'Heart and humour in abundance...full of sex, love, loss and pool parties' The Times After fifty years in London, Alice wants to live out her days in the land of her birth. Her children are divided on whether she stays or goes, and in the wake of their father's death, the imagined stability of the family begins to fray. Meanwhile youngest daughter Melissa has never let go of a love she lost, and Michael in return, now married to Nicole, is haunted by the failed perfection of the past. As Alice's final decision draws closer, all that is hidden between them rises to the surface . . . Set against the shadows of a city and a country in turmoil, Diana Evans's ordinary people confront fundamental questions. How should we raise our children? How to do right by our parents? And how, in the midst of everything, can we satisfy ourselves? *SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2023* 'A gorgeous novel from one of our most outstanding writers' Bernardine Evaristo 'Diana Evans is fast proving herself a novelist to rank alongside Anne Tyler' Daily Mail 'A warm but devastating narrative... Like any Evans novel, it is unputdownable' Harper's Bazaar

*THE INTIMATE AND COMPELLING NEW NOVEL FROM THE PRIZEWINNING AUTHOR OF ORDINARY PEOPLE* After fifty years in London, Alice wants to live out her days in the land of her birth. Her three children are divided on whether she stays or goes. 'Diana Evans writes exquisitely beautifully' Bernardine Evaristo 'A lyrical and glorious writer' Naomi Alderman In the wake of their father's death, the imagined stability of the family begins to buckle. Meanwhile youngest daughter Melissa is forging a new life but has never let go of a love she lost. Michael too remains haunted by the failed perfection of their past, even within the sturdy walls of his marriage to the sparkling Nicole. As Alice's final decision draws closer, all that is hidden between Melissa and her sisters, Michael and Nicole, rises to the surface . . . Set against the shadows of Grenfell and a country in turmoil, Diana Evans's ordinary people confront fundamental questions. How should we raise our children? How to do right by our parents? And how, in the midst of everything, can we satisfy ourselves? 'Diana Evans's fiction is emotionally intelligent, dark, funny, moving . . . A brilliant craftswoman' Jackie Kay

**AS HEARD ON BBC RADIO 4 BOOK CLUB** 'Diana is so amazing when it comes to writing about humans and relationships... I don't know anyone who's as skilled as her' Candice Carty-Williams, Oprah Magazine Two couples find themselves at a moment of reckoning. Melissa has a new baby and doesn't want to let it change her. Damian has lost his father and intends not to let it get to him. Michael is still in love with Melissa but can't quite get close enough to her to stay faithful. Stephanie just wants to live a normal, happy life on the commuter belt with Damian and their three children, but his bereavement is getting in the way. Set in London to an exhilarating soundtrack, Ordinary People is an intimate study of identity and parenthood, sex and grief, friendship and ageing, and the fragile architecture of love. 'I am shouting from the rooftops to anyone who will listen about this book. It's so so good - realistic and funny and so truthful it almost winded me' Dolly Alderton 'I just finished Ordinary People by Diana Evans and it is utterly exquisite. What a writer she is - the depth of her insight, the grace of her sentences' Elizabeth Day, Twitter

'Heart and humour in abundance...full of sex, love, loss and pool parties' The Times After fifty years in London, Alice wants to live out her days in the land of her birth. Her children are divided on whether she stays or goes, and in the wake of their father's death, the imagined stability of the family begins to fray. Meanwhile youngest daughter Melissa has never let go of a love she lost, and Michael in return, now married to Nicole, is haunted by the failed perfection of the past. As Alice's final decision draws closer, all that is hidden between them rises to the surface . . . Set against the shadows of a city and a country in turmoil, Diana Evans's ordinary people confront fundamental questions. How should we raise our children? How to do right by our parents? And how, in the midst of everything, can we satisfy ourselves? *SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2023* 'A gorgeous novel from one of our most outstanding writers' Bernardine Evaristo 'Diana Evans is fast proving herself a novelist to rank alongside Anne Tyler' Daily Mail 'A warm but devastating narrative... Like any Evans novel, it is unputdownable' Harper's Bazaar

Pork barrel projects would surely rank near the top of most observers' lists of Congress's most widely despised products. Yet, political leaders in Congress and the President often trade pork for votes to pass legislation that serves broad national purposes, giving members of Congress pork barrel projects in return for their votes on general interest legislation. It is a practice that succeeds at a cost, but it is a cost that many political leaders are willing to pay in order to enact the broader public policies that they favor. There is an irony in this: pork barrel benefits, the most reviled of Congress's legislative products, are used by policy coalition leaders to produce the type of policy that is most admired - general interest legislation. This book makes the case that buying votes with pork is one way in which Congress solves its well-known collective action problem.

Voting is a habit. People learn the habit of voting, or not, based on experience in their first few elections. Elections that do not stimulate high turnout among young adults leave a 'footprint' of low turnout in the age structure of the electorate as many individuals who were new at those elections fail to vote at subsequent elections. Elections that stimulate high turnout leave a high turnout footprint. So a country's turnout history provides a baseline for current turnout that is largely set, except for young adults. This baseline shifts as older generations leave the electorate and as changes in political and institutional circumstances affect the turnout of new generations. Among the changes that have affected turnout in recent years, the lowering of the voting age in most established democracies has been particularly important in creating a low turnout footprint that has grown with each election.

Migration to new destinations in Europe and the United States has expanded dramatically over the past few decades. Within these destinations, there is a corresponding greater variety of ethnic, cultural, and/or religious diversity. This timely volume, The Politics of New Immigrant Destinations, considers the challenges posed by this proliferation of diversity for governments, majority populations, and immigrants. The contributors assess the effectiveness of the policy and political responses that have been spawned by increasing diversity in four types of new immigrant destinations: "intermediate" destination countries-Ireland and Italy; culturally distinct regions experiencing new migration such as Catalonia in Spain or the American South; new destinations within traditional destination countries like the state of Utah and rural towns in England; and "early migration cycle" countries including Latvia and Poland. The Politics of New Immigrant Destinations examines how these new destinations for immigrants compare to traditional destinations, with respect to their policy responses and success at integrating immigrants, offering perspectives from both immigrants and natives. Contributors include: Dace Akule, Amado Alarcon, Rhys Andrews, Francesca Campomori, Tiziana Caponio, Scott Decker, Erica Dobbs, Melissa M. Goldsmith, Aleksandra Grzymala-Kazlowska, Claudio A. Holzner, Magdalena Lesinska, Paul Lewis, Helen B. Marrow, Laura Morales, Katia Pilati, Marie Provine, Monica Varsanyi, and the editors.

Voting is a habit. People learn the habit of voting, or not, based on experience in their first few elections. Elections that do not stimulate high turnout among young adults leave a 'footprint' of low turnout in the age structure of the electorate as many individuals who were new at those elections fail to vote at subsequent elections. Elections that stimulate high turnout leave a high turnout footprint. So a country's turnout history provides a baseline for current turnout that is largely set, except for young adults. This baseline shifts as older generations leave the electorate and as changes in political and institutional circumstances affect the turnout of new generations. Among the changes that have affected turnout in recent years, the lowering of the voting age in most established democracies has been particularly important in creating a low turnout footprint that has grown with each election.

With a new introduction by DIANA EVANS 'Timelessly cinematic, with painterly visual descriptions and pitch-perfect dialogue that ranges across class, region, race, age, and gender' Emma Garman, Paris Review Set on a bucolic Martha's Vineyard in the 1950s, THE WEDDING tells the story of life in the Oval, a proud, insular community made up of the best and brightest of the East Coast's black bourgeoisie. Within this inner circle of 'blue-vein society', we witness the prominent Coles family gather for the wedding of their loveliest daughter, Shelby, who could have chosen from 'a whole area of eligible men of the right colors and the right professions.' Instead, she has fallen in love with and is about to be married to Mead Wyler, a white jazz musician from New York. A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community. Not just the story of one wedding, but of many, this compelling story offers insights into issues of race, prejudice and identity while maintaining its firm belief in the compensatory power of love. Through a delicate interweaving of past and present, North and South, black and white, THE WEDDING unfolds outward from a single isolated time and place until it embraces five generations of an extraordinary American family. It is an audacious accomplishment, a monumental history of the rise of a black middle class, written by a writer who lived it. Wise, heartfelt, and shattering, it is Dorothy West's crowning achievement.

'A writer of huge compassion and acute observation, and also of dazzling style . . . Her work is more relevant than ever' DIANA EVANS An incredible collection of writing - both essays and short stories - spanning the long career of Dorothy West. Includes a new introduction by Diana Evans. 'West's work is timelessly cinematic, with painterly visual descriptions and pitch-perfect dialogue that ranges across class, region, race, age, and gender' Emma Garman, Paris Review The stories contained here are as American as jazz, and as wise and multifaceted as their writer. Dorothy West's metier is the unique crucible in which America places its black middle class, but her themes are universal: the daily misunderstandings between young and old, men and women, rich and poor that can lead to tragedy; and the ways in which bonds of family and community can bring us together, and tear us asunder. Dorothy West's autobiographical essays explore the poles of her remarkable life - from growing up black and middle-class in Boston to her near-mythic trip to Moscow in 1933 with Langston Hughes and other Harlem Renaissance writers to life on her beloved Martha's Vineyard. They cohere into a beautiful and poignant memoir of a singular American life, a memoir that communicates with her short stories in a host of fertile ways. Taken as a whole, The Richer, The Poorer is a triumphant celebration of the long life and work of one of America's genuine treasures.

A hauntingly beautiful, wickedly funny, and devastatingly moving novel of innocence and dreams that announces the arrival of a major new talent to the literary scene

In the attic room at 26 Waifer Avenue, identical twins Georgia and Bessi Hunter share nectarines and forge their identities, while escaping from the sadness and danger that inhabit the floors below. But innocence lasts for only so long--and dreams, no matter how vivid and powerful, cannot slow the relentless incursion of the real world.

**WINNER OF THE ORANGE AWARD FOR NEW WRITERS** 'A remarkable first novel...vibrant...exotic' Sunday Times Discover the critically acclaimed debut from the Women's Prize-shortlisted author of Ordinary People Identical twins, Georgia and Bessi Hunter, live in the loft of 26 Waifer Avenue. It is a place of beanbags, nectarines and secrets, and visitors must always knock before entering. Down below there is not such harmony. Their Nigerian mother puts cayenne pepper on her Yorkshire pudding and has mysterious ways of dealing with homesickness; their father angrily roams the streets of London, prey to the demons of his Derbyshire upbringing. Forced to create their own identities, the Hunter children build a separate universe. Their elder sister Bel discovers sex, high heels and organic hairdressing whilst the twins prepare for a flapjack empire. It is when the reality comes knocking that the fantasies of childhood start to give way. How will Georgia and Bessi cope in a world of separateness and solitude, and which of them will be stronger? 'Hugely assured and very moving' Mark Haddon 'Diana Evans's fiction is emotionally intelligent, dark, funny, moving. The sheer energy in her novels is enthralling. A brilliant craftswoman, a master of the form, she makes the reader ask important questions of themselves and makes them laugh at the same time' Jackie Kay, British Council and National Centre for Writing's International Showcase on Britain's 10 best BAME writers Winner of the British Book Award for deciBel Writer of the Year Shortlisted for the Whitbread First Novel Award Shortlisted for the Guardian First Book Award Shortlisted for the Commonwealth Best First Book Award Shortlisted for the Times/Southbank Show Breakthrough Award Recipient of the Betty Trask Award Longlisted for the International IMPAC Dublin Literary Award

'Evans interweaves the strands of her three-generation narrative with an exhilarating sense of place and period' Daily Telegraph Read the dazzling family mystery from the Women's Prize-shortlisted author of Ordinary People As a child Lucas thought that all children who'd lost their parents lived on water. Now a restless young man still living with his sister Denise on their West London narrowboat, he determines to find out more about the unexplained disappearance of his father, the charismatic Jamaican dancer, Antoney Matheus. Thus unfolds a journey from fifties Kingston to sixties Notting Hill and the host of unforgettable characters who peopled Antoney's theatrical world, most importantly Carla, Lucas's mother. The result is a haunting family saga of absence and inheritance, the battle between love and creativity, and what drives a young man to take flight... 'Sparkles with mood, music and the sway of life' Marie Claire 'Diana Evans's fiction is emotionally intelligent, dark, funny, moving. The sheer energy in her novels is enthralling. A brilliant craftswoman, a master of the form, she makes the reader ask important questions of themselves and makes them laugh at the same time' Jackie Kay, British Council and National Centre for Writing's International Showcase on Britain's 10 best BAME writers

Migration to new destinations in Europe and the United States has expanded dramatically over the past few decades. Within these destinations, there is a corresponding greater variety of ethnic, cultural, and/or religious diversity. This timely volume, The Politics of New Immigrant Destinations, considers the challenges posed by this proliferation of diversity for governments, majority populations, and immigrants. The contributors assess the effectiveness of the policy and political responses that have been spawned by increasing diversity in four types of new immigrant destinations: "intermediate" destination countries-Ireland and Italy; culturally distinct regions experiencing new migration such as Catalonia in Spain or the American South; new destinations within traditional destination countries like the state of Utah and rural towns in England; and "early migration cycle" countries including Latvia and Poland. The Politics of New Immigrant Destinations examines how these new destinations for immigrants compare to traditional destinations, with respect to their policy responses and success at integrating immigrants, offering perspectives from both immigrants and natives. Contributors include: Dace Akule, Amado Alarcon, Rhys Andrews, Francesca Campomori, Tiziana Caponio, Scott Decker, Erica Dobbs, Melissa M. Goldsmith, Aleksandra Grzymala-Kazlowska, Claudio A. Holzner, Magdalena Lesinska, Paul Lewis, Helen B. Marrow, Laura Morales, Katia Pilati, Marie Provine, Monica Varsanyi, and the editors.

This book explores the increasing use of Constituency Development Funds (CDFs) in emerging democratic governments in Africa, Asia, the Caribbean, and Oceania. CDFs dedicate public money to benefit parliamentary constituencies through allocations and/or spending decisions influenced by Members of Parliament (MPs). The contributors employ the term CDF as a generic term although such funds have a different names, such as Electoral Development funds (Papua New Guinea), Constituency Development Catalyst Funds (Tanzania), Member of Parliament Local Area Development Fund (India), and the like. In some ways, the funds resemble the ad hoc pork barrel policy making employed in the US Congress for the past 200 years. However, unlike earmarks, CDFs generally become institutionalized in the government s annual budget and are distributed according to different criteria in each country. They enable MPs to influence programs in their constituencies that finance education, and build bridges, roads, community centers, clinics and schools. In this sense, a CDF is a politicized form of spending that can help fill in the important gaps in government services in constituencies that have not been addressed in the government s larger, comprehensive policy programs. This first comprehensive treatment of CDFs in the academic and development literatures emerges from a project at the State University of New York Center for International Development (SUNY CID). This project has explored CDFs in 19 countries and has developed indicators on their emergence, operations and oversight. The contributors provide detailed case studies of the emergence and operations of CDFs in Kenya, Uganda, Jamaica, and India, as well as an analysis of earmarks in the U.S. Congress, and a broader analysis of the emergence of the funds in Africa. They cover the emergence, institutionalization, and accountability of these funds, analyze key issues in their operations, and offer provisional conclusions of what the emergence and operations of these funds say about the democratization of politics in developing countries and current approaches to international support for democratic governance in developing countries."

Pork barrel projects would surely rank near the top of most observers' lists of Congress's most widely despised products. Yet, political leaders in Congress and the President often trade pork for votes to pass legislation that serves broad national purposes, giving members of Congress pork barrel projects in return for their votes on general interest legislation. It is a practice that succeeds at a cost, but it is a cost that many political leaders are willing to pay in order to enact the broader public policies that they favor. There is an irony in this: pork barrel benefits, the most reviled of Congress's legislative products, are used by policy coalition leaders to produce the type of policy that is most admired - general interest legislation. This book makes the case that buying votes with pork is one way in which Congress solves its well-known collective action problem.