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When women are erased from history, what are we left with? Between 1912 and 1922, Ireland experienced sweeping social and political change, including the Easter Rising, World War I, the Irish Civil War, the fight for Irish women's suffrage, the founding of the Abbey Theatre, and the passage of the Home Rule Bill. In preparation for the centennial of this epic decade, the Irish government formed a group of experts to oversee the ways in which the country would remember this monumental time. Unfortunately, the group was formed with no attempt at gender balance. Women and the Decade of Commemorations, edited by Oona Frawley, highlights not only the responsibilities of Irish women, past and present, but it also privileges women's scholarship in an attempt to redress what has been a long-standing imbalance. For example, contributors note the role of the Waking the Feminists movement, which was ignited when, in 2016, the Abbey Theater released its male-dominated centenary program. They also discuss the importance of addressing missing history and curating memory to correct the historical record when it comes to remembering revolution. Together, the essays in Women and the Decade of Commemorations consider the impact of women's unseen, unsung work, which has been critically important in shaping Ireland, a country that continues to struggle with honoring the full role of women today.
This book reframes the Irish abortion narrative within the history of women's reproductive health and explores the similarities and differences that shaped the history of abortion within the two states on the island of Ireland. Since the legalisation of abortion in Britain in 1967, an estimated 200,000 women have travelled from Ireland to England for an abortion. However, this abortion trail is at least a century old and began with women migrating to Britain to flee moral intolerance in Ireland towards unmarried mothers and their offspring. This study highlights how attitudes to unmarried motherhood reflected a broader cultural acceptance that morality should trump concerns regarding maternal health. This rationale bled into social and political responses to birth control and abortion and was underpinned by an acknowledgement that in prioritising morality some women would die.
This is the first history of Irish divorce. Spanning the island of Ireland over three centuries, it places the human experience of marriage breakdown centre stage to explore the impact of a highly restrictive and gendered law and its reform. It considers the accessibility of Irish divorce as it moved from a parliamentary process in Westminster, the Irish parliament and the Northern Ireland parliament to a court-based process. This socio-legal approach allows changing definitions of gendered marital roles and marital cruelty to be assessed. In charting the exceptionalism of Ireland's divorce provision in a European and imperial framework, the study uncovers governmental reluctance to reform Irish divorce law which spans jurisdictions and centuries. This was therefore not only a law dictated by religious strictures but also by a long-lived moral conservatism.
When women are erased from history, what are we left with? Between 1912 and 1922, Ireland experienced sweeping social and political change, including the Easter Rising, World War I, the Irish Civil War, the fight for Irish women's suffrage, the founding of the Abbey Theatre, and the passage of the Home Rule Bill. In preparation for the centennial of this epic decade, the Irish government formed a group of experts to oversee the ways in which the country would remember this monumental time. Unfortunately, the group was formed with no attempt at gender balance. Women and the Decade of Commemorations, edited by Oona Frawley, highlights not only the responsibilities of Irish women, past and present, but it also privileges women's scholarship in an attempt to redress what has been a long-standing imbalance. For example, contributors note the role of the Waking the Feminists movement, which was ignited when, in 2016, the Abbey Theater released its male-dominated centenary program. They also discuss the importance of addressing missing history and curating memory to correct the historical record when it comes to remembering revolution. Together, the essays in Women and the Decade of Commemorations consider the impact of women's unseen, unsung work, which has been critically important in shaping Ireland, a country that continues to struggle with honoring the full role of women today.
Against a backdrop of increasing democracy and the associated
process of aristocratic decline, this book examines the political
influence of the leading Tory hostesses, the Marchionesses of
Londonderry. Over one hundred and fifty years, from 1800-1959,
these women were patrons and confidantes to key political figures
such as Disraeli, Bonar Law, Edward Carson and Ramsay MacDonald. By
the late 19th century upper-class women were at the height of their
prowess, exerting political sway by private means whilst exploiting
more public avenues of political work: canvassing, addressing
meetings and leading the new associations established in an attempt
to educate a mass electorate. At that time this hybrid of private
and public aristocratic politicking aroused little criticism but,
by the interwar period, the hold that the 7th Marchioness of
Londonderry, Edith Vane-Tempest-Stewart, allegedly had over
MacDonald prompted widespread criticism of her role as the 'Mother'
of the National Government.
This is the first history of Irish divorce. Spanning the island of Ireland over three centuries, it places the human experience of marriage breakdown centre stage to explore the impact of a highly restrictive and gendered law and its reform. It considers the accessibility of Irish divorce as it moved from a parliamentary process in Westminster, the Irish parliament and the Northern Ireland parliament to a court-based process. This socio-legal approach allows changing definitions of gendered marital roles and marital cruelty to be assessed. In charting the exceptionalism of Ireland's divorce provision in a European and imperial framework, the study uncovers governmental reluctance to reform Irish divorce law which spans jurisdictions and centuries. This was therefore not only a law dictated by religious strictures but also by a long-lived moral conservatism.
Against a backdrop of increasing democratic freedom and the associated process of aristocratic decline, this book examines the political influence of the leading Tory hostesses, the Marchionesses of Londonderry. Over one hundred and fifty years, from 1800-1959, these women were patrons and confidantes to key political figures such as Disraeli, Bonar Law, Edward Carson and Ramsay MacDonald. By the late nineteenth century upper-class women were at the height of their prowess, exerting political sway by private means whilst exploiting more public avenues of political work: canvassing, addressing meetings and leading the new associations established in an attempt to educate a mass electorate. At that time this hybrid of private and public aristocratic politicking aroused little criticism but, by the interwar period, the alleged hold that the 7th Marchioness of Londonderry, Edith Vane-Tempest-Stewart, had over MacDonald prompted widespread criticism of her role as the 'Mother' of the National Government. The Ladies of Londonderry offers the first examination of the powerful political hostesses of the Anglo-Irish establishment and sheds considerable light on the workings of nineteenth- and twentieth-century politics.
This book is a collection of new research relating to Irish women's history. It is presented in sections on the themes of work, religion, political participation and gendered representations. These themes cover a wide diversity of female experience and are written in a clear, concise style to make them accessible to both the academic and popular reader. The book represents the largest time scale in Irish women's history to date, ranging from the 6th to 20th centuries. Contributors are from Ireland, the UK, the US, Australia and Russia and represent both academic and independent research. Contributors include well-known academics from the fields of women's history/ women's studies as well as scholars who are at the beginning of their careers.
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