This exhibition catalogue for a show at the Neue Sammlung (Design Museum) in Munich documents the first solo show by Swiss jewellery artist Therese Hilbert, former student of Max Froehlich in Zurich and Hermann Ju nger in Munich. It features 250 works, going back 50 years and beginning with her earliest, unknown pieces through to her newest work created in 2020. One of her life-long passions is volcanoes: she has climbed many of them and has used them as a theme in her jewellery design for many years. The sense of heat below the surface of her minimalist designs underlines her passion for the subject. Her work is in the collections of the Design Museum (Munich), the National Gallery of Victoria, the Dallas Museum of Art, and Museum of Arts and Design (New York). Features texts by Heike Endter, Otto Kunzli, Ellen Maurer-Zilioli, Pravu Mazumdar, Angelika Nollert, Warwick Freeman and Petra Hoelscher. Text in English and German.

The Danner Rotunde, the jewellery room in the Pinakothek der Moderne, Munich, was opened in 2004. Ambitious activities by the Danner-Stiftung and Die Neue Sammlung - The Design Museum, with the support of renowned jewellery artists such as Hermann Junger, Otto Kunzli and Peter Skubic, bore the fruit of two globally renowned jewellery collections. Today these comprise far in excess of 1,700 jewellery items, presented in pictures for the first time in this synopsis. Interviews with the creative minds behind these two unique collections in the field of studio jewellery enable insights into a previously unknown history, and an illustrated chronology arrives at astonishing results. Biographies on more than 300 jewellery artists also present those who have been virtually forgotten today. An indispensable compendium on the subject of contemporary jewellery art. Text in English and German.

Helga Zahn (1936-1985) was one of the leading jewellery artists in Britain during the 1960s and 1970s. The autodidact, who was raised in Schwarzenbach an der Saale, had a preference for silver and natural materials such as pebbles. Her one-off jewellery is made unique by the clarity of simple geometric forms, the lightness and simplicity of the combinations, and a reduced colour palette. With novel systematic thinking, in the mid 1960s she revolutionised the studio jewellery movement that was forming across the globe. With around a hundred jewellery objects, this comprehensive review invites you on a journey of rediscovery and reappraisal of this exceptional artist.

30 members of the international studio jewellery scene present their latest works. A valuable contribution to the positioning of jewellery in the arts. Karen Pontoppidan (b. 1968), Curator and Professor of Jewellery and Devices at the Munich Academy of Fine Arts, invites 30 international artists to the annual jewellery exhibition at Die Neue Sammlung - The Design Museum to present contemporary positions in studio jewellery. The publication SCHMUCKISMUS reveals that artists of this medium of expression no longer start from the mere decoration of individuals. Instead jewellery becomes a platform for discourse on cultural norms and values. Reflecting less on themselves as individuals, this new generation of artists is concentrating more on issues affecting society as a whole, such as ecology, consumer society or feminism. ARTISTS: T. Alm (SE), Y. Aydin (TR/SE), D. Bernadisiute (LT/SE), B. Brovia (IT/SE), C. Castiajo (PT), N. Cheng (HK/SE), E. Chun (KR/DE), S. Cohen (IL), I. Eichenberg (DE/US), C. Gimeno (AR), D. Hakim (IL), S. Hanagarth (FR), S. Heuser (DE), H. Hedman (SE), M. Iwamoto (JP/DE), H. Joris (BE/US), S. Khalil (LB), M. Klein (DE), G. Kling (SE), N. Kuffner (DE), B. Lignel (FR), J. Matzakow (DE), N. Melland (NO), N. Scholz (DE), K. Spranger (DE/GB), G. Stach (DE), V. Touloumidi (GR/DE), T. Tuupanen (FI), J. Yang (CN/DE), P. Zimmermann (AT) Text in English and German.

Jewellery and object artist Anton Cepka (1936) is one of the most important jewellery artists of the twentieth century and a protagonist of the so-called studio jewellery movement, which arose after the Second World War. Today he is considered the doyen of Slovakian and Czech jewellery designers. Whitened silver, optical glass, stones and modern acrylic glass are Anton Cepka's preferred materials. His jewellery and his objects as he himself says 'bear all the signs of today. At the same time they express the reflection of today's over-engineered world.' Movement and light unexpectedly come into play in these pieces; thus kinetic art enters jewellery art for the first time in a conceptual way. Aerotechnical, fragile futuristic forms, the colour of the whitened silver and titles such as Radar, Antenna, Airplane, Satellite and Planet reflect the current, technological advancement and reference of our times. The execution of the objects bears witness to a great craftsmanship that is essential to Cepka's objects. Text in English and German.