"His lordship's Arabian," a phrase often heard in
eighteenth-century England, described a new kind of horse imported
into the British Isles from the Ottoman Empire and the Barbary
States of North Africa. "Noble Brutes" traces how the introduction
of these Eastern blood horses transformed early modern culture and
revolutionized England's racing and equestrian tradition.
More than two hundred Oriental horses were imported into the
British Isles between 1650 and 1750. With the horses came Eastern
ideas about horsemanship and the relationship between horses and
humans. Landry's groundbreaking archival research reveals how these
Eastern imports profoundly influenced riding and racing styles, as
well as literature and sporting art.
After only a generation of crossbreeding on British soil, the
English Thoroughbred was born, and with it the gentlemanly ideal of
free forward movement over a country as an enactment of English
liberties.
This radical reinterpretation of Ottoman and Arab influences on
horsemanship and breeding sheds new light on English national
identity, as illustrated in such classic works as Jonathan Swift's
"Gulliver's Travels" and George Stubbs's portrait of
"Whistlejacket."
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