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What was it like to fly a MiG or Mirage in combat over Angola? Most books on the Angolan Bush War, especially those in English, present the South African perspective of events. Now a former MiG-23 Squadron Commander of the Cuban Air Force has collaborated with an ex-SAAF pilot to paint a remarkable new picture of the aerial conflict over Angola in the 1980s.
In The MiG Diaries the recollections of Lt-Col Eduardo González Sarría are blended by Lionel Reid with those of air combatants from the Angolan, Cuban and South African air forces. Many are being published for the first time.
Using their own aviation knowledge and experience of the conflict, Sarría and Reid combine the accounts of these diverse combatants – former comrades and foe – to provide original insights into, and a more holistic description of, what happened in the skies over Angola. The results, often quite different to what the opposing sides had believed, reveal a surprising, and more complete, picture of events.
The wonderful sketching pencil of Sean Thackwray, himself a former fighter pilot, helps to bring this unique story to life, along with select images, including many not seen in print in South Africa.
This collection of essays studies the depiction of contemporary
urban space in twenty-first century Latin American fiction. The
contributors to this volume seek to understand the characteristics
that make the representation of the postmodern city in a Latin
American context unique. The chapters focus on cities from a wide
variety of countries in the region, highlighting the cultural and
political effects of neoliberalism and globalization in the
contemporary urban scene. Twenty-first century authors share an
interest for images of ruins and dystopian landscapes and their
view of the damaging effects of the global market in Latin America
tends to be pessimistic. As the book demonstrates, however, utopian
elements or "spaces of hope" can also be found in these narrations,
which suggest the possibility of transforming a
capitalist-dominated living space.
Jorge Luis Borges-one of the most important Latin American
writers-has also attained considerable international stature, and
his work is commonly cited in a wide array of scholarship on
contemporary fiction. Partly as a consequence of Borges'
international identity, and partly because of a long-standing view
in Borges criticism that his writing is principally concerned with
abstract ideas, critics have been reluctant to address the question
of politics in his writing Filling this critical gap, Gonzalez
begins by rejecting the proposition that Borges withdraws from the
"real," and provides a detailed analysis of the various political
issues that Borges takes up in his essays and short stories. The
author places particular emphasis on the turbulent questions that
shaped Argentine social history during the period of Borges'
output.
Jorge Luis Borges-one of the most important Latin American
writers-has also attained considerable international stature, and
his work is commonly cited in a wide array of scholarship on
contemporary fiction. Partly as a consequence of Borges'
international identity, and partly because of a long-standing view
in Borges criticism that his writing is principally concerned with
abstract ideas, critics have been reluctant to address the question
of politics in his writing
Filling this critical gap, Gonzalez begins by rejecting the
proposition that Borges withdraws from the "real," and provides a
detailed analysis of the various political issues that Borges takes
up in his essays and short stories. The author places particular
emphasis on the turbulent questions that shaped Argentine social
history during the period of Borges' output.
En el Adviento y en la Navidad nos ponemos en contacto con Jesus de
Nazaret, quien supo de movimiento y de caminos aun desde antes de
nacer. Ya en el seno de su madre viaja rumbo hacia Belen. Huye,
exiliado, junto con Jose y Maria, a Egipto. Desde entonces, sus
discipulos tambien habremos de alistar las sandalias y el baston La
vida es un viaje y la libertad no tiene precio. Nuestro mejor pan
para darle sentido a nuestro peregrinar y para satisfacer nuestra
hambre es la Palabra. Estas paginas son una fraterna invitacion a
dejar que el Senor del tiempo toque nuestra jornada diaria, ponga
su mano en nuestra historia, para que entonces, nuestro tiempo sea
divino y humano. Se convierta en... tiempo para Dios. The true
meaning of Advent and Christmas finds its voice in "Tiempo Para
Dios" for Every Day of Advent and the 12 Days of Christmas. From
the First Sunday of Advent through Christmas and Epiphany for each
liturgical year (A, B, and C), this book will help prepare for and
deepen our experience this holy season.
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Smart Technology - First International Conference, MTYMEX 2017, Monterrey, Mexico, May 24-26, 2017, Proceedings (Paperback, 1st ed. 2018)
Francisco Torres-Guerrero, Jorge Lozoya-Santos, Eduardo Gonzalez Mendivil, Leticia Neira-Tovar, Pablo G. Ramirez Flores, …
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R2,136
Discovery Miles 21 360
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Ships in 10 - 15 working days
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This book constitutes the refereed proceedings of the First
International Conference on Smart Technology, MTYMEX 2017, held in
Monterrey, Mexico, in May 2017. The 19 full papers were selected
from 30 submissions and cover smart technologies for education,
health, robotics, internet of things, virtual augmented and mixed
reality technologies, artificial intelligence, gaming, software
development, and digital arts.
This collection of essays on popular culture and politics in the
Americas presents the study of ethnographic and historical data
from different countries: Canada, United States, Mexico, Brazil,
Paraguay and Argentina. Each chapter brings to light a distinct
focus on the way in which popular cultural practices evolve in the
context of contemporary globalization. Accordingly, this book aims
to improve our understanding of the way in which subordinate groups
participate in the process of state building and in the
reproduction (or rejection) of the major macroeconomic and cultural
processes shaping contemporary societies.
En este libro Eduardo Gonzalez Castillo presenta el estudio de una
de las manifestaciones de la cultura popular urbana menos
estudiadas en el Mexico contemporaneo: el medio sonidero.
Desarrollado por los habitantes pobres de ese pais y por algunos de
sus inmigrantes en los Estados Unidos, este medio de consumo
cultural representa un caso ejemplar del modo como las culturas
juveniles, las practicas de economia popular y la industria
cultural convergen en la definicion de las practicas subalternas
dentro de la sociedad mexicana. Un marco teorico multitematico
permite al autor tanto explicar los origenes de este medio asi como
entender los significados que los jovenes "sonideros" de la ciudad
de Puebla asocian al mismo. Rico en consideraciones de tipo
historico y etnografico, el estudio muestra por que ahora mas que
nunca los estudios sobre cultura popular son necesarios para
entender la evolucion de la sociedad mexicana. La lectura de este
libro sera particularmente util para los investigadores y
profesores universitarios interesados en los estudios culturales y
en la cuestion de lo popular en America latina.
This collection of essays studies the depiction of contemporary
urban space in twenty-first century Latin American fiction. The
contributors to this volume seek to understand the characteristics
that make the representation of the postmodern city in a Latin
American context unique. The chapters focus on cities from a wide
variety of countries in the region, highlighting the cultural and
political effects of neoliberalism and globalization in the
contemporary urban scene. Twenty-first century authors share an
interest for images of ruins and dystopian landscapes and their
view of the damaging effects of the global market in Latin America
tends to be pessimistic. As the book demonstrates, however, utopian
elements or "spaces of hope" can also be found in these narrations,
which suggest the possibility of transforming a
capitalist-dominated living space.
This text is aimed at defining the current concepts that define
trauma induced coagulopathy by critically analyzing the most
up-to-date studies from a clinical and basic science perspective.
It will serve as a reference source for any clinician interested in
reviewing the pathophysiology, diagnosis, and management of the
coagulopathic trauma patient, and the data that supports it. By
meticulously describing the methodology of most traditional as well
as state of the art coagulation assays the reader will have full
understanding of the tests that are used to study trauma induced
coagulopathy. The evolving use of blood products as well as
recently introduced hemostatic medications are reviewed in detail.
Trauma Induced Coagulopathy will also be a valuable source for
quick reference to the clinician that is faced with specific
clinical challenges when managing coagulopathy.
Angel Rama (1926-1983) is a major figure in Latin American literary
and cultural studies, but little has been published on his critical
work. In this study, Jose Eduardo Gonzalez focuses on Rama's
response to and appropriation of European critics like Walter
Benjamin, Theodor Adorno, and Georg Lukacs. Gonzalez argues that
Rama realized the inapplicability of many of their theories and
descriptions of cultural modernization to Latin America, and thus
reworked them to produce his own discourse that challenged
prevailing notions of social and cultural modernization.
Manual de la asignatura Analisis Competitivo de la Empresa, de los
Grados en Administracion de Empresas y Economia de la Universidad
de Oviedo. El libro revisa los modelos clasicos de competencia y
aplica la teoria de juegos para el analisis de la conducta
competitiva. Dicho analisis se centra en el estudio de las barreras
de entrada y la rivalidad en precios.
In a unique analysis of Cuban literature inside and outside the
country's borders, Eduardo Gonzalez looks closely at the work of
three important contemporary Cuban authors: Guillermo Cabrera
Infante (1929-2005), who left Cuba for good in 1965 and established
himself in London; Antonio Benitez-Rojo (1931-2005), who settled in
the United States; and Leonardo Padura Fuentes (b. 1955), who still
lives and writes in Cuba. Through the positive experiences of exile
and wandering that appear in their work, these three writers
exhibit what Gonzalez calls ""Romantic authorship,"" a deep
connection to the Romantic spirit of irony and complex sublimity
crafted in literature by Lord Byron, Thomas De Quincey, and Samuel
Taylor Coleridge. In Gonzalez's view, a writer becomes a belated
Romantic by dint of exile adopted creatively with comic or tragic
irony. Gonzalez weaves into his analysis related cinematic elements
of myth, folktale, and the grotesque that appear in the work of
filmmakers such as Alfred Hitchcock and Pedro Almodovar. Placing
the three Cuban writers in conversation with artists and thinkers
from British and American literature, anthropology, philosophy,
psychoanalysis, and cinema, Gonzalez ultimately provides a space in
which Cuba and its literature, inside and outside its borders, are
deprovincialized.
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