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This volume fills a gap in the existing literature and proposes an
interdisciplinary and multicultural comparative approach to the
impact of Hallyu worldwide. The contributors analyze the spread of
South Korean popular products from different perspectives (popular
culture, sociology, anthropology, linguistics) and from different
geographical locations (Asia, Europe, North America, and South
America). The contributors come from a variety of countries (UK,
Japan, Argentina, Poland, Bulgaria, Czech Republic, Indonesia, USA,
Romania). The volume is divided into three sections and twelve
chapters that each bring a new perspective on the main topic. This
emphasizes the impact of Hallyu and draws real and imaginary "maps"
of the export of South Korean cultural products. Starting from the
theoretical backgrounds offered by the existing literature, each
chapter presents the impact of Hallyu in a particular country. This
applied character does not exclude transnational comparisons or
critical interrogations about the future development of the
phenomenon. All authors are speaking about their own, native
cultures. This inside perspective adds an important value to the
understanding of the impact of a different culture on the
"national" culture of each respective country. The contributions to
this volume illustrate the "globalization" of the cultural products
of Hallyu and show the various faces of Hallyu around the world.
This book proposes an interdisciplinary, multicultural and
contemporary approach to examining the controversial links between
migration and crime. It includes empirical research on migrants and
crime to explore the risk and realities of crime and migration, as
well as how mass media in different regions of the world has
covered violent acts that have involved migrants (as victims or
aggressors). The chapters are written by authors from various
countries including the UK, Turkey, Slovenia, Iraq, Albania, Chile,
the Republic of Moldavia, and Romania, and from different fields of
research including: criminology, sociology, political sciences and
communication. They bring to light new ideas, new methodologies and
results that could be taken and developed further. This volume
allows readers to explore the impact of migration on crime.
This book examines homicide-suicides in a post-communist country in
South-East Europe. It presents results regarding risk factors and
particularities of homicide-suicides in Romania committed in the
period 2002-2013. The author analyses statistical data from legal
records, police registers, and online newspapers discussing the way
in which the victims and aggressors of homicide-suicides are
represented. She completed the data by investigating six
penitentiaries in Romania regarding the risk factors specific to
various types of homicide-suicide: intimate partner
femicide-suicides, familicide-suicides, filicide-suicides and
homicide-suicides committed by police officers.
This book proposes an interdisciplinary, multicultural and
contemporary approach to examining the controversial links between
migration and crime. It includes empirical research on migrants and
crime to explore the risk and realities of crime and migration, as
well as how mass media in different regions of the world has
covered violent acts that have involved migrants (as victims or
aggressors). The chapters are written by authors from various
countries including the UK, Turkey, Slovenia, Iraq, Albania, Chile,
the Republic of Moldavia, and Romania, and from different fields of
research including: criminology, sociology, political sciences and
communication. They bring to light new ideas, new methodologies and
results that could be taken and developed further. This volume
allows readers to explore the impact of migration on crime.
This volume fills a gap in the existing literature and proposes an
interdisciplinary and multicultural comparative approach to the
impact of Hallyu worldwide. The contributors analyze the spread of
South Korean popular products from different perspectives (popular
culture, sociology, anthropology, linguistics) and from different
geographical locations (Asia, Europe, North America, and South
America). The contributors come from a variety of countries (UK,
Japan, Argentina, Poland, Bulgaria, Czech Republic, Indonesia, USA,
Romania). The volume is divided into three sections and twelve
chapters that each bring a new perspective on the main topic. This
emphasizes the impact of Hallyu and draws real and imaginary "maps"
of the export of South Korean cultural products. Starting from the
theoretical backgrounds offered by the existing literature, each
chapter presents the impact of Hallyu in a particular country. This
applied character does not exclude transnational comparisons or
critical interrogations about the future development of the
phenomenon. All authors are speaking about their own, native
cultures. This inside perspective adds an important value to the
understanding of the impact of a different culture on the
"national" culture of each respective country. The contributions to
this volume illustrate the "globalization" of the cultural products
of Hallyu and show the various faces of Hallyu around the world.
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