First published in 1978, "Image and Pilgrimage in Christian Culture" is a classic work examining the theological doctrines, popular notions, and corresponding symbols and images promoting and sustaining Christian pilgrimage. The book examines two major aspects of pilgrimage practice: the significance of context, or the theological conditions giving rise to pilgrimage and the folk traditions enabling worshippers to absorb the meaning of the event; and the images and symbols embodying the experience of pilgrimage and transmitting its visions in varying ways.

Retelling its own tales of "mere mortals" confronted by potent visions, such as the man Juan Diego who found redemption with the Lady of Guadalupe and the poor French shepherdess Bernadette whose encounter with the Lady at Lourdes inspired Christians across the globe, this text treats religious visions as both paradox and empowering phenomena, tying them explicitly to the times in which they occurred. Offering vivid vignettes of social history, it extends their importance beyond the realm of the religious to our own conceptions of reality.

Extensively revised throughout, this edition includes a new introduction by the theologian Deborah Ross situating the book within the work of Victor and Edith Turner and among the movements of contemporary culture. She addresses the study's legacy within the discipline, especially its hermeneutical framework, which introduced a novel method of describing and interpreting pilgrimage. She also credits the Turners with cementing the link between mysticism, popular devotion, and Christian culture, as well as their recognition of the relationship between pilgrimage and the deep spiritual needs of human beings. She concludes with various critiques of the Turners' work and suggests future directions for research.

Experiencing Ritual A New Interpretation of African Healing Edith Turner. With William Blodgett, Singleton Kahona, and Fideli Benwa "Experiencing Ritual" is Edith Turner's account of how she sighted a spirit form while participating in the Ihamba ritual of the Ndembu. Through her analysis, she presents a view not common in anthropological writings--the view of millions of Africans--that ritual is the harnessing of spiritual power. Contemporary Ethnography 1992 256 pages 6 x 9 27 illus. ISBN 978-0-8122-1366-9 Paper $26.50s 17.50 World Rights Anthropology

First published in 1978 and hailed by "Culture" as constituting "an important foreshadowing of issues that have become prominent in more recent anthropology," this classic book, now updated and extensively revised, examines the theological doctrines and popular notions that promote and sustain Christian pilgrimage, including their corresponding symbols and images.

First published in 1978, "Image and Pilgrimage in Christian Culture" is a classic work examining the theological doctrines, popular notions, and corresponding symbols and images promoting and sustaining Christian pilgrimage. The book examines two major aspects of pilgrimage practice: the significance of context, or the theological conditions giving rise to pilgrimage and the folk traditions enabling worshippers to absorb the meaning of the event; and the images and symbols embodying the experience of pilgrimage and transmitting its visions in varying ways.

Retelling its own tales of "mere mortals" confronted by potent visions, such as the man Juan Diego who found redemption with the Lady of Guadalupe and the poor French shepherdess Bernadette whose encounter with the Lady at Lourdes inspired Christians across the globe, this text treats religious visions as both paradox and empowering phenomena, tying them explicitly to the times in which they occurred. Offering vivid vignettes of social history, it extends their importance beyond the realm of the religious to our own conceptions of reality.

Extensively revised throughout, this edition includes a new introduction by the theologian Deborah Ross situating the book within the work of Victor and Edith Turner and among the movements of contemporary culture. She addresses the study's legacy within the discipline, especially its hermeneutical framework, which introduced a novel method of describing and interpreting pilgrimage. She also credits the Turners with cementing the link between mysticism, popular devotion, and Christian culture, as well as their recognition of the relationship between pilgrimage and the deep spiritual needs of human beings. She concludes with various critiques of the Turners' work and suggests future directions for research.

In a treeless land far north of the Arctic Circle, the I\u00f1upiat live immensely practical lives, yet they have a profound belief in the spirit world. For them, everything-whether living being or inanimate object-has a spirit. This outlook reflects their sense of the connectedness of all life. The Hands Feel It is the account of one person's experience among the I\u00f1upiat. Anthropologist Edith Turner records occurrences of healing, spirit manifestation, and premonition in her narrative of a year in the life of an Eskimo community. Her diary captures for the reader sea ice, tundra, gravel beaches, and a determined and cheerful population. Sights, sounds, and even smells that Turner encounters provide context for a study in tune with the spiritual. Accounts that ethnographers have often termed "myth" and "legend" Turner sees from a different point of view-not as mere stories but as real events the I\u00f1upiat sincerely report to her. The value of Turner's work originates in her own connection to spirituality and in the growing receptiveness of the I\u00f1upiat to her.

In a treeless land far north of the Arctic Circle, the I\u00f1upiat live immensely practical lives, yet they have a profound belief in the spirit world. For them, everything-whether living being or inanimate object-has a spirit. This outlook reflects their sense of the connectedness of all life. The Hands Feel It is the account of one person's experience among the I\u00f1upiat. Anthropologist Edith Turner records occurrences of healing, spirit manifestation, and premonition in her narrative of a year in the life of an Eskimo community. Her diary captures for the reader sea ice, tundra, gravel beaches, and a determined and cheerful population. Sights, sounds, and even smells that Turner encounters provide context for a study in tune with the spiritual. Accounts that ethnographers have often termed "myth" and "legend" Turner sees from a different point of view-not as mere stories but as real events the I\u00f1upiat sincerely report to her. The value of Turner's work originates in her own connection to spirituality and in the growing receptiveness of the I\u00f1upiat to her.