Reinaldo Arenas was born to a poverty-stricken family in rural Cuba. By the time of his death in New York four decades later, he had become one of Cuba's most important poets, an outspoken critic of Castro's regime and one of the leading gay voices of the twentieth century. In Before Night Falls, Arenas tells of his odyssey from young rebel fighting for the Revolution, through his suppression as a writer, his disillusionment with Castro, his imprisonment and torture, to his eventual exile from Cuba to New York, where in 1987 he was diagnosed with AIDS. He committed suicide in 1990, ending a life of constant struggle against repression. In a farewell note, Arenas wrote: Due to my delicate state of health and to the terrible depression that causes me not to be able to continue writing and struggling for the freedom of Cuba, I am ending my life ... I do not want to convey to you a message of defeat, but of continued struggle and hope. Cuba will be free. I already am. (signed) Reinaldo Arenas

The shocking memoir by visionary Cuban writer Reinaldo Arenas "is a book above all about being free," said The New York Review of Books--sexually, politically, artistically. Arenas recounts a stunning odyssey from his poverty-stricken childhood in rural Cuba and his adolescence as a rebel fighting for Castro, through his supression as a writer, imprisonment as a homosexual, his flight from Cuba via the Mariel boat lift, and his subsequent life and the events leading to his death in New York. In what The Miami Herald calls his "deathbed ode to eroticism," Arenas breaks through the code of secrecy and silence that protects the privileged in a state where homosexuality is a political crime. Recorded in simple, straightforward prose, this is the true story of the Kafkaesque life and world re-created in the author's acclaimed novels.

"This barrio angel teaches us how to see behind the appearance of things and how to embrace reality with all the senses." --Isabel Allende

"Laura Restrepo breathes life into a singular amalgam of journalistic investigation and literary creation. Her fascination with popular culture and the play of her impeccable humor, of that biting but at the same time tender irony . . . infuses them with unmistakable reading pleasures."  --Gabriel García Márquez

Winner of Mexico's Sor Juana Inés de la Cruz Prize, and France's Prix France Culture, The Angel of Galilea introduces a refreshing new voice in Latin American literature to the English speaking audience.

Mona is a jaded reporter for a Colombian tabloid sent on assignment to investigate an angel sighting in one of Bogotá's most devastated barrios, where she encounters a community torn apart by a passionate conflict over a beautiful man who walks the fine line between sanity and sainthood. For the people of Galilea, this mysterious and sensual "angel without a name" represents their hope amidst desperate circumstances; for Mona, he awakens her desire to love and gives her a reason to believe. When the barrio's priest leads a revolt against the fallen angel, Mona risks everything to protect him from the gang that threatens to destroy him.

"Restrepo is a writer to treasure."  --Alastair Reid

"Sharply resonant."  --The New York Times Book Review

"Surprising, wonderful, and, for me, deeply moving."
--Alvaro Mutis

It is written in an unknown language and illustrated with enigmatic drawings. First surfacing in the court of Rudolph II of Bohemia, the Voynich Manuscript has developed a global cult following of cryptographers, none of whom has been able to crack its code.

But rumors abound: the Bohemian court also gave refuge to two of the greatest, and most controversial, scientific minds of all time. Could the manuscript be codified findings, written in a special language to conceal scientific discoveries from the Church and its brutal Inquisition?

When a key to unlocking Voynich is discovered in the church where a young Jesuit teaches, he suddenly finds himself at the center of a centuries-old mystery . . . uncovering secrets both ancient and modern.

It soon became clear that her marriage would have both its passions and its betrayals. Yet Emilie stayed with Oskar through his growing involvement with the Nazis, working for counterintelligence with him. She first, then he later, came to realize the costs of the Nazi takeover and became witnesses to its terrors. Their inward allegiance changed even as they needed to maintain patriotic appearances and close affiliations with the Nazis in power. Through their work together at their two factories, saving the Jews became paramount for the Schindlers. Emilie nursed the Jewish factory workers when they fell ill, often saving their lives. She risked imprisonment or worse for her activities in the black market to feed them. Her stubbornness kept her fighting for food, even daring to ask a wealthy mill owner to give them grain to feed her starving workers. Where Light and Shadow Meet chronicles the Schindlers' flight after the war, the loss of almost all their possessions, and their eventual emigration to Argentina. There they settled on a farm, but barely scraped together an existence. Oskar returned to Germany, leaving Emilie to manage on her own. This is the story of one woman's daily acts of bravery during Hitler's reign and why it mattered. It is also the story of a marriage and of survival. Finally, it is the story of Emilie's strength in continuing on one day at a time.

Mona and Other Tales covers Reinaldo Arenas's entire career: his recently rediscovered debut (which got him a job at the Biblioteca Nacional in Havana), stories written in a political prison, and some of his last works, written in exile. Many of the stories have not previously appeared in English.

Here is the tender story of a boy who recognizes evil for the first time and decides to ignore it; the tale of a writer struggling between the demands of creativity and of fame; common people dealing with changes brought about by revolution and exile; a romp with a famous, dangerous woman in the Metropolitan Museum; an outrageous fantasy that picks up where Garcia Lorca's famous play The House of Bernardo Alba ends. Told with Arenas's famous wit and humanity, Mona makes a perfect introduction to this important writer.

Translated from the Spanish by Dolores Koch.