- The first in-depth book on redpointing, where the climber does not weight the rope or pull or stand on manmade equipment - Assessing your redpoint and on-sight skills, choosing a route, and practicing with learning burns - The best ways to use equipment and safest belay methods and rope tricks for working routes - Tips for preparing mentally, physically, and emotionally for flash and on-sight burns, climbs that you haven't attempted previously

Every schoolchild knows that "in 1492 Columbus sailed the ocean blue" - but what they don't teach you in history class is that he wasn't the only one. In The Race to the New World, Douglas Hunter tells for the first time the fascinating tale of how Christopher Columbus was embroiled in a high-stakes race with Venetian John Cabot to find a shortcut to the East - and how they found a New World that neither was looking for. Employing fresh research and new translations of critical documents, Hunter reveals the surprisingly intertwined lives of the fabled explorer and his forgotten rival, and provides a fresh perspective on the first years of the European discovery of the New World.

Claimed by many to be the most frequently documented artifact in American archeology, Dighton Rock is a forty-ton boulder covered in petroglyphs in southern Massachusetts. First noted by New England colonists in 1680, the rock's markings have been debated endlessly by scholars and everyday people alike on both sides of the Atlantic. The glyphs have been erroneously assigned to an array of non-Indigenous cultures: Norsemen, Egyptians, Lost Tribes of Israel, vanished Portuguese explorers, and even a prince from Atlantis. In this fascinating story rich in personalities and memorable characters, Douglas Hunter uses Dighton Rock to reveal the long, complex history of colonization, American archaeology, and the conceptualization of Indigenous people. Hunter argues that misinterpretations of the rock's markings share common motivations and have erased Indigenous people not only from their own history but from the landscape. He shows how Dighton Rock for centuries drove ideas about the original peopling of the Americas, including Bering Strait migration scenarios and the identity of the "Mound Builders." He argues the debates over Dighton Rock have served to answer two questions: Who belongs in America, and to whom does America belong?

A captivating account of the formative years of one of Canada's best-known artists, Jackson's Wars follows A.Y. Jackson's education and progress as a painter before he was a well-known artist and his time on the battlefield in Europe, before he cast his lot in with a group of like-minded Toronto artists. Jackson fought many battles: he was a feisty and opinionated combatant when he crossed swords with critics, collectors, museums, galleries, and fellow painters as an emerging artist. Moving from Montreal to Toronto in 1913, he became a key figure in a landscape movement that was determined to depict Canada in a bold new way, only to have a war dash the group's collective ambitions. Alone among his close associates, Jackson enlisted to fight with the 60th Infantry Battalion. Wounded at Sanctuary Wood in 1916, he returned to the field of combat as an official war artist - the first Canadian artist appointed, the only infantryman in the program - and militated for other Canadian appointments to what is now a storied moment of creation for such artists as F.H. Varley and Arthur Lismer. Jackson produced some of Canada's most memorable depictions of the world's first industrial-scale conflict, even as he reckoned with the anguish caused by the mysterious death of his close friend Tom Thomson. A life-changing event for soldiers, families, and nations alike, the First World War has been understood as a moment of stasis in the visual arts in Canada - the dead ground from which the Group of Seven emerged in the early 1920s. Douglas Hunter shows how Jackson's war was a moment of intense transformation and artistic development on the canvas as well as an experience that tempered a young man into a constructive elder statesman for Canadian art. On his return home he was not only instrumental in the formation of the Group of Seven in Toronto, but a key figure for the Beaver Hall Group in Montreal. Jackson's Wars is a story of brotherhoods of painters and soldiers, shot through with inspiration, ambition, trauma, and loss, on the home front as well as on the battlefield. Hunter widens and deepens A.Y. Jackson's world of friends, family, and colleagues to capture the life of a complex man and the crucial events and relationships behind the creation of Canada's best-known art collective.

From acclaimed author Douglas Hunter, a searing historical work about death, deceit and dishonour, and the rivalry between Samuel de Champlain and Henry Hudson-two of the greatest explorers of the seventeenth century. Samuel de Champlain of France and Englishman Henry Hudson were rival explorers in a race to describe and exploit the northern half of North America and, not least, to find a profitable passage to the Orient. The English had been trying to find a way through the Arctic since the 1570s. For Hudson, the dream of discovery proved fatal. A mutiny in the summer of 1611 saw Hudson, his teenage son John, and seven other crew members cast adrift in James Bay in an open boat. They were never heard from again. In May 1613, Samuel de Champlain left the site of present-day Montreal on a journey up the Ottawa River into uncharted territory. Champlain had undertaken the expedition because of extraordinary testimony from a young informant, Nicolas de Vignau, who had spent 1611-12 with the Algonquin and returned to France with an incredible story: He had visited the Northern Sea. What's more, he had seen an English youth, the sole survivor of a shipwreck, held captive by the Nebicerini people as a gift for Champlain. To rescue both the English youth and his own career, Champlain set out to collect him. God's Mercies has all the elements of a great adventure mystery: a mutiny, a massacre, a murder trial, signed confessions, and intrigue at the highest levels of state. Truths would be revealed as lies, and lies would turn out to be half-truths. "From the Hardcover edition."