A double-bill of teen films starring Selena Gomez. In 'Monte Carlo' (2011) high school student and part-time waitress Grace (Gomez) has always dreamed of travelling to Paris with her best friend, Emma (Katie Cassidy). Her dream starts to unravel when her uptight stepsister, Meg (Leighton Meester), announces that she will be joining them. Needless to say, their trip turns out to be a big disappointment - until they wander into the lobby of a luxury hotel and Grace is mistaken for a famous British heiress. Before they get the chance to reveal their true identities, the girls find themselves whisked off on a whirlwind tour to Monte Carlo, where all three find adventure and, of course, love. 'Ramona and Beezus' (2010) follows the misadventures of irrepressible third-grader Ramona (Joey King) and her tomboyish big sister, Beezus (Gomez). Ramona's vivid imagination and boundless energy may drive her family and friends mad at times, but they come in handy when she puts her mind to finding ways to save the family home.

As the hype surrounding the year 2012 as the end of the world gains momentum, the future of mankind is being debated by believers and nonbelievers alike. Will it be Armageddon as many doomsday prophets claim, or does God have another, better plan? Either way, God is calling His people to Himself as never before. Perhaps this new conversation is His answer to raising our consciousness to a higher level of communion with Him. Poet Elizabeth Allan believes this to be true, and her thoughtful and timely poems reflect this understanding. Divided into two sections, "Prayers" and "Praise," Allen's poems combine rich imagery with rhythmic diversity. In "My Delight Is in You," Allen gives thanks for her blessings and looks to the Lord for her happiness. Allen seeks His spirit to rid her of selfish desires and help her develop a servant's heart in "Spirit Filled." Other poems celebrate grace, forgiveness, God's enduring love, and Christ's return. "Prayers from the Heart" offers thoughts of praise, worship, and a longing to know Him. But more importantly, they celebrate knowing what it is to be in Him. Take the time to start, renew, or strengthen your relationship with the Lord and be blessed today

Who is the Pearl-poet? How do ideas about his life and interpretations of his poems shape our understanding of his work in late-medieval England-and beyond? In Becoming the Pearl-Poet: Perceptions, Connections, Receptions, readers can explore the world of this extraordinary, fourteenth-century writer. In Part I, "Perceptions," five scholars give insightful literary analyses of the narrative poems attributed to the poet: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight, and St. Erkenwald. In Part II, "Connections," six scholars examine connections between these diverse poems, focusing on authorship, ecology, material culture, sartorial adornment, shields, and the poet's pastoral theology. In Part III, "Receptions," scholars consider the illustrations of the Pearl Manuscript (British Library MS Cotton Nero A.x), the poet's cultural situatedness in the Northwest Midlands and Ricardian court, his religious contexts, later translations and paraphrases of his work, and his medieval and modern audiences. Intended for students and scholars alike, this book encourages readers to gain a deeper understanding of the Pearl-poet and his world, learning many new things and enjoying old things in a new way.

Dostoevsky and Tolstoy are the titans of Russian literature. As mature artists, they led very different lives and wrote vastly different works, but their early lives and writings display provocative kinships, while also indicating the divergent paths the two authors would take en route to literary greatness. The ten new critical essays here, written by leading specialists in nineteenth-century, Russian literature, give fresh, sophisticated readings to works from the first decade of the literary life of each Russian author-for Dostoevsky, the 1840s; for Tolstoy, the 1850s. Collectively, these essays yield composite portraits of these two artists as young men finding their literary way. At the same time, they show how the early works merit appreciation for themselves, before their authors were Titans. Contributors: Elizabeth Cheresh Allen (Bryn Mawr College), Lewis Bagby (University of Wyoming), Caryl Emerson (Princeton University), Susanne Fusso (Wesleyan University), Liza Knapp (Columbia University), Anne Lounsbery (New York University), Robin Feuer Miller (Brandeis University), Gary Saul Morson (Northwestern University), Dale E. Peterson (Amherst College), William Mills Todd III (Harvard University), Ilya Vinitsky (University of Pennsylvania), Justin Weir (Harvard University)

The tenth edition of The Manual of Photography is an indispensable textbook for anyone who is serious about photography. It is ideal if you want to gain insight into the underlying scientific principles of photography and digital imaging, whether you are a professional photographer, lab technician, researcher or student in the field, or simply an enthusiastic amateur. This comprehensive guide takes you from capture to output in both digital and film media, with sections on lens use, darkroom techniques, digital cameras and scanners, image editing techniques and processes, workflow, digital file formats and image archiving.This iconic text was first published in 1890 and has aided many thousands of photographers in developing their own techniques and understanding of the medium. Now in full colour, The Manual of Photography still retains its clear, reader-friendly style and is filled with images and illustrations demonstrating the key principles. Not only giving you the skills and know-how to take stunning photographs, but will also allowing you to fully understand the science behind the creation of great images.

To seek sanctuary from persecution by entering a sacred space is an act of desperation, but also a symbolic endeavor: fugitives invoke divine presence to reach a precarious safe haven that imbues their lives with religious, social, or political significance. In medieval England, sanctuary was upheld under both canon and common law, and up to five hundred people sought sanctuary every year. What they found, however, was not so much a static refuge as a temporary respite from further action—confession and exile—or from further violence—jurisdictional conflict, harrying or starvation, a breaching of the sanctuary. While sanctuary has usually been analyzed as part of legal history, in Uncertain Refuge Elizabeth Allen explores the symbolic consequences of sanctuary seeking in English literary works—miracle collections, chronicles, romances, and drama. She ponders the miracle of a stag's escape from the hunt into a churchyard as well as the account of a fallen political favorite who gains a sort of charisma as he takes sanctuary three times in succession; the figure of Sir Gawain, seeking refuge in a stark land far from the court and Robin Hood, hiding in his local forest refuge among his Merry Men. Her consideration of medieval sanctuary extends to its resonances in a seventeenth-century play about the early Tudor usurper Perkin Warbeck and even into modern America, with the case of a breach of sanctuary in southwest Georgia in 1963, when sheriffs took over a voter registration meeting in a local church. Uncertain Refuge illuminates a fantasy of protection and its impermanence that animated late medieval literary culture, and one that remains poignantly alive, if no longer written into law, in today's troubled political world.

Provocative and original, The Politics of Indigeneity explores the concept of indigeneity across the world - from the Americas to New Zealand, Africa to Asia - and the ways in which it intersects with local, national and international social and political realities. Taking on the role of critical interlocutors, the authors engage in extended dialogue with indigenous spokespersons and activists, as well as between each other. In doing so, they explore the possibilities of a 'second-wave indigeneity' - one that is alert to the challenges posed to indigenous aspirations by the neo-liberal agenda of nation-states and their concerns with sovereignty. Timely and topical in its focus on global indigenous politics, and featuring a variety of first-hand indigenous voices - including those of indigenous activists, scholars, leaders and interviewees - this is a vital contribution to an often contentious topic.

The tenth edition of The Manual of Photography is an indispensable textbook for anyone who is serious about photography. It is ideal if you want to gain insight into the underlying scientific principles of photography and digital imaging, whether you are a professional photographer, lab technician, researcher or student in the field, or simply an enthusiastic amateur. This comprehensive guide takes you from capture to output in both digital and film media, with sections on lens use, darkroom techniques, digital cameras and scanners, image editing techniques and processes, workflow, digital file formats and image archiving. This iconic text was first published in 1890 and has aided many thousands of photographers in developing their own techniques and understanding of the medium. Now in full colour, The Manual of Photography still retains its clear, reader-friendly style and is filled with images and illustrations demonstrating the key principles. Not only giving you the skills and know-how to take stunning photographs, but will also allowing you to fully understand the science behind the creation of great images.