This is the guidebook to Turkey's new long-distance Cultural Route, complete with route description, map, historical background, and places to see. The route follows the Ottoman gentleman adventurer Evliya Celibi on his way to Mecca in 1671; it runs for 600km from the Sea of Marmara via Bursa, Kutahya and Afyon to Usak and Simav. The route follows, as far as possible, ancient paved roads and visits the cities, sights and tiny villages that Evliya rode through and recorded in his "Seyatname" ("Book of Travels"). It can be explored by walkers, horse-riders and bikers. The UN has declared Evliya 'Man of the Year' for 2011, the 400th anniversary of his birth. This route is a practical addition to these celebrations - it enables modern travellers to directly experience Evliya's life, times and travels. It is brought to you by the noted Ottoman historian and author of "Osman's Dream", Caroline Finkel, and the originator of 'The Lycian Way', Kate Clow.

Contents:
Introduction: Reading Spivak Donna Landry and Gerald MacLean 1. Bonding In Difference, interview with Alfred Arteaga (1993/4) 2. Explanation and Culture: Marginalia (1979) 3. Feminism and Critical Theory (1985) 4. Revolutions That As Yet Have No Model: Derrida's Limited Inc. (1980) 5. Scattered Speculations on the Question of Value (1985) 6. More on Power/Knowledge (1992) 7. Echo (1993) 8. Subaltern Studies: Deconstructing Historiography (1985) 9. How to Teach a "Culturally Different" Book (1991) 10. Translator's Preface and Afterword to Mahasweta Devi, "Imaginary Maps" (1994) 11. Subaltern Talk, interview with editors (1993/4) 12. Gayatri Chakravorty Spivak: A Checklist of Publications Index

The Spivak Reader offers a careful selection of this major critic's work, making it accessible to as wide an audience as possible. Many of the pieces have not previously been published in Spivak's earlier books.

Cosmopolitan Animals asks what new possibilities and permutations of cosmopolitanism can emerge by taking seriously our sharing and 'becoming-with' animals. It calls for a fresh awareness that animals are important players in cosmopolitics, and that worldliness is far from being a human monopoly.

Today's hunting debate began in the eighteenth century, when the idea of the countryside was being invented through the imaginative displacement of agricultural production in favour of country sports and landscape tourism. Between the Game Act of 1671 and its repeal in 1831, writers on walking and hunting often held opposed views, but contributed equally to the origins of modern ecology, while sharing a commitment to trespass that preserved common rights in an era of growing privatization.

In this challenging 1990 study, Donna Landry shows how an understanding of the remarkable but neglected careers of laboring-class women poets in the eighteenth century provokes a reassessment of our ideas concerning the literature of the period. Poets such as the washerwoman Mary Collier, the milkwoman Ann Yearsley, the domestic servants Mary Leapor and Elizabeth Hands, the dairywoman Janet Little, and the slave Phyllis Wheatley can be seen adapting the conventions of polite verse for the purposes of social criticism. Some of their strategies relate to earlier texts, revealing ideological blind spots in the tropes of male poets. Elsewhere, they made interesting innovations in poetic form. Mary Leapor's 'Crumble Hall', for instance, by attending to sexual politics, extends the critique of aristocratic privilege in the country-house poem beyond that of Pope and Crabbe. In Ann Yearsley's verse, landscape description, historical narrative, and philosophical meditation are infused with political comment. Historically important, technically impressive and often aesthetically innovative, the poetic achievements of these plebeian women writers constitute an exciting literary discovery.

"His lordship's Arabian," a phrase often heard in eighteenth-century England, described a new kind of horse imported into the British Isles from the Ottoman Empire and the Barbary States of North Africa. "Noble Brutes" traces how the introduction of these Eastern blood horses transformed early modern culture and revolutionized England's racing and equestrian tradition.

More than two hundred Oriental horses were imported into the British Isles between 1650 and 1750. With the horses came Eastern ideas about horsemanship and the relationship between horses and humans. Landry's groundbreaking archival research reveals how these Eastern imports profoundly influenced riding and racing styles, as well as literature and sporting art.

After only a generation of crossbreeding on British soil, the English Thoroughbred was born, and with it the gentlemanly ideal of free forward movement over a country as an enactment of English liberties.

This radical reinterpretation of Ottoman and Arab influences on horsemanship and breeding sheds new light on English national identity, as illustrated in such classic works as Jonathan Swift's "Gulliver's Travels" and George Stubbs's portrait of "Whistlejacket."

Between 1550 and 1850, the great age of mercantilism, the English people remade themselves from a disparate group of individuals and localities divided by feudal loyalties, dialects and even languages, into an imperial power. Examining literature, art and social life, and returning to ground first explored by Raymond Williams in his seminal work, The Country and the City Revisited traces this transformation. It shows that what Williams figured as an urban-rural dichotomy can now be more satisfactorily grasped as a permeable boundary. While the movement of sugar, tobacco and tea became ever more deeply interfused with the movement of people, through migration and the slave trade, these commodities initiated new conceptions of space, time and identity. Spanning the traditional periods of the Renaissance and Romanticism, this collection of essays offers exciting interdisciplinary perspectives on central issues of early modern English history.

In this challenging 1990 study, Donna Landry shows how an understanding of the remarkable but neglected careers of laboring-class women poets in the eighteenth century provokes a reassessment of our ideas concerning the literature of the period. Poets such as the washerwoman Mary Collier, the milkwoman Ann Yearsley, the domestic servants Mary Leapor and Elizabeth Hands, the dairywoman Janet Little, and the slave Phyllis Wheatley can be seen adapting the conventions of polite verse for the purposes of social criticism. Some of their strategies relate to earlier texts, revealing ideological blind spots in the tropes of male poets. Elsewhere, they made interesting innovations in poetic form. Mary Leapor's 'Crumble Hall', for instance, by attending to sexual politics, extends the critique of aristocratic privilege in the country-house poem beyond that of Pope and Crabbe. In Ann Yearsley's verse, landscape description, historical narrative, and philosophical meditation are infused with political comment. Historically important, technically impressive and often aesthetically innovative, the poetic achievements of these plebeian women writers constitute an exciting literary discovery.

Between 1550 and 1850, how were the English people able to transform themselves from a disparate group of individuals and localities into an imperial power? This book supplements Raymond Williams' seminal work on the country and the city by applying exciting new interdisciplinary perspectives on the question. During the great age of mercantilism, new conceptions of space, time, and social identity began to emerge that are still with us today. This collection of essays by major scholars looks afresh at central issues of early modern English history.