Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A Polari-Prize-winning author presents an unforgettable story about a boy facing up to bullying - and his own truths. James loves dancing, poetry, and Mariah Carey (not in that order, though, because Mariah would obviously be first!). His teacher, Mr Hamilton, is getting married to his boyfriend and it seems that James will be part of a surprise choir performance at the wedding. But James's father seems uncomfortable about the plan, and a lot of other things - like any mention of Mr Hamilton, and James's dancing, and how James talks about his new friend Joel. Meanwhile, a different boy has been harassing James at school and calling him gay, and it's getting worse every day. James can find relief with his beloved Nan, she's been having worrying falls, and James can't tell anyone, or she might be sent to a faraway care home. The secrets are building up, and James is starting to lose his characteristic spark. Can he find the strength to let the truth out? A joyful, raw and timely novel about family, friends, enemies, and being true to who you really are. Perfect for fans of Alex Gino, A.M. Dassu, and The Boy At the Back of the Class. Ian Eagleton is the author of Nen and the Lonely Fisherman, which was shortlisted for The Bookseller's Book Of The Year - Discovery Category 2022

"The Concise Companion to Feminist Theory" introduces readers to the broad scope of feminist theory over the last 35 years.
Introduces readers to the broad scope of feminist theory over the past 35 years.
Guides students along the cutting edge of current feminist theory.
Suitable for students and scholars of all fields touched by feminist thought.
Covers an exceptionally broad range of disciplines, discourses and feminist positions.
Organised around concepts rather than schools of feminism.

Rory loves his dad, but he also really likes his step-dad, Tony. He has weekends with Dad in the park and makes imaginary dens with Tony, so when Father's Day comes, who should he make his card for at school? Spotting his frustration, Tony spends his 'rainy-day pennies' to take Rory somewhere new - an ART GALLERY, full of wonders. As they pause to reflect in a huge room of rectangles, Rory sees his conflicting feelings glistening back at him in many powerful colours. Afterwards, a 'chance' encounter with Dad, under a red sky, helps Rory realise that he doesn't have to feel torn at all,

This book maps the most active and vibrant period in the history of British women's writing. Examining changes and continuities in fiction, poetry, drama, and journalism, as well as women's engagement with a range of literary and popular genres, the essays in this volume highlight the range and diversity of women's writing since 1970.

In his latest book, Terry Eagleton, one of the most celebrated intellects of our time, considers the least regarded of the virtues. His compelling meditation on hope begins with a firm rejection of the role of optimism in life's course. Like its close relative, pessimism, it is more a system of rationalization than a reliable lens on reality, reflecting the cast of one's temperament in place of true discernment. Eagleton turns then to hope, probing the meaning of this familiar but elusive word: Is it an emotion? How does it differ from desire? Does it fetishize the future? Finally, Eagleton broaches a new concept of tragic hope, in which this old virtue represents a strength that remains even after devastating loss has been confronted. In a wide-ranging discussion that encompasses Shakespeare's Lear, Kierkegaard on despair, Aquinas, Wittgenstein, St. Augustine, Kant, Walter Benjamin's theory of history, and a long consideration of the prominent philosopher of hope, Ernst Bloch, Eagleton displays his masterful and highly creative fluency in literature, philosophy, theology, and political theory. Hope without Optimism is full of the customary wit and lucidity of this writer whose reputation rests not only on his pathbreaking ideas but on his ability to engage the reader in the urgent issues of life. Page-Barbour Lectures

Myths of Power - Anniversary Edition sets out to interpret the fiction of the Bronte sisters in light of a Marxist analysis of the historical conditions in which it was produced. Its aim is not merely to relate literary facts, but by a close critical examination of the novels, to find in them a significant structure of ideas and values which related to the Brontes' ambiguous situation within the class-system of their society. Its intention is to forge close relations between the novels, nineteenth-century ideology, and historical forces, in order to illuminate the novels themselves in a radically new perspective. When originally published in 1975 (second edition in 1988), it was the first full-length Marxist study of the Brontes and is now reissued to celebrate 30 years since its first publication. It includes a new Introduction by Terry Eagleton which reflects on the changes which have happened in Marxist literary criticism since 1988, and situates this reissue of the second edition in current debates.

If the author is 'dead', if feminism is 'post-', why does the figure of the woman author keep appearing as a central character in contemporary fiction? She is concerned with ownership but, equally, with loss; determined to enter the cultural field but also rejecting that field; looking for control but subject to duplicity; seeking power alongside desire. Drawing on a diverse range of contemporary authors - including Atwood, Byatt, Brookner, Coetzee, Lurie, LeGuin, Michele Roberts, Shields, Spark, Weldon, and Walker - this study explores the complexity and continuing fascination of this figure.

Lucid, entertaining and full of insight, "How To Read A Poem" is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader.

Offers a detailed examination of poetic form and its relation to content.
Takes a wide range of poems from the Renaissance to the present day and submits them to brilliantly illuminating closes analysis.
Discusses the work of major poets, including John Milton, Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson, W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon, and many more.
Includes a helpful glossary of poetic terms.

Terry Eagleton provides a novel account of Ireland's neglected "national" intellectuals, an extraordinary group, including such figures as Oscar Wilde's father William Wilde, Charles Lever, Samuel Ferguson, Isaac Butt, Sheridan Le Fanu. They formed a kind of Irish version of "Bloomsbury," but one composed, exceptionally, of scientists, mathematicians, economists, and lawyers, rather than preponderantly of artists and critics.

Their work, much of it published in the pages of the "Dublin University Magazine," was deeply caught up in networks of kinship, shared cultural interests and intersecting biographies in the outsized village of nineteenth-century Dublin. Eagleton explores the preoccupations of this remarkable community, in all its fascinating ferment and diversity, through the lens of Antonio Gramsci's definitions of "traditional" and "organic" intellectuals, and maps the nature of its relation to the Young Ireland movement, combining his account with some reflections on intellectual work in general and its place in political life.

"Scholars and Rebels" is essential reading for all those concerned to understand not just the complexities of nineteenth-century Irish intellectual culture and the emergent Irish Revival, but the formation also of Irish culture in the twentieth century.

`...a valuable book for anyone wanting to move beyond critical pieties to an understanding of the relation between the Brontes' work and their society. Dr Eagleton asks questions which ought be asked.' Juliet Dusinberre, Notes and Queries `...this is a book of real stature, of cogent and steely argument and analysis....' Adrian Poole, Cambridge Review. This widely acclaimed Marxist study of the Brontes is now available in paperback. In this second edition a new introduction has been added.

Far out to sea and deep below the whispering waves lives a merman called Nen. Nen spends his days exploring his underwater kingdom, but something is missing: his heart is empty. So, Nen ventures to the forbidden world above and it is here that he meets Ernest, a lonely fisherman. But can two people from different worlds be together and what will happen when a terrifying storm gathers? A lyrical, beautiful celebration of love, acceptance and faith, with a gentle message about how we treat our oceans, and each other.

Terry Eagleton looks back across sixty years to an extraordinary critical milieu that transformed the study of literature   Before the First World War, traditional literary scholarship was isolated from society at large. In the years following, a younger generation of critics came to the fore. Their work represented a reaction to the impoverishment of language in a commercial, utilitarian society increasingly under the sway of film, advertising, and the popular press. For them, literary criticism was a way of diagnosing social ills and had a vital moral function to perform.   Terry Eagleton reflects on the lives and work of T. S. Eliot, I. A. Richards, William Empson, F. R. Leavis, and Raymond Williams, and explores a vital tradition of literary criticism that today is in danger of being neglected. These five critics rank among the most original and influential of modern times and represent one of the most remarkable intellectual formations in twentieth-century Britain. This was the heyday of literary modernism, a period of change and experimentation—the bravura of which spurred on developments in critical theory.

A quarter of a century on from its original publication, Literary Theory: An Introduction still conjures the subversion, excitement and exoticism that characterized theory through the 1960s and 70s, when it posed an unprecedented challenge to the literary establishment. Eagleton has added a new preface to this anniversary edition to address more recent developments in literary studies, including what he describes as "the growth of a kind of anti-theory", and the idea that literary theory has been institutionalized. Insightful and enlightening, Literary Theory: An Introduction remains the essential guide to the field. 25th Anniversary Edition of Terry Eagleton's classic introduction to literary theory First published in 1983, and revised in 1996 to include material on developments in feminist and cultural theory Has served as an inspiration to generations of students and teachers Continues to function as arguably the definitive undergraduate textbook on literary theory Reissue includes a new foreword by Eagleton himself, reflecting on the impact and enduring success of the book, and on developments in literary theory since it was first published

Written by one of the world's leading literary theorists, this book provides a wide-ranging, accessible and humorous introduction to the English novel from Daniel Defoe to the present day.
Covers the works of major authors, including Daniel Defoe, Henry Fielding, Samuel Richardson, Laurence Sterne, Walter Scott, Jane Austen, the Brontes, Charles Dickens, George Eliot, Thomas Hardy, Henry James, Joseph Conrad, Virginia Woolf, D.H. Lawrence and James Joyce.
Distils the essentials of the theory of the novel.
Follows the model of Eagleton's hugely popular "Literary Theory: An Introduction" (Second Edition, 1996).

Discursive Change in Hong Kong: Sociopolitical Dynamics, Metaphor, and One Country, Two Systems is a comprehensive interdisciplinary study of socio-political and discursive change in Hong Kong, a westernized Chinese society once under British rule, now decolonized but without independence, and with a constitution promising universal suffrage sometime in the future. Starting off with interesting and frequently contradictory debates surrounding the discussions on the handover of Hong Kong to mainland China, Jennifer Eagleton provides a stimulating, politically well informed, detailed, and comprehensive "insider" account of many aspects of the press media and official discourse on democracy and political change in Hong Kong as part of "One Country, Two Systems." The book shows how historical, cultural, and identity issues have shaped and molded post-1997 political discourse and how the seemingly dramatic changes in the city since 2020 may not have been that surprising for long-term observers of Hong Kong. By going beyond consideration of the purely linguistic dimension of the selected texts to encompass the larger historical and socio-political context, and incorporating textual, discursive, and metaphoric analysis over time, this book provides a comprehensive examination of Hong Kong political discourse and its constituent themes.

This book follows the figure of 'the clever girl' from the post-war to the present and focuses on the fiction, plays and memoirs of contemporary British women writers. Spurred on by an ethic of meritocracy, the clever girl is now facing austerity and declining social mobility. Though suggesting optimism, a public discourse of 'opportunity', 'aspiration' and 'choice' is often experienced as an anxious and chancy process. In a wide-ranging study, the book explores the struggle to move away from home and traditional notions of femininity; the persistent problems associated with women's embodiment; the pressures of class and racial divisions; the new subjectivities of the neoliberal era; and the generational conflict underpinning austerity. The book ends with a consideration of feminism's place as a phantom presence in this history of clever girls. This study will appeal to readers of contemporary women's writing and to those interested in what has been one of the dominant social narratives of the post-war period from upward to declining mobility.

A compelling guide to the fundamental place of humour and comedy within Western culture-by one of its greatest exponents Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit? Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.

Beckett's reception was characterised in its early stages by a sustained attention to nothing as a philosophical concept. Theodor Adorno, however, was quick to argue that Beckett's plays resisted - unlike Sartre's - having their nothing transformed into something. This Beckettian nothing, moreover, is often invested with the aura of the genius, either for eulogical or dismissive purposes. This volume invites its readership to understand the complex ways in which the Beckett canon both suggests and resists turning nothing into something by looking at specific, sometimes almost invisible ways in which 'little nothings' pervade the Beckett canon. The volume has two main functions: on the one hand, it looks at 'nothing' not only as a content but also a set of rhetorical strategies to reconsider afresh classic Beckett problems such as Irishness, silence, value, marginality, politics and the relationships between modernism and postmodernism and absence and presence. On the other, it focuses on 'nothing' in order to assess how the Beckett oeuvre can help us rethink contemporary preoccupations with materialism, neurology, sculpture, music and television. Both advanced students and scholars of Beckett will find the volume of interest. It comprises jargon-free chapters that analyse Beckett's prose, drama, film, television, manuscripts and marginalia. It will prove of interest to advanced students and scholars in English, French, Comparative Literature, Drama, Visual Studies, Philosophy, Music, Cinema and TV studies. -- .

Beckett and nothing invites its readership to understand the complex ways in which the Beckett canon both suggests and resists turning nothing into something by looking at specific, sometimes almost invisible ways in which 'little nothings' pervade the Beckett canon. The volume has two main functions: on the one hand, it looks at 'nothing' not only as a content but also a set of rhetorical strategies to reconsider afresh classic Beckett problems such as Irishness, silence, value, marginality, politics and the relationships between modernism and postmodernism and absence and presence. On the other, it focuses on 'nothing' in order to assess how the Beckett oeuvre can help us rethink contemporary preoccupations with materialism, neurology, sculpture, music and television. The volume is a scholarly intervention in the fields of Beckett studies which offers its chapters as case studies to use in the classroom. It will prove of interest to advanced students and scholars in English, French, Comparative Literature, Drama, Visual Studies, Philosophy, Music, Cinema and TV studies. -- .