A bright portrait of modern Africa that pushes back against harmful stereotypes to tell a more comprehensive story.

You already know these stereotypes. So often Africa is depicted simplistically as an arid red landscape of famines and safaris, uniquely plagued by poverty and strife.

In this funny and insightful book, Dipo Faloyin offers a much-needed corrective. He examines each country's colonial heritage, and explores a wide range of subjects, from chronicling urban life in Lagos and the lively West African rivalry over who makes the best Jollof rice, to the story of democracy in seven dictatorships and the dangers of stereotypes in popular culture.

By turns intimate and political, Africa Is Not A Country brings the story of the continent towards reality, celebrating the energy and fabric of its different cultures and communities in a way that has never been done before.

So often, Africa has been depicted simplistically as a uniform land of famines and safaris, poverty and strife, stripped of all nuance. In this bold and insightful book, Dipo Faloyin offers a much-needed corrective, weaving a vibrant tapestry of stories that bring to life Africa’s rich diversity, communities, and histories. Starting with an immersive description of the lively and complex urban life of Lagos, Faloyin unearths surprising truths about many African countries’ colonial heritage and tells the story of the continent’s struggles with democracy through seven dictatorships. With biting wit, he takes on the phenomenon of the white savior complex and brings to light the damage caused by charity campaigns of the past decades, revisiting such cultural touchstones as the KONY 2012 film. Entering into the rivalries that energize the continent, Faloyin engages in the heated debate over which West African country makes the best jollof rice and describes the strange, incongruent beauty of the African Cup of Nations. With an eye toward the future promise of the continent, he explores the youth-led cultural and political movements that are defining and reimagining Africa on their own terms. The stories Faloyin shares are by turns joyful and enraging; proud and optimistic for the future even while they unequivocally confront the obstacles systematically set in place by former colonial powers. Brimming with humor and wit, filled with political insights, and, above all, infused with a deep love for the region, Africa Is Not a Country celebrates the energy and particularity of the continent’s different cultures and communities, treating Africa with the respect it deserves.

"So to the person that broke my heart in 2021 by way of a casual voice-note. Thank you." Told from the perspective of some of the finest contemporary Black writers and thinkers, MANDEM is an ode to the moments in our pasts that shape us, and gratitude at being able to appreciate these lessons in the present. In a beautiful blend of prose and lyricism, each essay sees its author tap into their most vulnerable place - engaging honestly in conversations often silently grappled with by Black British men because of socially enforced beliefs around Black masculinity. The themes in this essay collection range from the importance of male role-models, and the unique relationship between mother and son to the sexual pressure placed on young heterosexual men, while also asking the question: "what does contemporary Black queerness actually look like?" Edited by award-winning artist Iggy London and featuring essays from Yomi Sode, Jeffrey Boakye, Christian Adofo, Ashley Hickson-Lovence, Athian Akec, Dipo Faloyin, Okechukwu Nzelu, Phil Samba, Sope Soetan, and Jordan Stephens, MANDEM is an unmissable, thoughtful anthology of Black male expression.