Swamp or bog? Guilt or shame? Clementine or tangerine?

We like to think that we choose our words with care, but are we using them with any degree of accuracy - or should that be precision?

For hair-splitters and language lovers, Dictionary of Fine Distinctions explores the world of the vanishingly small, teasing apart the terms that we tend to collapse, conflate, or confuse. An illustrated odyssey into minute differences in meaning, Eli Burnstein's unputdownable guide will hone your wits, tickle your brain, and deepen your appreciation for the infinite (and infinitesimal) nuances all around us.

Earth's Oldest Rocks, Second Edition, is the only single reference source for geological research of early Earth. This new edition is an up-to-date collection of scientific articles on all aspects of the early history of the Earth, from planetary accretion at 4.567 billion years ago (Ga), to the onset of modern-style plate tectonics at 3.2 Ga. Since the first edition was published, significant new advances have been made in our understanding of events and processes on early Earth that correspond with new advances in technology. The book includes contributions from over 100 authors, all of whom are experts in their respective fields. The research in this reference concentrates on what is directly gleaned from the existing rock record to understand how our planet formed and evolved during the planetary accretion phase, formation of the first crust, the changing dynamics of the mantle and style of tectonics, life's foothold and early development, and mineral deposits. It is an ideal resource for academics, students and the general public alike.

The concentration of private power over media has been the subject of intense public debate around the world. Critics have long feared waves of mergers creating a handful of large media firms that would hold sway over public opinion and endanger democracy and innovation. But others believe with equal fervor that the Internet and deregulation have opened the media landscape significantly. How concentrated has the American information sector really become? What are the facts about American media ownership? In this contentious environment, Eli Noam provides a comprehensive and balanced survey of media concentration with a methodical, scientific approach. He assembles a wealth of data from the last 25 years about mass media such as radio, television, film, music, and print publishing, as well as the Internet, telecommunications, and media-related information technology. After examining 100 separate media and network industries in detail, Noam provides a powerful summary and analysis of concentration trends across industries and major media sectors. He also looks at local media power, vertical concentration, and the changing nature of media ownership through financial institutions and private equity. The results reveal a reality much more complex than the one painted by advocates on either side of the debate. They show a dynamic system that fluctuates around long-term concentration trends driven by changing economics and technology. Media Ownership and Concentration in America will be essential reading and a trove of information for scholars and students in media, telecommunications, IT, economics, and the history of business, as well as media industry professionals, business researchers, and policy makers around the world. Critics and defenders of media trends alike will find much that confirms and refutes their world view. But the next round of their debate will be shaped by the facts presented in this book.

Sanchez and Sanchez have selected, edited, translated, and introduced some of the most influential texts in Mexican philosophy, which constitute a unique and robust tradition that will challenge and complicate traditional conceptions of philosophy. The texts collected here are organized chronologically and represent a period of Mexican thought and culture that emerged from the Mexican Revolution of 1910 and which culminated in la filosofia de lo mexicano (the philosophy of Mexicanness). Though the selections reflect on a variety of philosophical questions, collectively they represent a growing tendency to take seriously the question of Mexican national identity as a philosophical question-especially given the complexities of Mexico's indigenous and European ancestries, a history of colonialism, and a growing dependency on foreign money and culture. More than an attempt to describe the national character, however, the texts gathered here represent an optimistic period in Mexican philosophy that aimed to affirm Mexican culture and philosophy as a valuable, if not urgent, contribution to universal culture.

Chris Rock writes, directs and stars in this contemporary comedy as Andre Allen, a struggling comic and film star who is desperate to breathe some new life into his career. Andre finds himself disenchanted by the prospect of his reality TV star fiancée (Gabrielle Union)'s plans to broadcast their wedding on her show. However, he is forced to spend some time with Chelsea Brown (Rosario Dawson), a journalist reporting on his latest movie, and the more Andre realises he is disappointed with where his career and personal life are headed, the more he tries to change things...

At 7:30 a.m. on June 16, 1944, George Junius Stinney Jr. was escorted by four guards to the death chamber. Wearing socks but no shoes, the 14-year-old Black boy walked with his Bible tucked under his arm. The guards strapped his slight, five-foot-one-inch frame into the electric chair. His small size made it difficult to affix the electrode to his right leg and the face mask, which was clearly too large, fell to the floor when the executioner flipped the switch. That day, George Stinney became, and today remains, the youngest person executed in the United States during the twentieth century.How was it possible, even in Jim Crow South Carolina, for a child to be convicted, sentenced to death, and executed based on circumstantial evidence in a trial that lasted only a few hours? Through extensive archival research and interviews with Stinney's contemporaries-men and women alive today who still carry distinctive memories of the events that rocked the small town of Alcolu and the entire state-Eli Faber pieces together the chain of events that led to this tragic injustice. The first book to fully explore the events leading to Stinney's death, The Child in the Electric Chair offers a compelling narrative with a meticulously researched analysis of the world in which Stinney lived-the era of lynching, segregation, and racist assumptions about Black Americans. Faber explains how a systemically racist system, paired with the personal ambitions of powerful individuals, turned a blind eye to human decency and one of the basic tenets of the American legal system that individuals are innocent until proven guilty. As society continues to grapple with the legacies of racial injustice, the story of George Stinney remains one that can teach us lessons about our collective past and present. By ably placing the Stinney case into a larger context, Faber reveals how this case is not just a travesty of justice locked in the era of the Jim Crow South but rather one that continues to resonate in our own time. A foreword is provided by Carol Berkin, Presidential Professor of History Emerita at Baruch College at the City University of New York and author of several books including Civil War Wives: The Lives and Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent Grant.

On October 7th, 2023, Hamas terrorists stormed Kibbutz Be’eri, shattering the peaceful life Eli Sharabi had built with his British wife, Lianne, and their teenage daughters, Noiya and Yahel. Dragged barefoot out of his front door while his family watched in horror, Sharabi was plunged into the suffocating darkness of Gaza’s tunnels. In total he endured a gruelling 491 days in captivity - all the while holding onto the hope that he would one day be reunited with his loved ones.

In the first memoir by a released Israeli hostage, and the fastest-selling book in Israel’s history, Sharabi offers a searing firsthand account of survival under unimaginable conditions - starvation, isolation, physical beatings, and psychological abuse at the hands of his captors.

Eli Sharabi’s story is one of hunger and heartache, of physical pain, longing, loneliness and a helplessness that threatens to destroy the soul. But it is also a story of strength, of resilience, and of the human spirit’s refusal to surrender. It is about the camaraderie forged in captivity, the quiet power of faith, and one man’s unrelenting decision to choose life, time and time again.

Reminiscent of Elie Wiesel’s Night, Hostage is a profound witness to history, so that it shall be neither forgotten nor erased.

Eli Hirsch has contributed steadily to metaphysics since his ground-breaking (and much cited) work on identity through time (culminating in the 1982 OUP book The Concept of Identity). Within the last 10 years, his work on realism and quantifier variance has been front-and-center in the minds of many metaphysicians. Metametaphysics, which looks at foundational questions about the very practice of metaphysics and the questions it raises, is now a popular area of discussion. There is a lot of anxiety about what ontology is, and Hirsch's diagnosis of how revisionary ontologists go wrong is one of the main views being discussed. This volume collects HIrsch's essays from the last decade (with the exception of one article from 1978) on ontology and metametaphysics which are very much tied to these debates. His essays develop a distinctive language-based argument against various anti-commonsensical views that have recently dominated ontology. All these views go astray, Hirsch says, by failing to interpret ordinary assertions about existence in a plausibly charitable way, so their philosophizing leads them to misuse language about ontology -- our ordinary concept of 'what exists' -- in favor of a position othat is quite different. Hirsch will supply a new introduction. The volume will interest philosophers of metaphysics currently engaged in these debates.

Douglas Schulze directs this unconventional genre movie in which a group of horror fans get more than they bargained for when they find themselves immersed in their own nightmare. Russell (Taylor John Piedmonte) and Duane (Allen Maldonado) attend a horror convention where they listen to Alfonso Betz (Sid Haig) rail against the media presenting horror movies as an influence on real life murders. After the lecture, Russell and Duane meet Judith (Lauren Mae Shafer), an attractive fellow convention attendee who invites them to a party that night at an isolated farmhouse. Something bizarre happens at the party and Russell and Duane awake to find themselves under attack from hordes of zombies. As horror devotees, the pair are only too aware that their predicament eerily echoes the classic Romero movie 'Night of the Living Dead'. Will they be able to elude a traditional horror ending?