Video, War and the Diasporic Imagination is an incisive study of the loss and (re)construction of collective and personal identities in ethnic migrant communities. Focusing on the Croatian and Macedonian Communities in Western Australia, Dona Kolar-Panov documents the social and cultural changes that affected these diasporic groups on the fragmentation of Yugoslavia.

This volume is a study of the loss and reconstruction of collective and personal identities in ethnic migrant communities. Focusing on the Bosnian and Croatian communities in Western Australia, Dona Kolar-Panov documents the social and cultural changes that affected these diasporic groups on the fragmentation of Yugoslavia. She describes the migrant audience's daily emcounter with the media images of destruction and atrocities committed in Croatia and Bosnia, and charts the implications the continuous viewing of the real and excessive violence had on the awakening of their ethno-national consciousness. The author presents an insight into how migrant cultures are shaped and changed through the reception and assimilation of images seen on video and television screens. Using the combination of close and semiotic analysis of videotexts with an informed account of social, political and historical contexts, the author recalls the complex relationships between ethnicity, technology and the reconstruction of identity.