Some years ago Donal McCracken was working on a book of Ireland and the Anglo-Boer War (1899-1902) when, in the British Ministry of Defence Library, the old War Office Library, off Whitehall, he came upon a slim volume. It was a war diary written by a young German from Halbertstad named Ernest Luther. As a child, Luther went with his mother to New York. From there, in a short period, he fought as a volunteer in three wars: the Graeco-Turkish War, the United States-Spanish War and the Anglo-Boer War. In South Africa Luther joined an Irish commando in the Boer army and fought against the British. Aged around twenty, he was killed in action in September 1900 during the Boer retreat through the Eastern Transvaal (Mpumalanga) in the face of Lord Roberts's advancing army. So we have a German-American, coming to South Africa to fight against the British, in an Irish commando, in the Boer army. The diary, published in 1900 in English, consists of only 54 small pages, but it is packed with action and invaluable as a source about the Boer retreat as well as about such matters as indiscipline in the commando, drunkenness, use of dum-dum bullets, which Boer leaders were where when, and so forth. But there is also a fascinating postscript. British Military Intelligence took the diary off the dying Luther. Within ten weeks, it had been shipped to London, possibly translated (the original is lost so we do not know if it was written in German), possibly altered and ultimately published by British Military Intelligence at 16 Queen Anne's Gate. We also know that in at least one instance and probably others, the published diary was handed out to a journalist in the field with General Roberts. So the diary also opens a window into the actions of British Military Intelligence and the embedded journalist within the advancing British army.

This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power. The media bolstered both the ideological and financial objectives of the empire in a myriad of overt, covert, and downright scandalous ways. From jeopardising the introduction of wireless telegraphy in order to maximise the financial gains of the investors of under-sea cabling, to newspaper proprietors cashing in on the thrilling, wonderful (and sometimes fabricated) adventures of war correspondents in exotic lands, the media has had a constant background influence in the public's perception of empire. By covering diverse topics from Anthony Lejeune's radio talk-show 'London Letters' - which supported the Allies by boosting morale and providing a link between soldiers fighting abroad and their families during both World Wars, to the complete subversion of imperial influence - as in the case of the proliferation of diverse media platforms being used by migrant communities in Britain as a means to promote 'colonization in reverse', the book hints at the politics, suspense, and intrigue of both the print and broadcast sectors. This book was originally published as a special issue of Critical Arts.

This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power. The media bolstered both the ideological and financial objectives of the empire in a myriad of overt, covert, and downright scandalous ways. From jeopardising the introduction of wireless telegraphy in order to maximise the financial gains of the investors of under-sea cabling, to newspaper proprietors cashing in on the thrilling, wonderful (and sometimes fabricated) adventures of war correspondents in exotic lands, the media has had a constant background influence in the public's perception of empire. By covering diverse topics from Anthony Lejeune's radio talk-show 'London Letters' - which supported the Allies by boosting morale and providing a link between soldiers fighting abroad and their families during both World Wars, to the complete subversion of imperial influence - as in the case of the proliferation of diverse media platforms being used by migrant communities in Britain as a means to promote 'colonization in reverse', the book hints at the politics, suspense, and intrigue of both the print and broadcast sectors. This book was originally published as a special issue of Critical Arts.

Born in Dublin in 1822, Lieutenant-General John Nicholson was raised and educated in Ireland. He joined the East India Company's Bengal Army as 16-year old boy-soldier and he saw action in Afghanistan, the two Anglo-Sikh wars and the Great Rebellion or Mutiny. He died in the thick of battle as the British army he was leading stormed the ancient city of Delhi in September 1857. He was only 34 years old. His legacy and his legend as the 'Hero of Delhi', however, far outlived him. As well as the Indian cult drawn to him, at home he became a hero and was portrayed in epic stories for children, inspiring generations of young boys to join the army in his footsteps. In more recent times, some turned the hero into a villain; others continue to consider him the finest army front-line British field commander of the Victorian era.