This book is unlike any other you will ever read. The thoughts within its pages are poetic, didactic, expository, deliberate and not very PoliticallyCorrect. It reflects the revelations many people eventually come to once an awaking to the reality of God is discovered. Written in a rhythmic form, this book sheds some light on issues of faith which many people are secretly facing. It covers a wide variety of topics and introduces scripture thatcan be used for meditation and clarification on the character of God and His role in a believer's life.

Intercepted Letters examines the phenomenon of epistolarity within a range of classical Greek and Roman texts, with a focus on letters as symbols for larger, culturally constructed processes of reading, writing, and interpretation. In addition, it analyzes how the epistolary form occasionally problematizes-for lack of a better word-the introduction of the technology of writing into cultures already heavily implicated in the authority of the spoken, or sung, word. The methods of intertextuality and reader-response theory that have so revolutionized other aspects of classical scholarship have not, in the main, been applied to epistolarity studies; studies of epistolarity have instead tended to focus on individual collections: Cicero's letters, Pliny's letters, Plato's letters. Epistolarity that occurs in larger narrative contexts (such as tragedy, oratory, and historiography) remains woefully under-theorized; moreover, a consistent thread in the introduction of epistolarity into non-epistolary contexts is that of a destabilizing or dislocating narrative device. Intercepted Letters argues that epistolarity has certain formal features that can be found evenoutside of epistolary collections, including the problematics of communication, an emphasis on authorial absence, a hypersensitivity to interpretation, and an implicit focus on power (who controls the voice?). These aspects are as integral to studies of epistolary episodes as sheep, flutes, shepherds, and amoebic poetry are to pastoral ones, and yet seem to be comparatively neglected, or else formulated as individual observances rather than a pattern. Intercepted Letters thus examines a number of epistolary tropes-in authors as wide-ranging as Euripides, Ovid, and the authors of the Historia Augusta-as it argues for the importance of epistolarity in analyzing the poetics of reading in the ancient world.

Vitality and change marked twelfth- and thirteenth-century medieval Mediterranean society. Many sought to capitalize upon resurgences in economic success, political intrigue, and social cohesion. Alfonso II (1162-1196) and his son Peter II (1196-1213) of the Crown of Aragon worked diligently to augment their regional success. Yet the sources relating the internal workings of these developments are, by themselves, insufficient for appreciating the scope and potential of these opportunities. Considering a wide array of sources reveals the tenacity with which Alfonso II and Peter II forged a tighter Mediterranean regional network ready to respond to urgent needs and enduring concerns.

Prince was a spiritual and musical enigma who sought to transcend race and gender through his words, music, and fashion. Raised as a Seventh-Day Adventist and later going door-to-door as a Jehovah's Witness, he expressed his faith overtly and allegorically, erotically and poetically. Theology and Prince is an edited collection on theology and the life, music, and films of Prince Rogers Nelson. Written for academics yet accessible for the layperson, this book explores Prince's ideas of the afterlife; race and social justice activism; eroticism; veganism; spiritual alter egos (with a deep dive into the dark character of "Spooky Electric"); a queer listening of the Purple Rain album; the theology of the Graffiti Bridge film (featuring interviews with co-star Ingrid Chavez and other collaborators), and a story from Texas of a Christian worship service designed around Prince's music in the wake of his passing. Those interested in theology and popular culture; scholars of social justice, racial identity, LGBTQ+ studies, and gender studies; as well as Prince "fams" will find new ways of viewing Prince's old and new works.

Even in our world of redefined life partnerships and living arrangements, most marriages begin through sacred ritual connected to a religious tradition. But if marriage rituals affirm deeply held religious and secular values in the presence of clergy, family, and community, where does divorce, which severs so many of these sacred bonds, fit in? Sociologist Kathleen Jenkins takes up this question in a work that offers both a broad, analytical perspective and a uniquely intimate view of the role of religion in ending marriages. For more than five years, Jenkins observed religious support groups and workshops for the divorced and interviewed religious practitioners in the midst of divorces, along with clergy members who advised them. Her findings appear here in the form of eloquent and revealing stories about individuals managing emotions in ways that make divorce a meaningful, even sacred process. Clergy from mainline Protestant denominations to Baptist churches, Jewish congregations, Unitarian fellowships, and Catholic parishes talk about the concealed nature of divorce in their congregations. Sacred Divorce describes their cautious attempts to overcome such barriers, and to assemble meaningful symbols and practices for members by becoming compassionate listeners, delivering careful sermons, refitting existing practices like Catholic annulments and Jewish divorce documents (gets), and constructing new rituals. With attention to religious, ethnic, and class variations, covering age groups from early thirties to mid-sixties and separations of only a few months to up to twenty years, Sacred Divorce offers remarkable insight into individual and cultural responses to divorce and the social emotions and spiritual strategies that the clergy and the faithful employ to find meaning in the breach. At once a sociological document, an ethnographic analysis, and testament of personal experience, Sacred Divorce provides guidance, strategies and answers to readers looking for answers and those looking to heal.

Written in a lively and accessible style, Antiquity Now opens our gaze to the myriad uses and abuses of classical antiquity in contemporary fiction, film, comics, drama, television - and even internet forums. With every chapter focusing on a different aspect of classical reception - including sexuality, politics, gender and ethnicity - this book explores the ideological motivations behind contemporary American allusions to the classical world. Ultimately, this kaleidoscope of receptions - from calls for marriage equality to examinations of gang violence to passionate pleas for peace (or war) - reveals a 'classical antiquity' that reconfigures itself daily, as modernity explains itself to itself through ever-expanding technologies and media. Antiquity Now thus examines the often-surprising redeployment of the art and literature of the ancient world, a geography charged with especial value in the contemporary imagination.

The essays in this collection addresses questions of intense interest in Homeric studies today: the questions of performance and poet-audience interaction, especially as depicted in idealized performances within the Iliad and the Odyssey; the ways in which epic incorporates material of diverse genres, such as women's laments, blame poetry, or folk tales; how the ideological balance of epic can change and be influenced by 'alternative ideologies' introduced through the incorporation of new material; the implications of the continuity of tradition for etymological studies; and how the traditional nature of epic affects textual criticism. The essays differ in focus and method, but all share one fundamental approach to Homer: an understanding of the Homeric tradition as a poetic system that expresses and preserves what is culturally important and a view of the Homeric epics as instances of a cultural tradition which they attempt to explore through the epics themselves and through the comparative, anthropological, and linguistic evidence they bring to bear on these texts. A unique collection that explores Homeric poetry through a variety of tools and approaches linguistics, philology, cultural anthropology, sociology, textual criticism, and archeology this volume will be of interest to all scholars and students of oral poetry and Classical literature.

Written in a lively and accessible style, Antiquity Now opens our gaze to the myriad uses and abuses of classical antiquity in contemporary fiction, film, comics, drama, television - and even internet forums. With every chapter focusing on a different aspect of classical reception - including sexuality, politics, gender and ethnicity - this book explores the ideological motivations behind contemporary American allusions to the classical world. Ultimately, this kaleidoscope of receptions - from calls for marriage equality to examinations of gang violence to passionate pleas for peace (or war) - reveals a 'classical antiquity' that reconfigures itself daily, as modernity explains itself to itself through ever-expanding technologies and media. Antiquity Now thus examines the often-surprising redeployment of the art and literature of the ancient world, a geography charged with especial value in the contemporary imagination.

Considering a wide array of sources, this book reveals the tenacity with which Alfonso II (1162-1196) and his son Peter II (1196-1213) of the Crown of Aragon forged a tighter Mediterranean regional network and augmented their regional success.

Evidence-based Clinical Practice (EBCP) is the conscientious, explicit, and judicious use of current best external evidence in making decisions about the care of individual patients. In neurology, practice has shifted from a rich, descriptive discipline to one of increasingly diagnostic and therapeutic interventions. Providing a comprehensive review of the current best evidence, Neurology: An Evidence-Based Approach presents this type of evidence in a concise, user-friendly and easily accessible manner. The three co-editors of this important volume are linked in their passion for evidence-based clinical practice in the clinical neurological sciences, connected to a common historical origin at the University of Western Ontario (UWO), London, Ontario Canada and influenced directly by Evidence-Based Medicine teachings of McMaster University, Hamilton, Ontario Cananda. The book is organized in three sections: Basics of Evidence-Based Clinical Practice, with an introduction to the topic, a chapter on the evolution of the hierarchy of evidence, and another chapter on guidelines for rating the quality of evidence and grading the strength of recommendation. The second section, Neurological Diseases, provides an illuminating overview of evidence-based care in ten of the most common areas in neurologic practice. The final, third section provides an outstanding roadmap for teaching evidence-based neurology with a chapter on the Evidence-Based Curriculum. A superb contribution to the literature, Neurology: An Evidence-Based Approach offers a well designed, well written, practical reference for all providers and researchers interested in the evidence-based practice of neurology.

In Walking the Way Together, Kathleen Jenkins offers an up-close study of parents and their adult children who walk the Camino de Santiago together. A Catholic visitation site of medieval origins with walking paths across Europe, the Camino culminates at the shrine of Saint James in the city of Santiago de Compostela, the capital of Galicia, an autonomous region of Spain. It has become a popular point of religious tourism for Catholics, spiritual seekers, scholars, adventurers, and cultural tourists. In 2019, well over 300,000 people arrived at the Pilgrims Office seeking a certificate of completion; they had walked anywhere from one hundred to over eight hundred kilometers. Jenkins brings alive family stories of investing in pilgrimage as a practice for strengthening kin relationships and becoming a part of each other's emotional and spiritual lives. The social and spiritual encounters that either supported or inhibited these relational goals emerge as fathers, mothers, sons, and daughters describe walking for six hours or more each day over mountain, rural, and urban paths. They are stories of pleasant surprises, disappointments, lessons learned, and the far-reaching emotional power that the memory of ritual failures and successes can carry. Ultimately, they show the potential for pilgrimage to foster and maintain intimate ties in today's fragile world, to build an engaged social consciousness, and to encourage reflection on digital devices and social medium platforms in the pursuit of spirituality.

In Walking the Way Together, Kathleen Jenkins offers an up-close study of parents and their adult children who walk the Camino de Santiago together. A Catholic visitation site of medieval origins with walking paths across Europe, the Camino culminates at the shrine of Saint James in the city of Santiago de Compostela, the capital of Galicia, an autonomous region of Spain. It has become a popular point of religious tourism for Catholics, spiritual seekers, scholars, adventurers, and cultural tourists. In 2019, well over 300,000 people arrived at the Pilgrims Office seeking a certificate of completion; they had walked anywhere from one hundred to over eight hundred kilometers. Jenkins brings alive family stories of investing in pilgrimage as a practice for strengthening kin relationships and becoming a part of each other's emotional and spiritual lives. The social and spiritual encounters that either supported or inhibited these relational goals emerge as fathers, mothers, sons, and daughters describe walking for six hours or more each day over mountain, rural, and urban paths. They are stories of pleasant surprises, disappointments, lessons learned, and the far-reaching emotional power that the memory of ritual failures and successes can carry. Ultimately, they show the potential for pilgrimage to foster and maintain intimate ties in today's fragile world, to build an engaged social consciousness, and to encourage reflection on digital devices and social medium platforms in the pursuit of spirituality.

Confronted with a betrayal of intimacy, the couple s relationship is in an extremely fragile state; the damage is often irreparable. In these trying circumstances, couples need an effective and confident therapist. Yet, cases of infidelity are notoriously difficult to treat. Therapists often approach this problem with apprehension, uncertainty, and a lack of confidence about what to do. The emotional and intellectual resources of the most skilled practitioner are severely taxed by the needs of the couple in crisis. In Treating Infidelity, Weeks, Gambescia, and Jenkins provide therapists and counselors with concepts, insights, and therapeutic plans that will allow them to work effectively with couples undergoing a crisis of broken intimacy. The authors address this severe therapeutic challenge with a comprehensive and inter-systematic approach that carefully considers the concerns of the couple, the partners as individuals, and the role of the therapist. Because it is a relationship problem, infidelity requires a flexible clinical regimen combining elements of individual and conjoint therapy within a systemic orientation. The authors have long used just such a regimen in their own clinical work with clients experiencing relational and sexual dysfunctions. Treating Infidelity presents the insights and organization of this successful clinical model, and provides a systematic and powerful way for couples to repair and recover from an affair. The multifaceted phenomenon of infidelity is explored in rich detail. The authors offer a conceptual framework that accounts for the varied contributing factors, common presentations, and the numerous consequences of infidelity. The heart of the book is concerned with recognizing when a breach in the couple s agreement about exclusivity has occurred and assisting the couple in achieving the goal of forgiveness. Relying on their novel empirically-based approach, the authors demonstrate how forgiveness can be attained even in the most difficult cases where shame, accusatory suffering, anger, or fear can obstruct resolution. Moreover, Treating Infidelity addresses the conditions necessary for establishing the level and quality of communication that maintains a deep sense of intimacy between partners. The core of this powerful but flexible clinical approach is the understanding that there are various forms of intimacy (e.g., sexual, emotional, intellectual) and significant variations in what constitutes a breach of intimacy. Today, infidelity constitutes a more expansive category than adultery or extramarital sex. It includes any form of betrayal to the implied or stated contract between couples regarding intimate exclusivity, such as cybersex and other forms of Internet infidelity. In fact, as the contexts, forms, and consequences of infidelity grow more complex, therapists and counselors need the sort of systematic but flexible approach found in Treating Infidelity. The experience and circumstances of infidelity are unique to each couple. The authors demonstrate this necessary flexibility in their approach and convey how therapists must place the personal experience of clients at the center of treatment."

Educated people have become bereft of sophisticated ways to develop their religious inclinations. A major reason for this is that theology has become vague and dull. In The Character of God, author Thomas E. Jenkins maintains that Protestant theology became boring by the late nineteenth century because the depictions of God as a character in theology became boring. He shows how in the early nineteenth century, American Protestant theologians downplayed biblical depictions of God's emotional complexity and refashioned his character according to their own notions, stressing emotional singularity. These notions came from many sources, but the major influences were the neoclassical and sentimental literary styles of characterization dominant at the time. The serene benevolence of neoclassicism and the tender sympathy of sentimentalism may have made God appealing in the mid-1800s, but by the end of the century, these styles had lost much of their cultural power and increasingly came to seem flat and vague. Despite this, both liberal and conservative theologians clung to these characterizations of God throughout the twentieth century.
Jenkins argues that a way out of this impasse can be found in romanticism, the literary style of characterization that supplanted neoclassicism and sentimentalism and dominated American literary culture throughout the twentieth century. Romanticism emphasized emotional complexity and resonated with biblical depictions of God. A few maverick religious writers-- such as Harriet Beecher Stowe, W. G. T. Shedd, and Horace Bushnell--did devise emotionally complex characterizations of God and in some cases drew directly from romanticism. But their strange andsometimes shocking depictions of God were largely forgotten in the twentieth century. s use "theological" as a pejorative term, implying that an argument is needlessly Jenkins urges a reassessment of their work and a greaterin understanding of the relationship between theology and literature. Recovering the lost literary power of American Protestantism, he claims, will make the character of God more compelling and help modern readers appreciate the peculiar power of the biblical characterization of God.

This book is unlike any other you will ever read. The thoughts within its pages are poetic, didactic, expository, deliberate and not very PoliticallyCorrect. It reflects the revelations many people eventually come to once an awaking to the reality of God is discovered. Written in a rhythmic form, this book sheds some light on issues of faith which many people are secretly facing. It covers a wide variety of topics and introduces scripture thatcan be used for meditation and clarification on the character of God and His role in a believer's life.