'Donna Leon provides another delectable slice of the thoughtful policeman's life at work and at home... So Shall You Reap is as witty and wise as anything Leon has written. To read her is to restore the soul.' Mark Sanderson, The Times 'Like all of Leon's novels, it ultimately feels like a glorious invigorating holiday.' Daily Express --- On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice's canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man's presence in Venice exists, Brunetti is forced to use the city's far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a garden house on the grounds of a palazzo owned by a university professor, in which Brunetti discovers books revealing the victim's interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s. As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signorina Elettra each assemble pieces of a puzzle-random information about real estate and land use, books, university friendships-that appear to have little in common. Until Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to revelation.

An engaging collection of stories and essays by the celebrated author of the internationally bestselling Guido Brunetti series, infused with her ever-present and delightful senses of humor and irony

Donna Leon’s memoir, Wandering Through Life, gave her legions of fans a colourful tour through her life, from childhood in New Jersey to adventures in China and Iran, to her love of Venice and opera. Nowhere, however, did she discuss her writing life.

In Backstage, Donna reveals her admiration for, and inspiration from, the great crime novelists Ruth Rendell and Ross Macdonald, examining their approach to storytelling as she dissects her favorite books of theirs. She expresses her love for Charles Dickens’ Great Expectations and her appreciation of Sir Walter Scott’s generosity of spirit. And she chronicles the lengths amount of research she undertakes to be able to present authentically, through Guido Brunetti and his colleagues, places and characters far from her own experience: interviewing a diamond dealer in Venice to open up the world of blood diamonds; meeting, through back channels, a courageous sex worker and women’s rights activist to depict accurately the trafficking of women in Italy.

Venice is central in her memory, whether recounting the semi-comic irritation of a noisy elderly neighbor or the origins of the city’s Carnevale. Her teaching career yields memorable tales: helping a young Black boy in a Newark, New Jersey elementary school; instructing young Iranian pilots in English just before the 1979 Iranian Revolution; taking her students at a Swiss private high school to the famous Frank Zappa concert in Montreux interrupted by fire.

Throughout, she is as good a storyteller about herself as she is a chronicler of Guido Brunetti’s crime adventures. Readers will be as caught up in her world as she is in his.

In the thirty-second installment of Donna Leon’s bestselling series, a connection to Guido Brunetti’s own youthful past helps solve a mysterious murder

On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice’s canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man’s presence in Venice exists, Brunetti is forced to use the city’s far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a small house on the grounds of a palazzo owned by a university professor, in which Brunetti discovers books revealing the victim’s interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s.

As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signora Elettra each assemble pieces of a puzzle—random information about real estate and land use, books, university friendships—that appear to have little in common, until Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to revelation.

**An Instant New York Times Bestseller** Brunetti is forced to confront the price of loyalty, to his past and in his work, as a seemingly innocent request leads him into troubling waters What role can or should loyalty play in the life of a police inspector? It's a question Commissario Guido Brunetti must face and ultimately answer in Give unto Others, Donna Leon's splendid thirty-first installment of her acclaimed Venetian crime series. Brunetti is approached for a favor by Elisabetta Foscarini, a woman he knows casually, but her mother was good to Brunetti's mother, so he feels obliged to at least look into the matter privately, and not as official police business. Foscarini's son-in-law, Enrico Fenzo, has alarmed his wife (her daughter) by confessing their family might be in danger because of something he's involved with. Since Fenzo is an accountant, Brunetti logically suspects the cause of danger is related to the finances of a client. Yet his clients seem benign: an optician, a restaurateur, a charity established by his father-in-law. However, when his friend's daughter's place of work is vandalized, Brunetti asks his own favors--that his colleagues Claudia Griffoni, Lorenzo Vianello, and Signorina Elettra Zorzi assist his private investigation, which soon enough turns official as they uncover the dark and Janus-faced nature of a venerable Italian institution. Exploring the wobbly line between the criminal and non-criminal, revealing previously untold elements of Brunetti's past, Give unto Others shows that the price of reciprocity can be steep.

From the New York Times bestselling author of Unto Us a Son is Given, comes one of her most dark and thrilling mysteries yet. A woman's cryptic dying words in a Venetian hospice lead Guido Brunetti to uncover a threat to the entire region in Donna Leon's haunting twenty-ninth Brunetti novel. When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague, Claudia Griffoni, waste no time in responding. "They killed him. It was bad money. I told him no," Benedetta Toso gasps the words about her recently-deceased husband, Vittorio Fadalto. Even though he is not sure she can hear him Brunetti softly promises he and Griffoni will look into what initially appears to be a private family tragedy. They discover that Fadalto worked in the field collecting samples of contamination for a company that measures the cleanliness of Venice's water supply and that he had died in a mysterious motorcycle accident. Distracted briefly by Vice Questore Patta's obsession with youth crime in Venice, Brunetti is bolstered once more by the remarkable research skills of Patta's secretary, Signora Elettra Zorzi. Piecing together the tangled threads, in time Brunetti comes to realize the perilous meaning in the woman's accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when, seeking solace, he reads Aeschylus's classic play The Eumenides. As she has done so often through her memorable characters and storytelling skill, Donna Leon once again engages our sensibilities as to the differences between guilt and responsibility.

Commissario Guido Brunetti of the Venice Questura is shocked to hear that Brett Lynch, a friend since a murder case at La Fenice, has suffered a savage beating. The attack, in the beautiful palazzo home of Flavia Petrelli, reigning diva of La Scala, had come with a message: 'Don't keep that appointment with Dottor Semenzato.' Then, with the storm clouds gathering fast over the city, a man's body is found . . .

There is little violent crime in Venice, a serenely beautiful floating city of mystery and magic, history and decay. But the evil that does occasionally rear its head is the jurisdiction of Guido Brunetti, the suave, urbane vice-commissario of police and a genius at detection. Now all of his admirable abilities must come into play in the deadly affair of Maestro Helmut Wellauer, a world-renowned conductor who died painfully from cyanide poisoning during an intermission at La Fenice.

But as the investigation unfolds, a chilling picture slowly begins to take shape--a detailed portrait of revenge painted with vivid strokes of hatred and shocking depravity. And the dilemma for Guido Brunetti will not be finding a murder suspect, but rather narrowing the choices down to one. . . .

A lorry crashes on one of the treacherous bends in the Italian Dolomites, spilling a terrible cargo . . . A prominent international layer is found dead in the carriage of an intercity train at Saint Lucia . . . Can the two tragedies possibly be connected? Commissario Guido Brunetti digs deep into the secret lives of the once great and good for the answer. For in a seedy Venetian bar lies the clue to an evil crime network reaching far beyond the laguna. But it will take another violent death in Venice before the forces of justice can even begin to proceed . . .

Commissario Brunetti's hopes of a refreshing family holiday in the mountains are once again dashed when a gruesome discovery is made in Marghera - a body so badly beaten the face is unrecognizable. Brunetti searches Venice for someone who can identify the dead man. But he is met with a wall of silence. Then he receives a telephone call from a contact who promises some tantalizing information. And before the night is out Brunetti is confronting yet another appalling and apparently senseless death . . .

Late one night, Brunetti is called away from dinner to investigate the death of a widow in her modest apartment. Though there are some signs of a struggle, the medical examiner rules that she died of a heart attack. It seems there is nothing for Brunetti to investigate. But he can't shake the feeling that something or someone may have triggered her heart attack, that perhaps the woman was threatened. Conversations with the woman's son, her upstairs neighbor, and the nun in charge of the old-age home where she volunteered do little to satisfy Brunetti's nagging curiosity. With the help of Inspector Vianello and the ever-resourceful Signorina Elettra, perhaps Brunetti can get to the truth and find some measure of justice in this outstanding twentieth installment in Donna Leon's magisterial Commissario Brunetti series.

On a luminous spring day in Venice, Commissario Guido Brunetti and Inspector Vianello play hooky to help get Vianello's friend Marco Ribetti--an environmental activist arrested during a protest against toxic waste being dumped into the city's waters--released from prison. But on the steps of the police headquarters, they come face-to-face with Ribetti's cantankerous father-in-law, who has been overheard making threats against Ribetti. And when the body of a night watchman is at the father-in-law's glass factory next to an annotated copy of Dante's Inferno, Brunetti must find out if there is a connection between this and whoever is ruining the waters of the lagoon.

Commissario Guido Brunetti returns with a gripping and powerful case about the murkiness of power and a test of loyalties

When two teenage gangs are arrested after clashing violently in one of Venice’s campi, the son of a local hero is implicated. But when Commissario Guido Brunetti is asked by a wealthy foreigner to vet this man, Monforte, for a job, he discovers that Monforte might not be such a hero after all.

This seeming contradiction, and a brutal attack on one of Brunetti’s colleagues by a possible gang member, concentrate Brunetti’s attentions. Soon, he discovers the sordid hypocrisy surrounding Monforte’s past, culminating in a fiery meeting of two gangs and a final opportunity for redemption.

A Refiner’s Fire is Donna Leon at her very best: an elegant, sophisticated storyteller whose indelible characters become richer with each book, and who constantly interrogates the ambiguity between moral and legal justice.

'When she's writing about her beloved Venice, Donna Leon can do no wrong. And Earthly Remains, her new mystery featuring Commissario Guido Brunetti, is one of her best. It's also one of her saddest, dealing as it does with the seemingly unstoppable polluting of the great lagoon . . . Leon dares to try, once again earning the gratitude of her devoted readers.' New York Times A New York Times Bestseller A New York Times Top Ten Crime Novel of 2017 A New York Times Book Review Editors' Choice An Amazon Best Book of the Month (Mystery) __________________________________ Granted leave from the Questura, Commissario Guido Brunetti decides to finally take a well-earned break and visit Sant'Erasmo, one of the largest islands in the Venetian laguna. The recuperative stay goes according to plan until Davide Casati, the mysterious caretaker of the villa Brunetti has been staying in, goes missing following a sudden storm. Nobody can find him - not his daughter, not his friends, and not the woman he's been secretly visiting . . . Convinced that this was no accident, Brunetti feels compelled to set aside his holiday and discover what happened to the man who had recently become his friend.

'A splendid series . . . with a backdrop of the city so vivid you can almost smell it.' The Sunday Telegraph Winner of the Suntory Mystery Fiction Grand Prize The twisted maze of Venice's canals has always been shrouded in mystery. Even the celebrated opera house, La Fenice, has seen its share of death ... but none so horrific and violent as that of world-famous conductor, Maestro Helmut Wellauer, who was poisoned during a performance of La Traviata. Even Commissario of Police, Guido Brunetti, used to the labyrinthine corruptions of the city, is shocked at the number of enemies Wellauer has made on his way to the top - but just how many have motive enough for murder? The beauty of Venice is crumbling. But evil is one thing that will never erode with age. 'What a ripping first mystery, as beguiling and secretly sinister as Venice herself. Sparkling and irresistible.' Rita Mae Brown 'Donna Leon has given fans of subtle, clever and literate mysteries something to cheer about. . . . A wonderful read.' Tony Hillerman

'Donna Leon provides another delectable slice of the thoughtful policeman's life at work and at home... So Shall You Reap is as witty and wise as anything Leon has written. To read her is to restore the soul.' Mark Sanderson, The Times 'Like all of Leon's novels, it ultimately feels like a glorious invigorating holiday.' Daily Express --- On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice's canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man's presence in Venice exists, Brunetti is forced to use the city's far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a garden house on the grounds of a palazzo owned by a university professor, in which Brunetti discovers books revealing the victim's interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s. As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signorina Elettra each assemble pieces of a puzzle-random information about real estate and land use, books, university friendships-that appear to have little in common. Until Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to revelation.

Internationally praised for her Commissario Guido Brunetti series, Donna Leon's first standalone novel features a widely different but equally compelling sleuth, Caterina Pellegrini. Caterina is a native Venetian, and like so many of them, she's had to leave home to pursue her career. With a doctorate in baroque opera from Vienna, she lands in Manchester, England. Manchester, however, is no Venice. When Caterina gets word of a position back home, she jumps at the opportunity. The job is an unusual one. After nearly three centuries, two locked trunks, believed to contain the papers of Agostino Steffani, a baroque composer have been discovered. Deeply-connected in religious and political circles, the composer died childless; now two Venetians, descendants of his cousins, each claim inheritance. Caterina's job is to examine any papers found in the trunks to discover Steffani's "testamentary disposition" of the composer. But when her research takes her in unexpected directions she begins to wonder just what secrets these trunks may hold. From a masterful writer, The Jewels of Paradise is a superb novel, a gripping tale of intrigue, music, history and greed.

'There is no one better than Donna Leon at showing the ripple effects of a single traumatic event . . . Throughout this astonishingly consistent series Leon has recast the city in her own venerable image: full of surprises and hidden beauty.' Evening Standard A New York Times Bestseller An Indie Bestseller __________________________________ In The Waters of Eternal Youth, the twenty-fifth instalment in the bestselling Brunetti series, our Commissario finds himself drawn into a case that may not be a crime at all. Brunetti is investigating a cold case by request of the grand Contessa Lando-Continui, a friend of Brunetti's mother-in-law. Fifteen years ago the Contessa's teenage granddaughter, Manuela, was found drowning in a canal. She was rescued from the canal at the last moment, but in many ways it was too late; she suffered severe brain damage and her life was never the same again. Once a passionate horse rider, Manuela, now aged thirty, cannot remember the accident, or her beloved horse, and lives trapped in an eternal youth. The Contessa, unconvinced that this was an accident, implores Brunetti to find the culprit she believes was responsible for ruining Manuela's life. Out of a mixture of curiosity, pity and a willingness to fulfil the wishes of a loving grandmother, Brunetti reopens the case. But once he starts to investigate, Brunetti finds a murky past and a dark story at its heart. The Waters of Eternal Youth is awash in the rhythms and concerns of contemporary Venetian life, from historical preservation, to housing, to new waves of African migrants, all circling the haunting story of a woman trapped in a perpetual childhood.

Early one morning Commissario Guido Brunetti of the Venice Police confronts a grisly sight when the body of a young man is fished out of a fetid canal. All the clues point to a violent mugging, but for Brunetti the motive of robbery seems altogether too convenient. When something is discovered in the victim's apartment that suggests the existence of a high-level conspiracy, Brunetti becomes convinced that somebody is taking great pains to provide a ready-made solution to the crime. Rich with atmosphere and marvelous plotting, Death in a Strange Country is a superb novel in Donna Leon's chilling Venetian mystery series.

Commissario Guido Brunetti is kicking his heels, pondering the recent lack of crime in Venice, when a beautiful young woman appears at his office door. Now calling herself Maria Testa, his visitor is more familiar to Brunetti as Suor'lmmacolata, the nun who once cared for his mother at the casa di cura in Dolo. But Maria has recently left her convent after the unexpected deaths of five patients. Brunetti offers to make some enquiries, but finds now obvious cause for concern. Is Maria simply creating fears to justify abandoning her vocation? Or has she stumbled on to a deeply rooted, far more sinister scenario - and put her own life in very grave danger . . . ?

In "Death and Judgment, " the fourth novel in Donna Leon's best selling Commissario Guido Brunetti series, a truck crashes and spills its dangerous cargo on a treacherous road in the Italian Dolomite Mountains. Meanwhile, a prominent international lawyer is found dead aboard an intercity train bound for Venice. Brunetti suspects a connection between the two tragedies. Digging deep for an answer, he stumbles upon a seedy Venetian bar that holds the key to a crime network that reaches far beyond the laguna. But it will take another violent death in Venice before Brunetti and his colleagues can get to the bottom of what is behind the horrific events.