (2004).

Notwithstanding the importance of modern technology, fieldwork remains vital, not least through helping to inspire and educate the next generation. Fieldwork has the ingredients of intellectual curiosity, passion, rigour and engagement with the outdoor world - to name just a few. You may be simply noting what you see around you, making detailed records, or carrying out an experiment; all of this and much more amounts to fieldwork. Being curious, you think about the world around you, and through patient observation develop and test ideas. Forty contributors capture the excitement and importance of fieldwork through a wide variety of examples, from urban graffiti to the Great Barrier Reef. Outdoor learning is for life: people have the greatest respect and care for their world when they have first-hand experience of it. The Editors are donating all royalties due to them to the environmental charity, The Field Studies Council, to support student fieldwork at the Council's field centres.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.