The first anthology to focus on the rich tradition of Canadian nature poetry in English, "Open Wide a Wilderness" is a survey of Canada's regions, poetries, histories, and peoples as these relate to the natural world. The poetic responses included here range from the heights of the sublime to detailed naturalist observation, from the perspectives of pioneers and those who work in the woods and on the sea to the dismayed witnesses of ecological destruction, from a sense of terror in confrontation with the natural world to expressions of amazement and delight at the beauty and strangeness of nature, our home. Arranged chronologically, the poems include excerpts from late-eighteenth-century colonial pioneer epics and selections from both well-known and more obscure nineteenth- and twentieth-century writers. A substantial section is devoted to contemporary writers who are working within and creating a new ecopoetic aesthetic in the early twenty-first century.

Don McKay's introductory essay, "Great Flint Singing," explores in McKay's inimitable way the thorny issues of Canadian poets' representations of nature over the past 150 years. Focusing on key texts by Duncan Campbell Scott, Charles G.D. Roberts, Earle Birney, Dennis Lee, and others, the essay traces Wordsworthian influences in a New World context, celebrates Canadian poets' love of natural history observation, and finds a way through a rich and contradictory tradition to current trends in ecopoetics.

This volume features thirty-five of Don McKay's best poems, which are selected with a contextualizing introduction by Meira Cook that probes wilderness and representation in McKay, and the canny, quirky, thoughtful, and sometimes comic self-consciousness the poems adumbrate. Included is McKay's afterword written especially for this volume in which McKay reflects on his own writing process--its relationship to the earth and to metamorphosis.

Don McKay has published eight books of poetry. He won the Governor General's Award in 1991 (for "Night Field") and in 2000 (for "Another Gravity"), a National Magazine Award (1991), and the Canadian Authors Association Award for Poetry in 1984 (for "Birding, Or Desire"). Don McKay was shortlisted for the 2005 Griffin Poetry Prize for "Camber" and was the Canadian winner of the 2007 Griffin Poetry Prize for "Strike/Slip." Born in Owen Sound, Ontario, McKay has been active as an editor, creative writing teacher, and university instructor, as well as a poet. He has taught at the University of Western Ontario, the University of New Brunswick, The Banff Centre, The Sage Hill Writing Experience, and the BC Festival of the Arts. He has served as editor and publisher of Brick Books since 1975 and from 1991 to 1996 as editor of "The Fiddlehead." He resides in British Columbia.

Angular unconformity

A discordant surface of contact between the deposits of two episodes of sedimentation in which the older, underlying strata have undergone folding, uplift, and erosion before the deposition of the younger sediments, so that the younger strata truncate the older.

-- Michael Allaby, ed., "A Dictionary of Earth Sciences," 3rd ed. (Oxford: Oxford University Press, 2008)

"Angular Unconformity" shows us a life's work in cross-section, a restless and humane intelligence, ever searching, ever shifting, finding meaning in our blink-of-an-eye existence against a backdrop of geological time unimaginable in its scale.

In this volume, the first comprehensive collection of Don McKay's poetry, this pre-eminent Canadian poet displays his gift for thinking through metaphor, channelling a profound philosophical discourse through plain language and striking imagery. In his poetry, disciplined attention and contemplation break through the commonplace and illuminate an ecological understanding of the world as it is.