The Philippines was the first colonial possession of the U.S. in southeast Asia following the Spanish-American War at the turn of the last century. Unlike the conquest of Cuba, Puerto Rico, or Hawaii, the United States encountered fierce resistance from the revolutionary forces of the first Philippine Republic that had already won the revolution against Spain. This manuscript offers the first history of the Filipinos in the United States, focusing on the significance of the Moro people's struggle for self-determination.

Peirce's Pragmatism: A Radical Perspective situates Charles Sanders Peirce's thought within his semiotic theory and its potential for application in cultural studies and the critique of ideologies. E. San Juan Jr. contextualizes "pragmaticism" historically and examines Peirce's discourses on semiotics, ethics, and aesthetics and suggests their analogies with the radical critiques of Marx and other progressive trends. This book may be read as a provocation and a challenge for everyone to heed Peirce's own maxim to inquire seriously into the effect of ideas on transforming the conduct of life by changing habits, traditional beliefs, purposes.

This book includes essays of the narrative of Filipino lives in the United States to provoke interrogation of the conventional wisdom and a critique of the global system of capital. It helps in constituting the Filipino community as an agent of historic change in a racist society.

This innovative analysis of the Philippine historical crisis is accompanied by a critique of a U.S. racial formation in which Filipinos constitute the largest Asian group. Literary and artistic expressions by Filipinos manifest a new emerging identity defined by the multicultural debates crossing the Pacific, transforming the Philippines into a borderland of East and West. Caught betwixt the Asian continent and the hegemonic power of the United States, the Philippines occupies a contested space between past and present. Between the memory of colonial experience and an emergent nation-making dream, can a meaningful future be envisioned? This provocative book explores this problematic zone of difference through a critique of the Western production of knowledge in the context of local resistance. While Americanization of the Filipino continues, the encounter of globalizing and nationalizing forces has precipitated a profound political and social crisis whose outcome may be a paradigmatic lesson for many so-called third world countries. What happens in this Southeast Asian nation may foretell the fate of the ideals of democracy and social justice now beleaguered by the market and the unrelenting commodification of everyday life.

In the Wake of Terror inquires into the historical conditions and possibilities of radical change in the post-9/11 world of globalized capitalism. E. San Juan, Jr. focuses on numerous problems, including those of racism, class antagonisms, and subalternity in the United States. Global violence is also examined in relation to the anti-imperialist struggle of diverse communities in the Philippines. Analytic and critical, In the Wake of Terror is wide-ranging in scope and provocative in challenging orthodox opinions on the nature of neoliberal transnational domination and postmodernist multiculturalism. Its interdisciplinary, cross-cultural engagement with urgent contemporary issues aims to "disturb the peace" and usher in an interrogation of predatory hegemonic assumptions. Written from a historical materialist perspective, this work of cultural criticism is of interest to the academic or lay person

In the Wake of Terror inquires into the historical conditions and possibilities of radical change in the post-9/11 world of globalized capitalism. E. San Juan, Jr. focuses on numerous problems, including those of racism, class antagonisms, and subalternity in the United States. Global violence is also examined in relation to the anti-imperialist struggle of diverse communities in the Philippines. Analytic and critical, In the Wake of Terror is wide-ranging in scope and provocative in challenging orthodox opinions on the nature of neoliberal transnational domination and postmodernist multiculturalism. Its interdisciplinary, cross-cultural engagement with urgent contemporary issues aims to 'disturb the peace' and usher in an interrogation of predatory hegemonic assumptions. Written from a historical materialist perspective, this work of cultural criticism is of interest to the academic or lay person

This book includes essays of the narrative of Filipino lives in the United States to provoke interrogation of the conventional wisdom and a critique of the global system of capital. It helps in constituting the Filipino community as an agent of historic change in a racist society.

Carlos Bulosan-Revolutionary Filipino Writer in the United States: A Critical Appraisal is an in-depth, critical evaluation of Bulosan's major works in the context of the sociopolitical changes that configured his sensibility during the Depression, the united-front mobilization prior to World War II, and the Cold War witch-hunting of the fifties. Unprecedented for its thorough historical-materialist analysis of the symbolic dynamics of the texts, this book uses original research into the Sanora Babb papers that have never before been linked to Bulosan. Sophisticated dialectical analysis of the complex contradictions in Bulosan's life is combined with a politico-ethical reading of U.S.-Philippines relations. San Juan takes the unorthodox view that Bulosan's career was not an immigrant success story but instead a subversive project of an organic intellectual of a colonized nation-in-the-making. Today, Bulosan is hailed as a revolutionary Filipino writer, unparalleled in the racialized, conflicted history of the Philippines as a colony/dependency of the United States. This book follows San Juan's pioneering 1972 study Carlos Bulosan and the Imagination of the Class Struggle.

Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. This book offers the first history of the Filipinos in the United States, focusing on the significance of the Moro people's struggle for self-determination.

Carlos Bulosan-Revolutionary Filipino Writer in the United States: A Critical Appraisal is an in-depth, critical evaluation of Bulosan's major works in the context of the sociopolitical changes that configured his sensibility during the Depression, the united-front mobilization prior to World War II, and the Cold War witch-hunting of the fifties. Unprecedented for its thorough historical-materialist analysis of the symbolic dynamics of the texts, this book uses original research into the Sanora Babb papers that have never before been linked to Bulosan. Sophisticated dialectical analysis of the complex contradictions in Bulosan's life is combined with a politico-ethical reading of U.S.-Philippines relations. San Juan takes the unorthodox view that Bulosan's career was not an immigrant success story but instead a subversive project of an organic intellectual of a colonized nation-in-the-making. Today, Bulosan is hailed as a revolutionary Filipino writer, unparalleled in the racialized, conflicted history of the Philippines as a colony/dependency of the United States. This book follows San Juan's pioneering 1972 study Carlos Bulosan and the Imagination of the Class Struggle.

Opposing the orthodoxies of establishment postcolonialism, Beyond Postcolonial Theory posits acts of resistance and subversion by people of color as central to the unfolding dialogue with Western hegemony. The testimonies and signifying practices of Rigoberta Menchu, C.L.R. James, various "minority" writers in the United States, and intellectuals from Africa, Latin America, and Asia are counterposed against the dogmas of contingency, borderland nomadism, panethnicity, and the ideology of identity politics and transcultural postmodern pastiche. Reappropriating ideas from Gramsci, Bakhtin, Althusser, Freire, and others in the radical democratic tradition, San Juan deploys them to recover the memory of national liberation struggles (Fanon, Cabral, Che Guevara) on the face of the triumphal march of globalized capitalism.

This project of "balikbayan" (homecoming) unfolds through poems and graphics--in-progress spanning four decades of exile. It seeks to map one emigre's itinerary through terrains of disruption and dislocation. Written in English and in Filipino (with translations into Chinese, Russian, German, French, Spanish, Italian), these traces of the writer's journey strive to foreground the ordeals of deterritorialization shared by all colonized peoples--a universal experience given a local habitation and name in the trajectory of this flight in search of passages to uncharted shores. Less a Baedeker for remembering or reaching a destination, this palimpsest of tropes/signs hopes to construct zones of departure for discovering new territory built out of a history of collective sacrifices grounding our dreams and desires. Exile is the name for this material process of renewal and liberation--love for whoever is returning, the beloved fulfilling the promise of redemption in the birth pangs of revolutionary struggle.

A revaluation of the significance of the Filipino national hero's (Jose Rizal's) discourse on freedom, human rights, and national liberation centering on the liberation of women and its ramifications in the total emancipation of a nation-people from colonial barbarism, imperial subjugation, and patriarchal hegemony. This supplements the essays of the author in RIZAL IN OUR TIME (revised edition) published by Anvil Publishing Inc., Manila, Philippines, in 2011.

An innovative radical interpretation of the life and works of Jose Rizal, the national hero of the Philippines, the "pride of the Malay race," in the context of crisis in the neocolony and world revolution against imperialism at the beginning of the twenty-first century. This supplements the author's earlier book, Rizal in Our Time, Revised Edition (Manila: Anvil Publishing, 2011).

Situating the crisis of the humanities in the terror-wars of global capitalism, E. San Juan opens up the field of critical theory to unacknowledged counter-hegemonic impulses in selected writers from Europe, Asia, and the United States. Composed as interventions in the field of cultural studies, the essays attempt a dialectical fusion of inventory and self-critique . By way of Pablo Neruda's radical poetics, San Juan surveys the achievement of Filipino writers in an embattled U.S.neocolony, the Philippines. A provocative reappraisal of Asian American Studies is offered for heuristic dialogue in the wake of 9/11 and the recent financial collapse. Using a comparative approach to Edward Said and Antonio Gramsci as a point of departure, San Juan initiates a project of revaluation by deploying Charles Sanders Peirce's semiotics to retrieve historical indices and institutional contexts of power. Excluded from orthodox post-colonial studies, the Philippine social formation with its manifold contradictions is remapped to provide the scenario and narrative of the predicament of Euro-American bourgeois culture in this current conjuncture of neoliberal market barbarism.

Poems in Filipino experimenting with conceptual/post-conceptual modes and styles, focusing on current sociopolitical developments in the Philippines and in the international milieu. This is the second collection of poems by the author in CreateSpace.

Surrealist, experimental poems in Filipino by E. San Juan, Jr., cultural critic and public intellectual, with English translations or versions, addressing urgent social and political problems in the ongoing crisis in the Philippines and in the Filipino diaspora around the world--a sequel to previous volumes, BALIKBAYANG MAHAL: PASSAGES FROM EXILE and SUTRANG KAYUMANGGI.

Experimental, innovative, radical surrealist poetry in Filipino blasting the continuum of feudal tradition and capitalist hegemony, by E. San Juan, Jr, cultural critic, scholar and exiled intellectual from the Philippines. "Filipino" is the official name of the national language of the Philippines. Several poems include translations into English. A sequel to Balikbayang Mahal: Passages from Exile (LuLu.com).

In "Racism and Cultural Studies" E. San Juan Jr. offers a historical-materialist critique of practices in multiculturalism and cultural studies. Rejecting contemporary theories of inclusion as affirmations of the capitalist status quo, San Juan envisions a future of politically equal and economically empowered citizens through the democratization of power and the socialization of property. Calling U.S. nationalism the new "opium of the masses," he argues that U.S. nationalism is where racist ideas and practices are formed, refined, and reproduced as common sense and consensus.
Individual chapters engage the themes of ethnicity versus racism, gender inequality, sexuality, and the politics of identity configured with the discourse of postcoloniality and postmodernism. Questions of institutional racism, social justice, democratization, and international power relations between the center and the periphery are explored and analyzed. San Juan fashions a critique of dominant disciplinary approaches in the humanities and social sciences and contends that "the racism question" functions as a catalyst and point of departure for cultural critiques based on a radical democratic vision. He also asks urgent questions regarding globalization and the future of socialist transformation of "third world" peoples and others who face oppression.
As one of the most notable cultural theorists in the United States today, San Juan presents a provocative challenge to the academy and other disciplinary institutions. His intervention will surely compel the attention of all engaged in intellectual exchanges where race/ethnicity serves as an urgent focus of concern.