Far from its sites of origin in the Global North, metal music thrives in the hands of musicians, fans, and scholars throughout other geographies of the world. Metal in the Global South, the latter defined as a geographical and symbolic space marked by the colonial dynamics of modernity, shines through in Defiant Sounds: Heavy Metal Music in the Global South. The volume brings together authors working from and/or with the Global South to reflect on the roles of metal music throughout their respective regions. With contributions spanning Latin America, Africa, the Middle East, Asia, Oceania, and Indigenous Nations, the essays position metal music at the epicenter of region-specific experiences of oppression marked by colonialism, ethnic extermination, political persecution, and war. More importantly, the authors stress how metal music is used throughout the Global South to face these oppressive experiences, foster hope, and promote an agenda that seeks to build a better world. It may be that metal's greatest contribution to human emancipation will be in the years to come, in places its originators never imagined. This volume offers evidence of that contribution already taking place in the geographical and symbolic space that we respectfully and emphatically call the Distorted South.

Scream for Me Africa! examines the hard rock and metal scenes in five African countries: Botswana, Togo, South Africa, Kenya and Ghana. Banchs spent significant time in each country interviewing musicians, producers and fans to create vivid pictures of each of these rarely discussed scenes. These scenes are 'a disruption of the norm, a disruption of what we have come to expect from Africa and rock and metal music'. He has chosen to shed light on these particular scenes now because of their difference and because they are reflections of their countries. This exciting new book considers how heavy metal's subculture is viewed in Africa, and how musicians in the continent have stepped forward to make this genre their own. It looks at the continent's blossoming scenes through various themes including hybridity, othering and how scenes have collided with their difficult political systems. Scream For Me, Africa! Is the first book of its kind and an engaging look at the various metal scenes across the African continent, and how they are constructing an identity as metal fans in their modern nation states under the shadow of post-colonialism. Written in a clear, approachable manner it is accessible to academic and non-academic readers. Edward Banchs is a freelance writer and independent scholar – and a metal fan – based in Pittsburgh, Pennsylvania, USA whose writing has appeared in The Guardian, Afropop, Metal Hammer, Metal Music Studies and The Pittsburgh City Paper. He is also author of Heavy Metal Africa (2016). This new book fills a gap in the market for an academic text on metal in Africa, expanding published scholarship on metal in the global south. It book has potential use as a resource on courses in several disciplines including sociology, cultural studies, musicology, ethnomusicology, sociology and Africa studies.  It will also be of interest to the more general readers with an interest in the musical genre. Will appeal to anyone who is interested in metal, African culture, anthropology and sociology and history.  Particularly musicologists and ethnomusicologists and those with an interest in metal in the global south.