Steven Spielberg directs this drama based on Michael Morpurgo's novel about a boy who searches for his horse after it is taken away to serve in World War I. Growing up in Devon, Albert (Jeremy Irvine) trains his horse, Joey, and forms a strong bond with the animal. Joey is taken from his owner, however, when he is sold to the French as a war horse. Joey touches the hearts of those he meets as he serves in the cavalry. Too young to become a soldier himself, the determined Albert sets off on a journey in the hope that he can save his beloved horse from the horrors of war. Benedict Cumberbatch, David Thewlis, Emily Watson and David Kross co-star.

Steven Spielberg directs this drama based on Michael Morpurgo's novel about a boy who searches for his horse after it is taken away to serve in World War I. Growing up in Devon, Albert (Jeremy Irvine) trains his horse, Joey, and forms a strong bond with the animal. Joey is taken from his owner, however, when he is sold to the French as a war horse. Joey touches the hearts of those he meets as he serves in the cavalry. Too young to become a soldier himself, the determined Albert sets off on a journey in the hope that he can save his beloved horse from the horrors of war. Benedict Cumberbatch, David Thewlis, Emily Watson and David Kross co-star.

Andrew Davies's adaptation of the classic Charles Dickens tale of hardship and struggle in 1820s London. The Dorrit family has spent years in a debtors' prison due to the financial mess in which father William (Tom Courtenay) managed to land himself as a youth. Youngest daughter Amy (Claire Foy), known as Little Dorrit, finds work with the wealthy Mrs Clenham (Judy Parfitt) but knows that her father will, in all probability, spend the remainder of his life in gaol. However, when Arthur Clenham (Matthew Macfadyen), recently returned from abroad, comes to suspect that his late father was in part responsible for the Dorrits' plight, he becomes determined to make amends. But as he continues to delve into the mysteries of the Dorrits' and his parents' shared past, he is unaware that his own mother's house has been placed in peril by the arrival of a sinister stranger.

Tense drama following the relationship between a self-destructive, alcoholic widower and a Christian charity shop worker. Joseph (Peter Mullan) is an aggressive and self-destructive loner who suffers from extreme mood swings and an inability to keep his temper in check. One such lack of control forces him to flee into a charity shop to hide from three youths. Here he strikes up an unlikely friendship with Hannah (Olivia Colman), a volunteer who attempts to calm Joseph and offer him a Christian way out of his troubles. Despite their differences, a relationship develops between the two. However, will the other man in Hannah's life, her husband, James (Eddie Marsan), have something to say about the burgeoning friendship?

Andrew Davies's adaptation of the classic Charles Dickens tale of hardship and struggle in 1820s London. The Dorrit family has spent years in a debtors' prison due to the financial mess in which father William (Tom Courtenay) managed to land himself as a youth. Youngest daughter Amy (Claire Foy), known as Little Dorrit, finds work with the wealthy Mrs Clenham (Judy Parfitt) but knows that her father will, in all probability, spend the remainder of his life in gaol. However, when Arthur Clenham (Matthew Macfadyen), recently returned from abroad, comes to suspect that his late father was in part responsible for the Dorrits' plight, he becomes determined to make amends. But as he continues to delve into the mysteries of the Dorrits' and his parents' shared past, he is unaware that his own mother's house has been placed in peril by the arrival of a sinister stranger.

James McAvoy stars as a corrupt, sociopathic Edinburgh cop in director Jon S. Baird's fast-paced black comedy, adapted from the novel by Irvine Welsh. Bored with his duties as a Detective Sergeant in the Edinburgh police force, Bruce Robertson (McAvoy) gorges himself on a mixture of cocaine, alcohol, sexually abusive relationships and endless junk food, whilst plotting to get one over on his colleagues in his quest for a promotion. But although he nurses hopes of getting back together with his ex-wife Carole (Shauna MacDonald), Bruce soon finds his life spiralling out of control, when his drug addiction and unchecked psychological issues combine to test his grip on reality and push him over the edge.

Dramatic true-life story of Albert Pierrepoint (Timothy Spall), Britain's most notorious hangman. Following in the footsteps of his father and uncle before him, Albert joins the 'family business' in 1934. Living a secret life as a master hangman, as well as a humble grocery deliveryman and loyal husband, Pierrepoint's reputation as the most highly regarded executioner in the land results in him executing some of Britain's most infamous murderers including Derek Bentley and Ruth Ellis, and also the Nazi war criminals convicted at the Nuremberg Trials. But the media coverage from these shatters Pierrepoint's closely guarded anonymity turning him into a minor celebrity.

2008 adaptation of the classic novel by John Buchan and the 1935 Alfred Hitchcock film. Set just before the outbreak of World War I, the film stars Rupert Penry Jones as Richard Hannay, a Scottish expatriate living in London, who gets caught up in a deadly conspiracy when Scudder, a man claiming to be a British spy, is murdered in his flat. Before his death, Scudder informed Hannay of a German conspiracy to destabilise Europe. Spurred on by this shocking revelation, Hannay flees to Scotland in hope of foiling the plot, with the help of fiery suffragette, Victoria Sinclair (Lydia Leonard).

Eddie Marsan, Martin Compston and Gemma Arterton star in this British thriller. Hardened criminal Vic (Marsan) and his younger accomplice Danny (Compston) kidnap Alice (Arterton) from a suburban street. Gagging her and tying her to a bed in a purposely soundproofed flat, the two men plan to negotiate a large ransom from Alice's millionaire father before fleeing the country.

But while Vic seems confident that their plan will succeed, Danny cannot entirely suppress his misgivings. Meanwhile, Alice refuses to play the role of victim, and it quickly becomes evident that she will not give in without a fight.