The timeless classic story of Dylan Thomas's childhood Christmas memories, featuring the wonderful artwork of Kate Greenaway medallist, Edward Ardizzone in this mini hardback edition. All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street; and they stop at the rim of the ice-edged, fish-freezing waves, and I plunge my hand in the snow and bring out whatever I can find. . . Dylan Thomas's lyrical account of his childhood Christmases in a small Welsh town, featuring wolves, bears, hippos and Mrs Prothero's cat, has become deservedly famous. Beautifully illustrated by award-winning artist Edward Ardizzone, this classic edition is beloved by fans of Thomas's work and a perfect Christmas gift for young readers building their own childhood Christmas memories.

This gem of lyric prose has enchanted both young and old for over half a century and is now a modern classic. Dylan Thomas (1914-1953), one of the greatest poets and storytellers of the twentieth century, captures a child's-eye view and an adult's fond memories of a magical time of presents, aunts and uncles, the frozen sea, and in the best of circumstances, newly fallen snow.

Dylan Thomas's classic account of his childhood Christmases, with full colour illustrations by Peter Bailey. The special gift edition for Thomas's centenary now in paperback, with a beautiful gold-foiled cover. All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street... Dylan Thomas's lyrical account of his childhood Christmases in a small Welsh town, featuring wolves, bears, hippos and Mrs Prothero's cat, has become deservedly famous. This re-designed edition celebrates the centenary of his birth, and features full colour artwork from illustrator Peter Bailey. A beautiful gift edition of a classic work from one of Britain's best-loved writers, this is the perfect Christmas present for young readers building their own childhood Christmas memories.

We are not wholly bad or good Who live our lives under Milk Wood And Thou, I know, wilt be the first To see our best side, not our worst. In this enchanting illustrated adaptation, Cerys Matthews brings Dylan Thomas's beloved classic to new life. This is a bedtime story like no other; a book to be treasured by many generations; a book for babies and old men alike, for all that are young at heart. Welcome to the small seaside town of Llareggub. Here you will find dreamers, workers, singers, sinners, the young, old, blue, bold and a mix of all inbetween. Here you will meet Captain Cat and Rosie Probert, Mr Organ Morgan and Mrs Ogmore-Pritchard, Nogood Boyo, Mog and Myfanwy. Here you will watch a day in their lives play out - from a dark, moonless night to a morning that is busy as bees; from a sunny, slow lulling afternoon to a deep, drifting dusk. So, to begin at the beginning . . .

Set in the author’s native Swansea in South Wales, the ten autobiographical stories in this much-loved collection chart his journey from boyhood – movingly and at times comically evoked in tales such as ‘The Peaches’ and ‘A Visit to Grandpa’s’ – to early adulthood. Along the way, in ‘Extraordinary Little Cough’, among others, the vicissitudes of adolescence and a burgeoning sexuality are explored with characteristic tenderness and candour, while ‘Where Tawe Flows’ and ‘One Warm Saturday’ affectionately document the evolution of the young writer’s literary sensibility. Young love, male friendship, death, religion – the gamut of youthful experience is here encapsulated, inflected throughout with Thomas’s typical humanity. First published in 1940, Portrait of the Artist as a Young Dog has proven to be second only in popularity to the author’s masterpiece, Under Milk Wood, demonstrating that Thomas was as much a master of prose as he was of poetry.

Living Tradition: The Architecture and Urbanism of Hugh Petter celebrates the exceptional professional achievement of one of the world's leading traditional architects. It showcases recent highlights from Hugh's award-winning portfolio, including handsome new country houses; major alterations and refurbishment of historic buildings; a significant new building for Trinity College in Oxford; and commercial development at all scales with landed estates across the UK and beyond. His pioneering work as masterplanner for the Duchy of Cornwall is regularly cited as an exemplar of a community that reflects local identity. Written by Clive Aslet, with a foreword by The Former Prince of Wales, this book reveals how a series of iconic buildings came to be. Richly illustrated with newly commissioned photography by Dylan Thomas, one of Britain's foremost photographers of architecture and interiors, this book reveals the working process of the architect. Common to all the buildings in this book - whether a new or historic private house, a public building, or a masterwork of urban design - is a loving attention to detail and materials, and an architect who cares deeply for his craft.

A Welsh poet recalls the celebration of Christmas in Wales and the feelings it evoked in him as a child.

'To begin at the beginning: it is spring, moonless night in the small town, starless and bible-black...' When Richard Burton breathed the opening words of Under Milk Wood into a microphone, broadcasting history was made. For this 'play for voices' conjures up the intimate dreams and waking lives of the inhabitants of a Welsh seaside village in a remarkable way. It is bawdy and beautiful; its colourful characters lust and love, gossip and fantasise. Through the magic of language, Under Milk Wood creates a rich modern pastoral which, once heard, touches the listener with its poetry and haunts the imagination for ever. This radio drama is the completed version broadcast in 1963 which includes several passages that were omitted from the first recording in 1954. 2 CDs. 1 hr 41 mins.

The bridge has always stood as a transitional structure - not purely a work of engineering, nor simply a work of architecture. Its functional requirements are more stringent than those of the average building; it not only must stand up; it must stand up, support those who cross it, and effectively span the space over which it stands. As Samuel Johnson said, "the first excellence of a bridge is strength ... for a bridge that cannot stand, however beautiful, will boast its beauty but a little while." The Scottish architect Robert Adam (1728-92) understood these precepts well, continually building bridges that were not just structurally sound, but also aesthetically pleasing. Unlike his contemporaries, Adam did not view bridges as mere skeletons upon which to apply ornament. Rather, he sought to achieve architectural totality, incorporating his bridge designs into greater architectural programs, thereby producing aesthetically pleasing and contextually specific designs. From the Pulteney Bridge in Bath to the ruined arch and viaduct at Culzean Castle in Ayrshire, The Bridges of Robert Adam: A Fanciful and Picturesque Tour will take the reader across Britain, shedding new light on an understudied aspect of the great architect's career.

This book celebrates the special relationship between beloved British dogs and their devoted owners. Architects, fashion designers, florists, entrepreneurs - these and the other famous, creative and hyper-successful people have one thing in common when it comes to their canines: the strength of the bond between human and four-legged friend. This makes for tales of companionship that will be sure to uplift your spirits and make the heart sing. Exuberantly photographed by Dylan Thomas, with interviews by Poodle-mad Georgina Montagu, Top Dogs is a joyous read and lustrous eye-candy for dog lovers. From Jacobean manor to Cumbrian hill farm, and circus wagon to royal residence, the lucky hounds who are showcased in this sumptuous volume occupy some of the loveliest homes in the country.

This book is a sumptuously produced journey around twelve privately owned country houses, asking what it is like to live in such places today. What role do they play in the twenty-first century? For many years after the Second World War, the country house was struggling. Now a new generation of young owners, often with children, has taken over. They're finding innovative ways to live in these ancient, fragile and poetic places. While they treasure the history and beauty of the houses, they're also adapting and enhancing them for a modern era. Old Homes, New Life is a behind-the-scenes account of today's aristocracy, as they reinvent the country house way of life. Each family does this in its own way, maintaining the tradition of individualism, even eccentricity, which is so much associated with country houses. Dylan Thomas's superb yet intimate photographs capture both the inhabitants of these houses and the spaces they occupy - from State dining to family kitchen, walled garden to attic. This feast for the eyes is accompanied by an equally mouth-watering text by Clive Aslet, based on interviews with family members and his long experience of the subject through his years as Editor of Country Life. The result is an exclusive tour of a dozen spectacular homes.

This gem of lyric prose has enchanted both young and old for over half a century and is now a modern classic. Dylan Thomas (1914-1953), one of the greatest poets and storytellers of the twentieth century, captures a child's-eye view and an adult's fond memories of a magical time of presents, aunts and uncles, the frozen sea, and in the best of circumstances, newly fallen snow.

'It is spring, moonless night in the small town, starless and bible-black...' Under Milk Wood tells the story of a Welsh village during one spring day. It is populated by some of the best-loved characters in British literature. Lyrical, funny, moving, it is rooted in place but with a universality that has spoken to generations of readers. A Welsh epic, a work of poetic genius, a modern classic. 'A tour de force of oral poetry which oozes word pictures and onomatopoeic musicality' Guardian

Commissioned by the BBC, and described by Dylan Thomas as 'a play for voices', UNDER MILK WOOD takes the form of an emotive and hilarious account of a spring day in the fictional Welsh seaside village of Llareggub. We learn of the inhabitants' dreams and desires, their loves and regrets. The play introduces us to characters such as Captain Cat who dreams of his drowned former seafellows and Nogood Boyo who dreams of nothing at all. It is a unique and touching depiction of a village that has 'fallen head over bells in love'. The First Voice narration reveals the ordinary world of daily happenings and events, while the Second Voice conveys the intimate, innermost thoughts of the fascinating folk of Llareggub. There have been myriad productions of UNDER MILK WOOD over the years and Richard Burton, Peter O'Toole, Elizabeth Taylor, Sir Anthony Hopkins and Tom Jones have all starred in radio, stage or film adaptations. Dylan Thomas's classic radio play reprinted to celebrate the centenary of his birth. A true masterpiece that has never been out of print.

Dylan Thomas (1914-53) was born in Swansea and won wide acclaim for his often declamatory and rhetorical work of the 1940s, which included "Deaths and Entrances" (1946). He died from alcoholism shortly before the airing of his most famous work, "Under Milk Wood" (1954). Derek Mahon was born in Belfast in 1941, studied at Trinity College Dublin, and the Sorbonne, and has held journalistic and academic appointments in London and New York. A member of Aosdana, he has received numerous awards including the Irish Academy of Letters Award and the Scott Montcrieff translation prize. His "Collected Poems" was published in 1999. In the "Poet to Poet" series, a contemporary poet advocates a poet of the past or present whom they have particularly admired. By their selection of verses and their critical reactions, the selectors offer intriguing insights into their own work. Here, Derek Mahon selects Dylan Thomas.

The definitive edition of Dylan Thomas's five published volumes of poems: 18 POEMS, TWENTY-FIVE POEMS, THE MAP OF LOVE, DEATHS AND ENTRANCES and IN COUNTRY SLEEP. Dylan Thomas wrote passionately about life in all its moods and moments: from the first thrilling moments of childbirth to the darker moments of death and loss. COLLECTED POEMS is introduced by the poet himself with a passionate seashore 'Prologue', in which the self-styled Noah of poetry builds his ark against ruin. This edition includes his last, unfinished poem 'Elegy', and the opening of 'In Country Heaven' - an ambitious project conceived after the dropping of the atom bomb.

Dylan Thomas's letters bring the fascinating and tempestuous poet and his times to life in a way that no biography can. The letters begin in the poet's schooldays and end just before his death in New York at the age of 39. In between, he loved, wrote, drank, begged and borrowed his way through a flamboyant life. He was an enthusiastic critic of other writers' work and the letters are full of his thoughts on the work of his contemporaries, from T.S. Eliot and W.H. Auden to Stephen Spender and Cecil Day-Lewis. A lifetime of letters tell a remarkable story, each taking the reader a little further along the path of the poet's self-destruction, but written with such verve and lyricism that somehow the reader's sympathies never quite abandon him.

Between May 1930 and August 1935, Dylan Thomas kept numerous notebooks of poems. They contain the drafts of almost all of the work that would form his first two reputation-making collections, 18 Poems (1934) and Twenty-five Poems (1936), and many of those in his third collection, The Map of Love (1939). Thomas sold four of the notebooks, spanning May 1930 to May 1934, to the University of Buffalo in 1941. However, the existence of a fifth notebook, covering the period June 1934 to August 1935, was unknown until 2014, the centenary of his birth. The Fifth Notebook of Dylan Thomas makes this newly-discovered text available to readers and researchers for the first time. It contains the only existing MSS versions of Thomas's most challenging poems, 'I, in my intricate image' and 'Altarwise by owl-light', and fourteen other early poems. It contains facsimiles and full transcripts of the originals, is annotated throughout, and has a full scholarly introduction. Exploring the contexts of these brilliant and experimental lyrics - many with substantial reworkings and variant passages - this landmark publication sheds new light on the creative practice of one of the most important and well-known poets of the twentieth century.

Perhaps most famous for UNDER MILK WOOD and his poems 'Do Not Go Gentle into that Good Night', and 'Death Shall have no Dominion', Dylan Thomas was a hugely colourful and iconic poet whose work was greatly admired by contemporaries such as Edith Sitwell and Sylvia Plath. He wrote well over 380 published poems as well as 50 journal-published poems, pastiches, poems from letters and radio plays. This new edition of the author's poems looks at his body of work in a new light, including material that was previously overlooked or excluded from collections, as well as bringing to bear advances in critical theory. Most importantly it emphasises how accessible and immediate his work was, demonstrating its relevance to a contemporary audience.

The Collected Poems of Dylan Thomas contains poems that Thomas personally decided best represented his work. A year before its publication Thomas died from swelling of the brain triggered by excessive drinking. (A piece of New Directions history: it was our founder James Laughlin who identified Thomas' body at the morgue of St. Vincent's Hospital.) Since its initial publication in 1953, this book has become the definitive edition of the poet's work. Thomas wrote "Prologue" addressed to "my readers, the strangers" -- an introduction in verse that was the last poem he would ever write. Also included are classics such as "And Death Shall Have No Dominion," "Do Not Go Gentle into that Good Night," and "Fern Hill" that have influenced generations of artists from Bob Dylan (who changed his last name from Zimmerman in honor of the poet), to John Lennon (The Beatles included Thomas' portrait on the cover of Sgt. Pepper's Lonely Hearts Club Band); this collection even appears in the film adaptation of Cormac McCarthy's The Road when it is retrieved from the rubble of a bookshelf. And death shall have no dominion. Dead men naked they shall be one With the man in the wind and the west moon; When their bones are picked clean and their clean bones gone, They shall have stars at elbow and foot; Though they go mad they shall be sane, Though they sink through the sea they shall rise again, Though lovers be lost love shall not: And death shall have no dominion. (From "And Death Shall Have No Dominion")