Elisabeth Spencer's daughter Milly came out as trans at the age of twenty-one. Just a few days later, in one of life's perfect storms, Spencer's husband was diagnosed with an advanced terminal illness - and so she was set on course to confront rebirth in the face of death. In this compelling and poignant memoir, Spencer recalls her emotional journey over the course of her daughter's life, as she struggles first with the mystery of Milly's constant unhappiness, then with the revelation of her coming out, through a sense of bereavement, bewilderment and guilt, culminating in her determination to help her child become her true self. Written with remarkable warmth, generosity and honesty, The Road to My Daughter is both a deeply moving meditation on motherhood and a nuanced and compassionate reflection on trans issues, illuminating not only how it feels to witness the physical and mental processes of transitioning, and the realities behind embarking on this journey together, but also what it means to be a parent.

In conferring upon Mississippi native Elizabeth Spencer (1921-2019) the 2013 Rea Award for the Short Story, the jury said that at the then age of ninety-two, she "has thrived at the height of her powers to a degree that is unparalleled in modern letters." Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, "maybe an unresolved part of my psyche." In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, "The Runaways" (1994), "Master of Shongalo" (1996), and "Return Trip" (2009). The collection allows readers to observe Spencer's evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene's critical introduction helpfully places these narratives within the context of Spencer's entire body of writing. The Edward Tales confirms Spencer's place as one of our most beloved and accomplished writers.

Elizabeth Spencer is "a master storyteller" ("San Francisco Chronicle"), her work called "dazzling" by Walker Percy. Whether she's writing short stories or novels, Spencer is acclaimed for holding her worlds up to light and turning them to see what they reflect. "The Night Travellers," set in North Carolina and Montreal during the Vietnam War years, is her most revealing work yet.Mary Kerr Harbison is a promising teenaged dancer when she meets Jefferson Blaise, an intellectual radical-in-the-making. He becomes a part of her life and over the objections of Mary's wealthy, abusive mother, her husband.

But although Jeff's heart is devoted to Mary, his life is devoted to protesting the Vietnam War--at first through the public rallies, later through guerilla tactics. As Jeff is drawn deeper and deeper into the movement, he and Mary are forced to go underground and eventually move to Canada. Jeff's activities keep him on the move, and Mary, living in Montreal, struggles to raise her daughter and make a life for herself.

An exploration of a dramatic period in our history, The Night Travellers is a powerful depiction of lives forever changed by political beliefs and fervidly held convictions.

Admirers of Elizabeth Spencer's writing will welcome back into print her first novel, and her new readers will discover the sources of her notable talent in this book. Published in 1948 to extraordinary attention from such eminent writers as Robert Penn Warren, Eudora Welty, and Katherine Anne Porter, this father-and-son story revolves around an old southern theme of family grievances and vendettas.

"Fire in the Morning" recounts the conflict between two families extending over two generations up to the 1930s.The arrival of an innocent stranger flares old arguments and ignites new passions. In Spencer's compelling tale of the half-forgotten violence, the well-deep understanding of father and son, Kinloch Armstrong, the young hero, confronts mysteries of the past. His wife, a newcomer to the area and its legacies, makes friends with a family of traditional rivals. After she is involved in a nighttime wreck and the death of a local man, the past gradually comes to light, and the two families once again become caught up in revelations, hatreds, and conflicts. Spencer faithfully renders the setting--a small, dusty Mississippi town--and the surrounding countryside as it was in the early twentieth century.

Elizabeth Spencer presents a vital, moving story set in the deep South--the Delta and Mississippi hill country. Amos Dudley was a farm boy in the Delta country at the turn of the century until he started working for his brother Ephraim in the store by the railroad. It was an ordinary enough environment in which to begin to feel the strange forces that move a man to set his course in the world.But the forces working within Amos were by no means ordinary. Sometimes cruel, sometimes suddenly tender, they were strong and willful, so that Amos became a man to reckon with--to Ary, his beautiful, plantation-born wife, to the woman in the bayou, to the shiftless philosopher, Arney. Even the rich black swamp soil which he wrested from the forest and gave to his cotton seemed to respond with awe and eagerness to Amos's will. His sensuous, wayward daughter and the man she loved especially felt the full shattering drama of the violence which had evidently been building--building in the fate of a man who, regardless, takes his own crooked way.

In 2010, Eno Publishers, based in Hillsborough, North Carolina, published 27 Views of Hillsborough: A Southern Town in Poetry & Prose, with an introduction from Michael Malone and literary contributions from 27 writers that included Randall Kenan, Jill McCorkle, Craig Nova, and Jaki Shelton Green, among others. To have a town documented in so many genres by so many skillful practitioners from so many perspectives was a rare phenomenon.

With charm and vivid detail, the acclaimed novelist Elizabeth Spencer acquaints readers with the places and people, the pleasures and heartaches, she has known in her life. From her idyllic childhood in small-town Mississippi onward, a questioning spirit and voracity for reading and writing shape Spencer's course: her formal and informal educations at Vanderbilt and in Rome, Florence, New York, and Montreal, and her break with the culturally rigid segregated society from which she sprang; her friendships with such great writers as Eudora Welty, Saul Bellow, John Cheever, and Robert Penn Warren; and her own many remarkable literary successes. A deeply affecting memoir by an esteemed American author, Landscapes of the Heart reveals Spencer to be both a part of and forever apart from her beloved southern roots.

"Spencer's refined, sensuous writing and laser insights inform this novel, as extraordinary as her other works." -- Publishers Weekly

At a certain point approaching the Mississippi coast, the air fills with the salt smell of the Gulf of Mexico. For all of the characters in Elizabeth Spencer's gracefully written novel, the salt line divides past and present, memory and longing, tranquillity and danger. Crossing it places everyone in the chaotic path of Arnie Carrington, former professor and 1960s campus radical, who is on a crusade to restore the small Gulf Coast town of Notchaki after the devastation of Hurricane Camille. Threatening the enterprise is the arrival of Arnie's former colleague Lex Graham, who intends to use his wealth to squash his longtime rival's plans for the area's rejuvenation.

The romantic, generous Carrington attracts a wide array of devotees -- Frank Matteo, a Mafia-connected restaurateur trying to go straight; Mavis, the pregnant girlfriend Frank has rejected; Dorothy, Lex's unstable wife, who wants to resume an ancient affair with Arnie; and Lex's cherished daughter Lucinda, a coquette who fancies Arnie's idealism.

The characters in The Salt Line are rebuilding, reckoning with old ghosts, liberating repressed passions, and getting back into life. Elaborately and densely populated, masterfully plotted, and elegant in style, Spencer has woven a tale about the lines that bind, divide, and envelop people.

"Appealing... eloquent... it won't disappoint you." -- New York Times

In the mid-1950s, the town of Lacey in the Mississippi hill country is a place where the lives of blacks and whites, though seemingly separate, are in fact historically and inevitably intertwined. When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret.

In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice -- one of hope. Employing her extraordinary literary powers -- finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect -- Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.

The magnetic appeal of land, sea, and sky along the southern coast has drawn Elizabeth Spencer many times to this lush and semitropical setting. This collection brings together six of her stories set amid terrain lapped by the warm coastal currents. These stories all happen on the shoreline of the Gulf of Mexico, from New Orleans to Florida. In each a girl or young woman gives voice to the narrative, probing and groping for a secure place and identity.

The six stories included here are "On the Gulf," "The Legacy," "A Fugitive's Wife," "Mr. McMillan," "Go South in the Winter," and "Ship Island." Each reveals the special allure of the Gulf Coast region through the author's depiction of character and engagement with the complexities of plot. In these stories that illuminate the lives of sundry females--from insecure waifs to novice seductresses--Spencer investigates female psyche, a topic which lies at the core of much of her fiction.

Debates about methods of supporting language development and academic skills of deaf or hard-of-hearing children have waxed and waned for more than 100 years: Will using sign language interfere with learning to use spoken language or does it offer optimal access to communication for deaf children? Does placement in classrooms with mostly hearing children enhance or impede academic and social-emotional development? Will cochlear implants or other assistive listening devices provide deaf children with sufficient input for age-appropriate reading abilities? Are traditional methods of classroom teaching effective for deaf and hard-of-hearing students?
Although there is a wealth of evidence with regard to each of these issues, too often, decisions on how to best support deaf and hard-of-hearing children in developing language and academic skills are made based on incorrect or incomplete information. No matter how well-intentioned, decisions grounded in opinions, beliefs, or value judgments are insufficient to guide practice. Instead, we need to take advantage of relevant, emerging research concerning best practices and outcomes in educating deaf and hard-of-hearing learners.
In this critical evaluation of what we know and what we do not know about educating deaf and hard-of-hearing students, the authors examine a wide range of educational settings and research methods that have guided deaf education in recent years--or should. The book provides a focus for future educational and research efforts, and aims to promote optimal support for deaf and hard-of-hearing learners of all ages. Co-authored by two of the most respected leaders in the field, this book summarizes and evaluates research findings across multiple disciplines pertaining to the raising and educating of deaf children, providing a comprehensive but concise record of the successes, failures, and unanswered questions in deaf education. A readily accessible and invaluable source for teachers, university students, and other professionals, Evidence-Based Practice in Educating Deaf andHard-of-Hearing Students encourages readers to reconsider assumptions and delve more deeply into what we really know about deaf and hard-of-hearing children, their patterns of development, and their lifelong learning.

In conferring upon Mississippi native Elizabeth Spencer (1921-2019) the 2013 Rea Award for the Short Story, the jury said that at the then age of ninety-two, she "has thrived at the height of her powers to a degree that is unparalleled in modern letters." Over a celebrated six-decade career, Spencer published every type of literary fiction: novels and short stories, a memoir, and a play. Like her best-known work, The Light in the Piazza, most of her narratives explore the inner lives of restless, searching southern women. Yet one mercurial male character, Edward Glenn, deserves attention for the way he insists on returning to her pages. Speaking of Edward in unusually personal terms, Spencer admitted a strong attraction to his type: the elusive, intelligent southern man, "maybe an unresolved part of my psyche." In The Edward Tales, Sally Greene brings together the four narratives in which Edward figures: the play For Lease or Sale (1989) and three short stories, "The Runaways" (1994), "Master of Shongalo" (1996), and "Return Trip" (2009). The collection allows readers to observe Spencer's evolving style while offering glimpses of the moral reasoning that lies at the heart of all her work. Greene's critical introduction helpfully places these narratives within the context of Spencer's entire body of writing. The Edward Tales confirms Spencer's place as one of our most beloved and accomplished writers.

The elderly couple in this fine novel, a retired schoolteacher and the doctor with whom she has had a lifelong, tender love affair, find that, almost by accident, they have forfeited control of their own lives. Trapped in a nursing home, they are the victims of the biblical "apostles of light," the deceitful do-gooders who profess righteousness. In subtle, elegant prose Ellen Douglas recounts a gripping story of their brave attempt to free themselves from a dreadful plight. They must confront both their corrupt and evil custodians and their well-meaning younger relatives who are tempted by greed, ambition, cowardice, and indifference. "Apostles of Light" was a finalist for the National Book Award in 1973.