Since 2000, much attention has been paid to the increase in social precarity in Europe and the US. Phenomena of precarization (such as underemployment, indebtedness, deaths of despair) tend to be causally linked to the rise of neoliberalism as a strategy of governance that redistributes risk to the already vulnerable. Representing Social Precarity in German Literature and Film broadens the scope beyond this narrow definition of precarity, using Germany as a national case study, to examine the historical genesis of precarity, its evolution from 19th-century industrial modernity to the present, and its reflections and reconfigurations in artistic production, in particular with relation to work, gender, and sexuality. Representing Social Precarity in German Literature and Film probes the concept of “representation� in its full two senses, in the sense of “artistic depiction� and in the sense of “political proxy and advocacy.� In linking economic discourses to cultural production, this volume shows how culture can reveal the gap between a society’s narrative about itself and the ways in which precarity shapes experience and consciousness.

In the summer of 1905, the French painters Henri Matisse and André Derain changed the course of art history with their radical color experiments   During the summer of 1905, Henri Matisse and André Derain went on holiday in Collioure, a modest French fishing village fifteen miles from the Spanish border. This groundbreaking book examines how two artists, entranced by the shifting light and stunning imagery of the eastern Mediterranean, laid the groundwork for the movement known as Fauvism (from the French fauve, or “wild beast�). Featuring more than 70 paintings, watercolors, and drawings produced by Matisse and Derain during their stay, the book also brings to life their personal and artistic revelations with 21 of their letters, published here for the first time in English. Vivid and engaging texts detail their daring experiments with color, form, structure, and perspective; the scandal their paintings caused when they were exhibited several months later; and how, despite the jeering remarks from critics, these works changed the course of French painting. Emphasizing as never before the legacy of that summer, this publication shows how the two artists’ radical investigations galvanized their contemporaries, and how this strain of modernism, created almost by accident, resonates even into the present day.   Published by The Metropolitan Museum of Art/Distributed by Yale University Press   Exhibition Schedule The Metropolitan Museum of Art, New York (October 13, 2023–January 21, 2024) The Museum of Fine Arts, Houston (February 25–May 27, 2024)

Russell Duvernoy develops 'resonances' between the metaphysics of Whitehead and Deleuze with regard to effects on attention and affect. The implications of these lead to an altered existential orientation, described by Duvernoy as ecological attunement. This original concept suggests that attention is ontologically creative, not just passively receptive, and feeling and affect are ontologically prior to the consolidation of lived subjectivity. The combined effects of these speculative claims cut deeply against the grain of prevailing habits with regard to subjectivity. Though these results are resolutely speculative, they unfold amidst intensifying ecological crisis and accompanying social, political and existential turbulence. What does it mean to pursue speculative thinking in this context? How do metaphysical concepts inform our lives and how might different concepts lead to different ways of life?Drawing on recent work by Massumi, Stengers, Debaise and Williams, Russel Duvernoy explores their work in relation to other speculative trends in recent philosophy, including new materialisms, posthumanisms, speculative realism and object-oriented-ontology.

In Berlin, 1930, the name Käsebier is on everyone's lips. A literal combination of the German words for "cheese" and "beer," it's an unglamorous name for an unglamorous man - a small-time crooner who performs nightly on a shabby stage for labourers, secretaries, and shopkeepers. Until the press shows up. In the blink of an eye, this everyman is made a star: one who can sing songs for a troubled time. Margot Weissmann, the arts patron, hosts champagne breakfasts for Käsebier; Muschler the banker builds a theatre in his honour; Willi Frächter, a parvenu writer, makes a killing from Käsebier-themed business ventures and books. All the while, the journalists who catapulted Käsebier to fame watch the monstrous media machine churn in amazement - and are aghast at the demons they have unleashed.

Russell Duvernoy develops 'resonances' between the metaphysics of Whitehead and Deleuze with regard to effects on attention and affect. The implications of these lead to an altered existential orientation, described by Duvernoy as ecological attunement. This original concept suggests that attention is ontologically creative, not just passively receptive, and feeling and affect are ontologically prior to the consolidation of lived subjectivity. The combined effects of these speculative claims cut deeply against the grain of prevailing habits with regard to subjectivity. Though these results are resolutely speculative, they unfold amidst intensifying ecological crisis and accompanying social, political and existential turbulence. What does it mean to pursue speculative thinking in this context? How do metaphysical concepts inform our lives and how might different concepts lead to different ways of life? Drawing on recent work by Massumi, Stengers, Debaise and Williams, this study explores their work in relation to other speculative trends in recent philosophy, including new materialisms, posthumanisms, speculative realism and object-oriented-ontology.

Interest in a detailed anatomical description our knowledge of the venous system has of the veins of the human brain is of fairly been advanced more by radiological than by recent date. The general layout of the dural anatomical methods. This is due to the diffi- culty of obtaining a post-mortem display of sinuses and of the large encephalic veins the veins. Injection techniques often give de- that drain into them has long been known, ceptive results; most authors use back-flow but a more detailed study of the venous sys- tem has been made necessary by recent ad- injection from the larger collecting veins, vances in neurosurgery and neuroradiology. but this method generally gives very incom- plete results. The technique we have used is The progress and methods of neurora- diology have made it possible to follow the radically different, consisting of an arterial superficial venous network * further and injection of a solution of indian ink and gel- further. There are obvious practical advan- atine. When this injection is successful the tages in having a detailed knowledge of the arterial, capillary, and venous networks of venous network and these are not to be de- the encephalon are clearly displayed; the re- rived from a knowledge of the arterial net- sults are particularly clear in the venous work: the venous network is in close con- network which is visible from the main veins to their smallest branches.

Cosmic radiation has been an active field of study at least since the heroic balloon flights of Viktor F. Hess in the first decade of this century. In the earliest days, cosmic ray physics meant a study of the basic properties of electricity and magnetism. After, it was particle physics before accelerators were built. Still later, it became astrophysics -- studying the Galactic sources of the lower energy cosmic rays the magnetic fields in the heliosphere and the Galaxy, and the acceleration mechanisms in supernova shocks. Today, cosmic-ray astrophysics touches on the nuclear astrophysics of stars and supernova, particle physics at energies above terrestrial accelerators, the cosmology of the microwave and IR backgrounds, the Galactic physics of chemical evolution and interstellar medium processes, and unexplored physics at extremely high energies.

This book deals with charged cosmic rays, primarily nuclei, from Galactic and extra-Galactic sources. The one exception is the paper of Dwyer, which addresses particle acceleration in the Earth's bow shock. This paper is important as it directly ties our observations of shock acceleration in situ with the theoretical expectations of shock acceleration of the cosmic rays elsewhere.

Founded in 1968, the Metropolitan Museum Journal is a blind, peer-reviewed scholarly journal published annually that features original research on the history, interpretation, conservation, and scientific examination of works of art in the Museum's collection. Its scope encompasses the diversity of artistic practice from antiquity to the present day. The Journal encourages contributions offering critical and innovative approaches that will further our understanding of works of art.

Here are four plays by the well-known American dramatist, Frank J. Morlock. THE KEY TO THE GREAT GATE, based on a novel by Hinko Gottlieb, is set in 1942 Vienna, where four Jews have been imprisoned by the Nazis. The newest inmate, Tarnopolski, has learned to manipulate the space-time continuum. His ability to shrink and expand objects--including people--creates consternation among both the prisoners and their guards. This is a moving story about the power of the human spirit to survive the most appalling conditions. HEROES AND ROMANTICS OF OUR TIMES, based on a play by Henri Duvernois, is set in small-town America, where the corrupt Sheriff gets his kicks by having his girlfriend pretend she's a whore--until she becomes disgusted with the way he handles a homeless man who finds a fortune on the street. LADY LIBERTY, another adaptation from Duvernois, focuses on an inmate in a sanitarium who's placed himself there deliberately to escape his nagging wife--until, that is, she decides that she can't live without him THE WRITING LESSON, based on a story by Ilya Ilf and Yevgeni Petrov, is a comedy of the difficulties of writing professionally under the Stalinist regime. Four great plays focusing on the plight of the underdog

In The Man Who Found Himself (1936), a starship transports the protagonist to a world orbiting Proxima Centauri. After a three-year journey at the speed of light, the hero discovers that that planet is identical to Earth in every respect, except that its history is unfolding 40 years in arrears. His arrival offers the 60-year-old protagonist the opportunity of "finding himself" at 20. Will his knowledge of future events enable him to manufacture a better life for his family? The Man Who Found Himself is one of the earliest French texts to feature interstellar faster-than-light travel and combine the notions of a trip in time and in space; it is a significant work in the history of French science fiction.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Kurzgefate Lebensgeschichte Nicolaus Ludwigs Grafen Von Zinzendorf Jacob Christoph Duvernoy

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