Court studies and Jacobitism have both received considerable attention from historians in recent years, yet so far no attempt has been made to provide a comprehensive examination of the Jacobite court in exile after the revolution of 1688-9. This book takes a completely fresh look at the Stuart court in France during the years when the Jacobite movement posed its greatest threat to the post-revolution governments in London. The Stuart court at Saint-Germain-en-Laye is revealed as not only large and well financed, but also magnificently located in a spectacular royal palace vacated only recently by Louis XIV and in very close contact with the French court at Versailles - yet maintaining the traditions, organisation and ceremonial of the English court at Whitehall. The book also shows how the Stuart court in France came to an end, and explains why and how it has since been so badly misrepresented.

For nearly half of the eighteenth century, the exiled Stuart Court provided an important British presence in Rome. It acted as a surrogate embassy for the many Grand Tourists passing through the city - Hanoverian Whigs as well as Tories and Jacobites - and as a significant social and cultural centre. This book presents the first complete study of the Court of the exiled Stuart King James III, offering a significant reassessment of its importance and of the lives of the Stuarts and their courtiers, and their relations with the Popes, cardinals and princely families of Rome. Edward Corp's interdisciplinary approach also reveals the Stuarts' patronage of leading portrait painters, their influence on the development of Italian opera, and the impact of their Court buildings on relations with their supporters. This book will be essential reading for everyone with an interest in Jacobitism, Italian culture and the eighteenth-century Grand Tour.

For nearly half of the eighteenth century, the exiled Stuart Court provided an important British presence in Rome. It acted as a surrogate embassy for the many Grand Tourists passing through the city - Hanoverian Whigs as well as Tories and Jacobites - and as a significant social and cultural centre. This book presents the first complete study of the Court of the exiled Stuart King James III, offering a significant reassessment of its importance and of the lives of the Stuarts and their courtiers, and their relations with the Popes, cardinals and princely families of Rome. Edward Corp's interdisciplinary approach also reveals the Stuarts' patronage of leading portrait painters, their influence on the development of Italian opera, and the impact of their Court buildings on relations with their supporters. This book will be essential reading for everyone with an interest in Jacobitism, Italian culture and the eighteenth-century Grand Tour.