Spanish popular culture is one of the richest in the world. The absence of an efficient ruling class has allowed the people to stamp their personality on all major aspects of the country's life. This book describes the peculiar Spanish feeling for death and tragedy in popular religious practices, music and the bullfight; the fiesta sense of life, so foreign to the work ethic of other Western countries; the oral tradition that has managed to survive into the post-industrial age with its creative use of slang, proverbs and obscenity; popular literature, the press, radio, television and the movies.

Students and scholars will appreciate the first comprehensive treatment of Spanish popular culture in a single volume. The author has done first-hand research in all the major regions of Spain and has compiled a list of major archives and resource centers. An extensive bibliography on the major fields of popular Spanish culture is included at the end of each chapter.

Modern Spain is a revelation in this up-to-date overview. Stanton vibrantly describes the startling variety of landscape, people, and culture that make up Spain today. Included are a context chapter and others on religion, customs, media, cinema, literature, performing arts, and visual arts. Students of Spanish and a general audience will be rewarded with engrossing insights into what writer Ernest Hemingway called the very best country of all.

Spain is a modern European nation, yet Spaniards are fiercely tied to their individual towns and regions--with their distinct social customs, dialects or languages, foods, landscape, and lifestyles--more than to a united country. "Culture and Customs of Spain" conveys the extremes, such as the hard-working Catalan contrasted to the leisurely paced Castilian, coexisting in first and third world conditions, and the love/hate relationship with the Catholic Church. Spain's institutions are described, and its contributions to the world--from unparalleled literature and cuisine to flamenco and filmmaker Pedro Almodovar--are celebrated. A chronology and glossary complement the text.

His life was a shambles, he felt exhausted by work, his marriage was foundering. So he prepared a backpack, found a walking staff and departed on a 30-day, 500-mile journey along the Camino de Santiago, the route across northern Spain that has been followed by pilgrims for at least a thousand years. He knew what he was fleeing from, not what he was seeking. The Camino would teach him that and many other things. Walking by day, he slept in pilgrims' hospices at night, in boarding houses, in abandoned schools and churches or under the stars. As he moved forward in space, he seemed to be going backwards into time. He went through country where villages and people have barely changed since the Middle Ages, landscapes that James Michener has called the best in Spain and some of the finest in the world. Although he began his trip alone, Edward F. Stanton soon discovered that pilgrimage means fellowship as well as solitude: his journey coincided with the modern revival of the Camino de Santiago. Along the way he met a Spanish astrologer who taught him to find his own rhythm in walking, the abbess of a convent who offered him sage advice for the road, a pair of French women in search of a new life, peasants and shepherds with the knowledge of centuries. Road of Stars to Santiago is a beautifully written story that blends personal experience with folklore, legend, the wisdom of old chronicles and canny observations of life in modern Spain. It is at once a travel memoir, a picaresque adventure, a modern quest, a rite of passage and initiation into what has been called "the premier cultural route of Europe".

With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation. In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and -- far more important -- indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.

Modern Spain is a revelation in this up-to-date overview. Stanton vibrantly describes the startling variety of landscape, people, and culture that make up Spain today. Included are a context chapter and others on religion, customs, media, cinema, literature, performing arts, and visual arts. Students of Spanish and a general audience will be rewarded with engrossing insights into what writer Ernest Hemingway called the very best country of all.

Spain is a modern European nation, yet Spaniards are fiercely tied to their individual towns and regions--with their distinct social customs, dialects or languages, foods, landscape, and lifestyles--more than to a united country. "Culture and Customs of Spain" conveys the extremes, such as the hard-working Catalan contrasted to the leisurely paced Castilian, coexisting in first and third world conditions, and the love/hate relationship with the Catholic Church. Spain's institutions are described, and its contributions to the world--from unparalleled literature and cuisine to flamenco and filmmaker Pedro Almodovar--are celebrated. A chronology and glossary complement the text.