As the hype surrounding the year 2012 as the end of the world gains momentum, the future of mankind is being debated by believers and nonbelievers alike. Will it be Armageddon as many doomsday prophets claim, or does God have another, better plan? Either way, God is calling His people to Himself as never before. Perhaps this new conversation is His answer to raising our consciousness to a higher level of communion with Him. Poet Elizabeth Allan believes this to be true, and her thoughtful and timely poems reflect this understanding. Divided into two sections, "Prayers" and "Praise," Allen's poems combine rich imagery with rhythmic diversity. In "My Delight Is in You," Allen gives thanks for her blessings and looks to the Lord for her happiness. Allen seeks His spirit to rid her of selfish desires and help her develop a servant's heart in "Spirit Filled." Other poems celebrate grace, forgiveness, God's enduring love, and Christ's return. "Prayers from the Heart" offers thoughts of praise, worship, and a longing to know Him. But more importantly, they celebrate knowing what it is to be in Him. Take the time to start, renew, or strengthen your relationship with the Lord and be blessed today

Who is the Pearl-poet? How do ideas about his life and interpretations of his poems shape our understanding of his work in late-medieval England-and beyond? In Becoming the Pearl-Poet: Perceptions, Connections, Receptions, readers can explore the world of this extraordinary, fourteenth-century writer. In Part I, "Perceptions," five scholars give insightful literary analyses of the narrative poems attributed to the poet: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight, and St. Erkenwald. In Part II, "Connections," six scholars examine connections between these diverse poems, focusing on authorship, ecology, material culture, sartorial adornment, shields, and the poet's pastoral theology. In Part III, "Receptions," scholars consider the illustrations of the Pearl Manuscript (British Library MS Cotton Nero A.x), the poet's cultural situatedness in the Northwest Midlands and Ricardian court, his religious contexts, later translations and paraphrases of his work, and his medieval and modern audiences. Intended for students and scholars alike, this book encourages readers to gain a deeper understanding of the Pearl-poet and his world, learning many new things and enjoying old things in a new way.

Dostoevsky and Tolstoy are the titans of Russian literature. As mature artists, they led very different lives and wrote vastly different works, but their early lives and writings display provocative kinships, while also indicating the divergent paths the two authors would take en route to literary greatness. The ten new critical essays here, written by leading specialists in nineteenth-century, Russian literature, give fresh, sophisticated readings to works from the first decade of the literary life of each Russian author-for Dostoevsky, the 1840s; for Tolstoy, the 1850s. Collectively, these essays yield composite portraits of these two artists as young men finding their literary way. At the same time, they show how the early works merit appreciation for themselves, before their authors were Titans. Contributors: Elizabeth Cheresh Allen (Bryn Mawr College), Lewis Bagby (University of Wyoming), Caryl Emerson (Princeton University), Susanne Fusso (Wesleyan University), Liza Knapp (Columbia University), Anne Lounsbery (New York University), Robin Feuer Miller (Brandeis University), Gary Saul Morson (Northwestern University), Dale E. Peterson (Amherst College), William Mills Todd III (Harvard University), Ilya Vinitsky (University of Pennsylvania), Justin Weir (Harvard University)

The tenth edition of The Manual of Photography is an indispensable textbook for anyone who is serious about photography. It is ideal if you want to gain insight into the underlying scientific principles of photography and digital imaging, whether you are a professional photographer, lab technician, researcher or student in the field, or simply an enthusiastic amateur. This comprehensive guide takes you from capture to output in both digital and film media, with sections on lens use, darkroom techniques, digital cameras and scanners, image editing techniques and processes, workflow, digital file formats and image archiving.This iconic text was first published in 1890 and has aided many thousands of photographers in developing their own techniques and understanding of the medium. Now in full colour, The Manual of Photography still retains its clear, reader-friendly style and is filled with images and illustrations demonstrating the key principles. Not only giving you the skills and know-how to take stunning photographs, but will also allowing you to fully understand the science behind the creation of great images.

Langford's Advanced Photography is the only advanced photography guide a serious student or aspiring professional will ever need. In this eighth edition, Efthimia Bilissi continues in the footsteps of Michael Langford by combining an unrivalled level of technical detail with a straightforward writing style while simultaneously bringing the text firmly in to the digital era.

This book covers the entire photographic process from a technical standpoint - not only detailing the 'how' but also explaining the 'why' that is so often missing from photography texts. From the workings of cameras, lenses, digital imaging sensors and software to new hot topics such as HDR imaging, digital asset management, and even running your own photography business, everything a serious photographer could need to extend their art into professional realms is covered.

The book also benefits from a full glossary, charts and inspirational full color images throughout, with summaries and projects at the end of each chapter to reinforce the theory.

Table of Contents

Introduction; Chapter 1 Colour in photography; Chapter 2 Camera equipment; Chapter 3 Choosing lenses; Chapter 4 Lighting control; Chapter 5 Tone control; Chapter 6 Image sensors; Chapter 7 Digital imaging systems; Chapter 8 Digital image management and manipulation; Chapter 9 Films — types and technical data; Chapter 10 Film processing management and colour printing; Chapter 11 Extending photography; Chapter 12 Subjects; Chapter 13 Reproduction and archiving; Chapter 14 Professional photography; Chapter 15 Business practice; Appendices; Glossary; Index;

Langford's Advanced Photography is the only advanced photography guide a serious student or aspiring professional will ever need. In this eighth edition, Efthimia Bilissi continues in the footsteps of Michael Langford by combining an unrivalled level of technical detail with a straightforward writing style while simultaneously bringing the text firmly in to the digital era.This book covers the entire photographic process from a technical standpoint - not only detailing the 'how' but also explaining the 'why' that is so often missing from photography texts. From the workings of cameras, lenses, digital imaging sensors and software to new hot topics such as HDR imaging, digital asset management, and even running your own photography business, everything a serious photographer could need to extend their art into professional realms is covered.The book also benefits from a full glossary, charts and inspirational full color images throughout, with summaries and projects at the end of each chapter to reinforce the theory.

Provocative and original, The Politics of Indigeneity explores the concept of indigeneity across the world - from the Americas to New Zealand, Africa to Asia - and the ways in which it intersects with local, national and international social and political realities. Taking on the role of critical interlocutors, the authors engage in extended dialogue with indigenous spokespersons and activists, as well as between each other. In doing so, they explore the possibilities of a 'second-wave indigeneity' - one that is alert to the challenges posed to indigenous aspirations by the neo-liberal agenda of nation-states and their concerns with sovereignty. Timely and topical in its focus on global indigenous politics, and featuring a variety of first-hand indigenous voices - including those of indigenous activists, scholars, leaders and interviewees - this is a vital contribution to an often contentious topic.

The tenth edition of The Manual of Photography is an indispensable textbook for anyone who is serious about photography. It is ideal if you want to gain insight into the underlying scientific principles of photography and digital imaging, whether you are a professional photographer, lab technician, researcher or student in the field, or simply an enthusiastic amateur. This comprehensive guide takes you from capture to output in both digital and film media, with sections on lens use, darkroom techniques, digital cameras and scanners, image editing techniques and processes, workflow, digital file formats and image archiving.

This iconic text was first published in 1890 and has aided many thousands of photographers in developing their own techniques and understanding of the medium. Now in full colour, The Manual of Photography still retains its clear, reader-friendly style and is filled with images and illustrations demonstrating the key principles. Not only giving you the skills and know-how to take stunning photographs, but will also allowing you to fully understand the science behind the creation of great images.

Table of Contents

1. FUNDAMENTAL IMAGE SCIENCE: Introduction to the Imaging Process; Light Theory; Light Sources and Filters; The Human Visual System and Visual Perception; An Introduction to Colour Science; Optics; Images and Image Formation; Sensitometry and the Characteristic Curve. 2. IMAGING SYSTEMS & THE IMAGING PROCESS: Image Sensors and Sensitive Materials; Lenses; Camera Systems; Exposure and Image Control; Image Formation and the Photographic Process; Photographic Printing and Print Materials; Digital Cameras and Scanners; Displays; Digital Printing and Print Materials; File Formats, Storage Media and Archiving. 3. IMAGE QUALITY & CHARACTERISTICS: Introduction: Performance Characteristics of Imaging Materials; Speed and Sensitivity of Materials; Tone Reproduction. Photographic Colour Reproduction; Characterisation and Colour Reproduction in Digital Devices; Resolution, Sharpness and Noise; Metrics: Objective Image Quality Measures; Psychophysics: Subjective Measurement of Image Quality. 4. DIGITAL IMAGE PROCESSING: Digital Image Workflow; Colour Management Systems; Spatial Image Processing; Frequency Processing Techniques; Image Restoration; Image Compression; Image Segmentation & Analysis.