Finalmente, dopo tanto lavoro e dopo lunghe attese, ecco a voi l'ultimo capitolo della saga Alice. Come prima cosa devo dire che e stato molto bello, seppur malinconico, mettere la parola fine a quest'avventura durata esattamente un anno. Proprio un anno fa, in questi giorni, pubblicavo Alice I "Fastlove in Sunny Days", e adesso sono seduto di nuovo a questa scrivania per mettere la parola fine al terzo capitolo di questa storia. L'ultimo capitolo e totalmente diverso dai primi due, questo a differenza degli altri non si concentra in un periodo di breve durata, bensi in un periodo molto lungo: una vita intera. Ovviamente ci sono delle parti dove il protagonista si sofferma su certi momenti o avvenimenti, e sicuramente ne tralascia altri. Ma alla fine questo e quello che facciamo tutti noi: selezioniamo dei ricordi che ci sono rimasti impressi e ne oscuriamo altri. Nuove e grandissime emozioni per chiunque abbia amato i primi tre libri

Superhero action film based on the DC comic strip. The Green Lantern Corps is an intergalactic brotherhood of warriors with otherworldly powers whose job it is to uphold peace and justice throughout the universe. With the advent of a deadly and powerful new enemy called Parallax, it is up to Green Lantern's newest recruit Hal Jordan (Ryan Reynolds), an army pilot and the Corps's first ever human recruit, to restore peace and save the universe. Blake Lively and Peter Sarsgaard co-star.

Picking up the saga directly where The Ruins of Mars left off, Waking Titan continues the narrative of Harrison Raheem Assad and the Mars Mission as they explore the caves beneath the Martian ruins. Underground in the great statue chamber, Harrison and his team struggle to come to terms with the discovery of two apparently different alien races depicted in stone. However problematic this new revelation may be, it is Braun, the team's AI, who truly sees just how far the influence of the mysterious race has reached. Echoing through time and space, a force drives Braun far from his programmed limitations and into a reality that is fractured and broken. Meanwhile, Harrison and the Mars team push ever deeper into the caves propelled by discovery, tragedy, and blind human perseverance. They search for answers they hope will be worth the price they paid to find them. Attacks from outside forces, both physical and metaphysical, descend upon Mars and Earth with devastating effects. These events come like cosmic tsunamis, giving credence to the warnings Braun so blindly followed and shift the direction the team takes to uncover the truth. Death, enlightenment, betrayal, and love texture the backdrop upon which Waking Titan is projected. The second novel in the Ruins of Mars Trilogy is about more than just a simple mission to Mars. The events in this installment grow to encompass not only the fate of the crew but that of all life in the solar system.

Set against the turbulent backdrop of the near future, The Ruins of Mars opens on the discovery of an ancient city buried under the sands of the red planet. Images captured by twin sentient satellites show massive domes, imposing walls, and a grid work of buildings situated directly on the rim of Mars' Grand Canyon, the Valles Marineris. With the resources of Earth draining away under the weight of human expansion, a plan is hatched to reclaim Mars from the cold grasp of death. A small band of explorers, astronauts, and scientists are sent to the red world in mankind's first interplanetary starship to begin construction on a human colony. Among them is a young archaeologist, named Harrison Raheem Assad, who is tasked with uncovering the secrets of the Martian ruins and their relation to the human race. Aided by the nearly boundless mind of a god-like artificial intelligence; the explorers battle space travel, harsh Martian weather, and the deepening mystery of the forgotten alien civilization. Begin the epic journey in Book One of the Ruins of Mars Trilogy.

In this edited collection of essays, ten experts in film philosophy explore the importance of transcendence for understanding cinema as an art form. They analyze the role of transcendence for some of the most innovative film directors: David Cronenberg, Karl Theodor Dreyer, Federico Fellini, Werner Herzog, Stanley Kubrick, David Lynch, Terrence Malick, Yasujiro Ozu, and Martin Scorsese. Meanwhile they apply concepts of transcendence from continental philosophers like Alain Badiou, Gilles Deleuze, Martin Heidegger, Michel Henry, Edmund Husserl, Karl Jaspers, Søren Kierkegaard, Maurice Merleau-Ponty, Friedrich Nietzsche, and Jean-Paul Sartre. Each of the ten chapters results in a different perspective about what transcendence means and how it is essential to film as an art medium. Several common threads emerge among the chapters. The contributors find that the limitations of human existence are frequently made evident in moments of transcendence, so as to bring characters to the margins of their assumed world. At other times, transcendence goes immanent, so as to emerge in experiences of the surprising nearness of being, as though for a radical intensification of life. Film can also exhibit “ciphers of transcendence” whereby symbolic events open us to greater realizations about our place in the world. Lastly, the contributors observe that transcendence occurs in film, not simply from isolated moments forced into a storyline, but in a manner rooted within an ontological rhythm peculiar to the film itself.