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Notwithstanding the importance of modern technology, fieldwork
remains vital, not least through helping to inspire and educate the
next generation. Fieldwork has the ingredients of intellectual
curiosity, passion, rigour and engagement with the outdoor world -
to name just a few. You may be simply noting what you see around
you, making detailed records, or carrying out an experiment; all of
this and much more amounts to fieldwork. Being curious, you think
about the world around you, and through patient observation develop
and test ideas. Forty contributors capture the excitement and
importance of fieldwork through a wide variety of examples, from
urban graffiti to the Great Barrier Reef. Outdoor learning is for
life: people have the greatest respect and care for their world
when they have first-hand experience of it. The Editors are
donating all royalties due to them to the environmental charity,
The Field Studies Council, to support student fieldwork at the
Council's field centres.
Notwithstanding the importance of modern technology, fieldwork
remains vital, not least through helping to inspire and educate the
next generation. Fieldwork has the ingredients of intellectual
curiosity, passion, rigour and engagement with the outdoor world -
to name just a few. You may be simply noting what you see around
you, making detailed records, or carrying out an experiment; all of
this and much more amounts to fieldwork. Being curious, you think
about the world around you, and through patient observation develop
and test ideas. Forty contributors capture the excitement and
importance of fieldwork through a wide variety of examples, from
urban graffiti to the Great Barrier Reef. Outdoor learning is for
life: people have the greatest respect and care for their world
when they have first-hand experience of it. The Editors are
donating all royalties due to them to the environmental charity,
The Field Studies Council, to support student fieldwork at the
Council's field centres.
An Illustrated Guide to British Upland Vegetation is the first
comprehensive, single book on plant communities in the British
uplands. It provides concise descriptions of all currently
recognised British upland vegetation types. Written by a team
comprising some of the most experienced upland field botanists and
ecologists in the UK, the book brings together all of the upland
communities described in the National Vegetation Classification
together with a number of previously undescribed assemblages of
plant species. A key enables the reader to classify vegetation in
the field. Each vegetation type is described clearly and vividly,
with guidance on how to differentiate between similar looking
communities. There are detailed sections on the ecology,
conservation and management of each community, and up-to-date
distribution maps. This is the outcome of many years of field work
in the British uplands, much of it supported by the UK Government
conservation agencies. The book will be an indispensable guide for
anyone with a keen interest in the uplands, notably ecologists,
land managers, lecturers, and students, as well as the many
organisations actively involved in this special environment. 'Using
the Rodwell classification, the authors have blended in their own
ecological expertise to produce - at last - an account of British
upland vegetation which is readable, visual and comprehensive. Its
value to nature conservation will be immense.' Dr Derek Ratcliffe,
former Chief Scientist, Nature Conservancy Council 'Here is an
outstanding companion and rich information-source for all whose
occupations and interests lead them to the uplands. It not only
furnishes a clear and 'user-friendly' guide to the diversity of
vegetation types, but also provides a masterly overview of the
upland environment.' Professor Charles H. Gimingham, Former Regius
Professor of Botany, University of Aberdeen This book is a reprint
edition of ISBN-10 1-86107-553-7 (2004).
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
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