The fourth dimension, humor, satire, and logic combine into a science-fiction classic that has entertained generations.

This print edition of Flatland: A Romance of Many Dimensions contains all of the original and vital illustrations, allowing the reader to comprehend the geometry described in the satirical story. First published in the 1880s, Flatland is a playful satire of the hierarchical class structure which Abbott perceived as defining the Victorian society in which he lived. The titular country has a population consisting of different shapes; their shape denotes their place in the society - the more sides the shape has, and the more regular their shape, the higher the place they occupy in the social strata. The ordinary, day-to-day existence of the author (A. Square) is brought into question when he experiences a dream. In it a shape with depth, a Sphere, announces its existence and origin in Spaceland; a place with a third dimension. Thrilled by the revelation, the Square postulates that perhaps there are actually four, five or more dimensions constituting the world.

The fourth dimension, humor, satire, and logic combine into a science-fiction classic that has entertained generations.

Unless you're a mathematician, the chances of you reading any novels about geometry are probably slender. But if you read only two in your life, these are the ones. Taken together, they form a couple of accessible and charming explanations of geometry and physics for the curious non-mathematician. Flatland, which is also available under separate cover, was published in 1880 and imagines a two-dimensional world inhabited by sentient geometric shapes who think their planar world is all there is. But one Flatlander, a Square, discovers the existence of a third dimension and the limits of his world's assumptions about reality and comes to understand the confusing problem of higher dimensions. The book is also quite a funny satire on society and class distinctions of Victorian England. The further mathematical fantasy, Sphereland, published 60 years later, revisits the world of Flatland in time to explore the mind-bending theories created by Albert Einstein, whose work so completely altered the scientific understanding of space, time, and matter. Among Einstein's many challenges to common sense were the ideas of curved space, an expanding universe and the fact that light does not travel in a straight line. Without use of the mathematical formulae that bar most non-scientists from an understanding of Einstein's theories, Sphereland gives lay readers ways to start comprehending these confusing but fundamental questions of our reality.

This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.
Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions--a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space. "Instructive, entertaining, and stimulating to the imagination." -- "Mathematics Teacher."

How would a creature limited to two dimensions be able to grasp the possibility of a third? Edwin A. Abbott's droll and delightful "romance of many dimensions" explores this conundrum in the experiences of his protagonist, A Square, whose linear world is invaded by an emissary Sphere bringing the gospel of the third dimension. Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of their "respective dimensional prejudices."
This new edition begins with an introduction by Rosemary Jann that illuminates the social and intellectual context that produced the work and explains its relationship to the theological issues central to Abbott's career. It also provides the most extensive discussion to date of the class and gender issues raised by the text and of the debates over the limits of scientific and mathematical knowledge in which it participated.
Flatlands unique combination of astute social, philosophical, and mathematical observations with wit and humor can be read at many different levels, and will prove especially enjoyable to readers of Victorian literature and philosophy.
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With wry humor and penetrating satire, "Flatland" takes us on a mind-expanding journey into a different world to give us a new vision of our own. A. Square, the slightly befuddled narrator, is born into a place limited to two dimensions--irrevocably flat--and peopled by a hierarchy of geometrical forms. In a Gulliver-like tour of his bizarre homeland, A. Square spins a fascinating tale of domestic drama and political turmoil, from sex among consenting triangles to the intentional subjugation of Flatland's females. He tells of visits to Lineland, the world of one dimension, and Pointland, the world of no dimension. But when A. Square dares to speak openly of a third, or even a fourth, dimension, his tragic fate climaxes a brilliant parody of Victorian society. An underground favorite since its publication in England in1884, "Flatland" is as prophetic a science fiction classic as the works of H. G. Wells, introducing aspects of relativity and hyperspace years before Einstein's famous theories. And it does so with wonderful, enduring enchantment.
With an Introduction by Valerie Smith and a New Afterword by John Allen Paulos