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Ten years after Hurricane Katrina, outsiders will have two versions
of the Katrina experience. One version will be the images they
recall from news coverage of the aftermath. The other will be the
intimate portrayal of the determination of New Orleans residents to
rebuild and recover their lives. HBO's Treme offers outsiders an
inside look into why New Orleanians refused to abandon a place that
many questioned should not be rebuilt after the levees failed. This
critically acclaimed series expanded the boundaries of television
making in its format, plot, casting, use of music, and
realism-in-fictionalized-TV. However, Treme is not just a story for
the outside gaze on New Orleans. It was a very local, collaborative
experience where the show's creators sought to enlist the city in a
commemorative project. Treme allowed many in the city who worked as
principals, extras, and who tuned in as avid viewers to heal from
the devastation of the disaster as they experimented with art,
imitating life, imitating art. This book examines the impact of
HBOs Treme not just as television making, but in the sense in which
television provides a window to our worlds. The book pulls together
scholarship in media, communications, gender, area studies,
political economy, critical studies, African American studies and
music to explain why Treme was not just about television.
Ten years after Hurricane Katrina, outsiders will have two versions
of the Katrina experience. One version will be the images they
recall from news coverage of the aftermath. The other will be the
intimate portrayal of the determination of New Orleans residents to
rebuild and recover their lives. HBO's Treme offers outsiders an
inside look into why New Orleanians refused to abandon a place that
many questioned should not be rebuilt after the levees failed. This
critically acclaimed series expanded the boundaries of television
making in its format, plot, casting, use of music, and
realism-in-fictionalized-TV. However, Treme is not just a story for
the outside gaze on New Orleans. It was a very local, collaborative
experience where the show's creators sought to enlist the city in a
commemorative project. Treme allowed many in the city who worked as
principals, extras, and who tuned in as avid viewers to heal from
the devastation of the disaster as they experimented with art,
imitating life, imitating art. This book examines the impact of
HBOs Treme not just as television making, but in the sense in which
television provides a window to our worlds. The book pulls together
scholarship in media, communications, gender, area studies,
political economy, critical studies, African American studies and
music to explain why Treme was not just about television.
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