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Turn Crisis Into CashMoney matters got a lot scarier in 2020 and there is no end to the volatility in sight. Crisis means danger but also opportunity. To turn a profit during the next bust, or the next burst of inflation, individual investors and businesspeople must understand the economics of money, banking, and finance. That's what this book provides, in concise and understandable prose, with pictures. Understand inflation and interest rates, stock prices, money and monetary policy, and the basics of information and macroeconomic theory in short order. You might not beat the market after reading just this book, but if you learn its lessons the market won't beat up your business or investment portfolio the next time the economy tanks due to pandemic, war, high taxes, or alien invasion.
Serial Mexico responds to a continued need to historicize and contextualize seriality, particularly as it exists outside of dominant U.S./European contexts. In Mexico, serialization has been an important feature of narrative since the birth of the nation. Amy Wright's exploration begins with a study of novels serialized in pamphlets and newspapers by key Mexican authors of the nineteenth century, showing that serialization was essential to the development of both the novel and national identities-to Mexican popular culture-during its foundational period. In the twentieth century, a technological explosion after the Mexican Revolution (1910-20) set Mexico's transmedial wheels into motion, as a variety of media recycled and repurposed earlier serialized tales, themselves drawn from a repertoire of oral traditions to national nostalgic effect. Along the way, Serial Mexico responds to the following series of questions: How has serialized storytelling functioned in Mexico? How can we better understand the relationship of seriality to transmediality through this historical case study? Which stories (characters, themes, storylines, and storyworlds) have circulated repeatedly over time? How have those stories defined Mexico? The goal of this book is to begin to understand some of the possible answers to these questions through five case studies, which highlight five key artifacts, in five different media, at five different historical points spanning nearly two hundred years of Mexico's history. Serial Mexico offers important insights into not only the topic of serialized storytelling, but to larger notions of how national identities are created through narrative, with crucial cultural and sometimes political implications.
Serial Mexico responds to a continued need to historicize and contextualize seriality, particularly as it exists outside of dominant U.S./European contexts. In Mexico, serialization has been an important feature of narrative since the birth of the nation. Amy Wright's exploration begins with a study of novels serialized in pamphlets and newspapers by key Mexican authors of the nineteenth century, showing that serialization was essential to the development of both the novel and national identities-to Mexican popular culture-during its foundational period. In the twentieth century, a technological explosion after the Mexican Revolution (1910-20) set Mexico's transmedial wheels into motion, as a variety of media recycled and repurposed earlier serialized tales, themselves drawn from a repertoire of oral traditions to national nostalgic effect. Along the way, Serial Mexico responds to the following series of questions: How has serialized storytelling functioned in Mexico? How can we better understand the relationship of seriality to transmediality through this historical case study? Which stories (characters, themes, storylines, and storyworlds) have circulated repeatedly over time? How have those stories defined Mexico? The goal of this book is to begin to understand some of the possible answers to these questions through five case studies, which highlight five key artifacts, in five different media, at five different historical points spanning nearly two hundred years of Mexico's history. Serial Mexico offers important insights into not only the topic of serialized storytelling, but to larger notions of how national identities are created through narrative, with crucial cultural and sometimes political implications.
This innovative book presents a series of up-to-date analyses of the economics of outdoor recreation. The distinguished group of authors covers real-world recreation management issues and applies economic understanding to these problems. An extensive introduction by the editors details the historical background of economists' interests in this subject, and reveals how economics can provide practical insights into improving how we manage our natural recreation areas.The book is divided into three parts, each of which focuses on a specific environmental resource: mountains, forests, and rivers and the sea. An array of valuation methods - including stated preference and revealed preference techniques - are then applied to various outdoor recreation activities which occur in these different settings. These include such diverse pursuits as rock climbing, skiing, fishing, hunting and whale watching. The authors clearly demonstrate how recreation modelling can offer a productive link between people (their preferences and behaviour) and the natural environment. With extensive empirical examples from Europe and North America, this book will be of great value to economists, governments and NGOs who are interested in the environment, development and tourism. It will also be a valuable source of reference for policymakers concerned with land use and natural resource management, and students of environmental and resource economics.
View the Table of Contents. "(Wright and Smith) have written a remarkably lucid and
elegantly organized history that keeps the major themes in view,
even while discussing the minutiae of crafting and marketing
various new insurance products or of managing the firm and its
investment portfolio. As the authors themselves point out, the
history of life insurance has not attracted much serious
scholarship or inspired writing. Fortunately, Mutually Beneficial
has both. It integrates the Guardian's career into a wider account
of the American life-insurance business and American economic
history more generally, and it manages to do so with a light
touch." "(Mutually Beneficial is), without doubt, a major contribution
to the economics and history of life insurance in the twentieth
century. Wright and Smith have provided, for example, the most
comprehensive account yet of product development, and the section
on investment strategies is also important. In sum this will make a
fine addition to the library of insurance historians, and to
financial and business historians more generally." "The matieral is well documented. The authors have produced a
nonvanity company history that goes behind the scenes to describe
the company's corporate culture and policies and provide a
explanation of how ethical and business precepts have led to
consistent profitability." Mutually Beneficial tells the story of the evolution of The Guardian Life Insurance Company of America, one of the most important life and health insurers inthe history of the U.S. economy and life insurance industry. Relying on exclusive access to the company's archives, interviews with its current executive officers, the public record, and scholarly articles and monographs, Robert E. Wright and George David Smith provide a strategic analysis of Guardian, from its founding to its standing in the insurance world today. Mutually Beneficial also describes the origin of Guardian's distinctive approach to business-its corporate culture and policy-and how these principles flow from the ethical and business precepts of its founders. By rigorously attending to its policyholders as a matter of practice as well as principle, Guardian has long been one of the most consistently profitable life insurance firms as measured by return on net wealth. This unique history will be of interest to anyone in the insurance business, as well as financial and economic professionals.
In a Unification of Electromagnetism and Gravity, author Selwyn Wright describes his New Relativity (NR) theory in a simple physical way, in order to help the lay person to understand. At the same time he seeks to update aspects of modern physics in a rigorous manner. NR removes confusion in Einstein's relativity, simplifies our understanding of the universe and challenges relativity as a more logical and comprehensive theory. Motional electromagnetic (EM) and gravitational theories are shown to have two inherent deficiencies that have prevented them from becoming a unified theory. Firstly they do not recognize that the propagation medium (ether) is the essential thread that runs through these developments. Secondly they do not realise that EM waves and gravity are two forms of the same field - unsteady electric and steady difference electric fields. Wright's new theory re-establishes a preferred frame of reference and restores the connection between classical and modern physics. It also forges new links between electrical sources and observers in motion and between electric fields and gravity. As explained in the Unification of Electromagnetism and Gravity the medium provides the bridge between the Lorentz transform, accelerating frames and gravity, providing a basis for the unification theory of the universe.
This book presents the most compelling arguments for and against implementing a basic income guarantee today, in the voice of proponents and critics, in alternating chapters. Tables, figures, and pictures illustrate the key concepts and evidence, which include benefit cliffs and disincentive deserts, time series macroeconomic data, business, economic, and technological change (BETC), artificial intelligence and other general purpose technologies, along with advanced robotics, the environmental Kuznets Curve, income distributions, democracy, social justice, dependence, autonomy, and economic freedom. A neutral, non-partisan tone introduction defines UBI and covers the history of universal income plans, while the conclusion summarizes the main arguments for and against UBI before surveying alternative policies, including universal basic asset, credit, service, job, and training plans.
Considered by some to be his most important text, this series of lectures given by Johann Gottlieb Fichte (1762-1814) at his home in Berlin in 1804 is widely regarded as the most perspicuous presentation of his fundamental philosophy. Now available in English, this translation provides in striking and original language Fichte's exploration of the transcendental foundations of experience and knowing in ways that go beyond Kant and Reinhold and charts a promising, novel pathway for German Idealism. Though a close examination of this work one can see that Fichte's though is much than a way station between Kant and Hegel, and thus it makes the case for Fichte's independent philosophical importance. The text is divided into two parts: a doctrine of truth or reason, and a doctrine of appearance. A central feature of the text is its performative dimension. Philosophy, for Fichte, is something we enact rather than any discursively expressible object of awareness: a philosophical truth is not expressible as a set of propositions but is a spontaneous inwardly occurring realization. Therefore, he always regards the expression of philosophy in words as strategic, aiming to ignite philosophy's essentially inward process and to arouse the event of philosophical insight. The new translation contains a German-English glossary and an extensive introduction and notes by the translator.
In this evocative and engaging memoir, Thomas Wright recalls, with eloquence, frankness, and humor, a man coming to terms with his homosexuality and seeking his happiness in ignorant and repressive times. Throughout his life and in his travels, Wright gathered a distinguished circle of friends that included some of the most influential writers of the mid-20th century, among them Tennessee Williams, Paul Bowles, and Christopher Isherwood. Scion of an old Louisiana family, Wright left the South after college to live in the scintillating Manhattan of the late 1940s. Stimulated by the Columbia University of Trilling and Van Doren, he went on to develop lasting friendships with Allen and Caroline Tate, Tennessee Williams, and socialized with William Inge, Chester Kallman, Speed Lankin, Bill Goyen, Carson McCullers' family, and Harold Norse. Wright moved to southern California in the 1950s to become a writer. There he became intimate with Christopher Isherwood and Edward James (the purported son of Edward VII of England), enabling him to move in circles that included Igor Stravinsky, Gerald Heard, and Aldous Huxley. In the 1960s he began his travels, moving first to Mexico, then to Europe and on to Morocco, where he became a confidante of Paul Bowles. By the mid-1970s Wright began traveling again, moving throughout Latin America and finally settling in Guatemala where he now resides. Wright's honest treatment of his homosexuality and personal remembrances of the literary legends he befriended will inspire and fascinate readers.
There have been many voices in disciplines as various as philosophy, history, psychology, hermeneutics, literary theory, and theology that have claimed that narrative is fundamental to all that is human. Here is a book that in an engaging and amusing way presents a coherent thesis to that effect, connecting the Joke and the Story (with all that comedy and tragedy imply) not only with our sensing and perceiving of the world, but with our faith in each other, and what the character of that faith should be.
This book presents a unique sociological examination of British raciology, focusing on women's literary works of the late eighteenth and early nineteenth centuries. It uniquely offers a sociological perspective drawing from a range of academic disciplines, particularly literature, history and cultural studies. Wright traces the emergence of British modernity through the writings of a select group of women writers (including Jane Austen, Hannah More, Fanny Burney, Mary Wollstonecraft, Mary Shelley and Marla Edgeworth) of diverse political and philosophical affiliations, and fills a gap in scholarship on feminist accounts of late eighteenth- and early nineteenth-century women's writing.
Controversy erupted in 1996 when the Oakland Unified School District’s ‘Ebonics Resolution’ proposed an approach to teaching Standard English that recognized the variety of English spoken by African American students. With new demands for accountability driven by the No Child Left Behind policy and its emphasis on high-stakes testing in Standard English, this debate will no doubt rise again. This book seeks to better inform this next episode. In Part 1, leading scholars place the debate within its historical and contemporary context, provide clear explanations of what Ebonics is and is not, and offer practical approaches schools can and should follow to address the linguistic needs of African American students. Part 2 provides original documents that accompanied the debate, including the original resolutions, legislation, organization position papers, and commentary/analyses from leading linguists. This book is written for all those whose work impacts the lives of Ebonics speakers in our public schools.
Modern financial theories enable us to look at old problems in early American Republic historiography from new perspectives. Concepts such as information asymmetry, portfolio choice, and principal-agent dilemmas open up new scholarly vistas. Transcending the ongoing debates over the prevalence of either community or capitalism in early America, Wright offers fresh and compelling arguments that illuminate motivations for individual and collective actions, and brings agency back into the historical equation. Wright argues that the Colonial rebellion was in part sparked by destabilizing British monetary policy that threatened many with financial insolvency; that in areas without modern financial institutions and practices, dueling was a rational means of protecting one's creditworthiness; that the principle-agent problem led to the institutionalization of the U.S. Constitution's system of checks and balances; and that a lack of information and education induced women to shift from active business owners to passive investors. Economists, historians, and political scientists alike will be interested in this strikingly novel and compelling recasting of our nation's formative decades.
This book explains how six policies collectively called the North American Wildlife Conservation Model (NAWCM), put in place around the turn of the twentieth century, saved numerous iconic big game species from extinction. Rigid adherence to the NAWCM, however, especially its ban on the commercial sale of wild game meat, has allowed deer and some other species to become overabundant pests in areas where hunting pressure recently declined and habitat rebounded. Texas and South Africa have proven that scientific insight and market incentives can combine to prevent game overabundance and decrease the fragility and extend the range of iconic mammal game species. This book outlines how intermediate steps, like proxy hunting and other wildlife regulation reforms, could be used to lure more hunters into the field and move other states towards the Texas model incrementally, thereby minimizing risks to wildlife or human stakeholders.
Ariel and Eric have had a baby daughter, Melody, but the threat of reprisal from Ursula's sister Morgana means that they must keep the girl in the dark about her mermaid heritage. However, to be a mermaid is what Melody wants most and her dreams of the sea soon find her playing into the evil Morgana's hands. To set things right, Ariel must team up with her old chums Sebastian, Flounder and Scuttle and embark upon a daring rescue mission.
Prequel to the popular Disney film set long before Ariel gave up her mermaid existence to live happily ever after with Prince Eric. The film finds Ariel (voice of Jodi Benson) torn between her love of music and her family duty. With the help of her friends, Sebastian (Samuel E. Wright) and Flounder (voice of Parker Goris), and her six sisters, Ariel sets about to try and restore music, friendship and love to the Kingdom of Atlantica. |
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