The text has been introduced and thoroughly annotated by the editor for student readers. Backgrounds and Contexts includes selections from Edith Wharton's letters; articles from the period about etiquette, vocations for women, factory life, and Working Girls' Clubs; excerpts from the work of contemporary social thinkers including Thorstein Veblen, Charlotte Perkins Gilman, and Olive Schreiner; and a consideration of anti-Semitism at the turn of the century by historian John Higham. Also included are Charles Dana Gibson's precautionary piece "Marrying for Money" (including four Gibson drawings) and a tableau vivant of "The Dying Gladiator."

Criticism reprints six central contemporary reviews of the novel and six biographical and interpretive modern essays by Millicent Bell, Louis Auchincloss, Cynthia Griffin Wolff, R. W. B. Lewis, Elaine Showalter, and Elizabeth Ammons.

A Chronology and Selected Bibliography are also included.

This Norton Critical Edition includes: * The 1905 book edition of the novel, complete with A. B. Wenzell's eight original illustrations. * A preface and explanatory footnotes by Elizabeth Ammons. * An abundant selection of contextual material, including excerpts from Wharton's letters, contemporary reviews, six drawings by Charles Dana Gibson, Thorstein Veblen on conspicuous consumption, Charlotte Perkins Gilman on women and economics, and various others writing about women's place in society at the turn of the century. * Six modern critical views, considering issues of economics, race, materialism, body image, nature and feminism within the novel. * A Chronology and a Selected Bibliography.

This Norton Critical Edition includes: The 1852 first book edition, accompanied by Elizabeth Ammons's preface, note on the text, and explanatory annotations. Twenty-two illustrations. A rich selection of historical documents on slavery and abolitionism. Seventeen critical reviews spanning more than 160 years. A Chronology, A Brief Time Line of Slavery in America, and an updated Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format--annotated text, contexts, and criticism--helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Set against the frozen waste of a harsh New England winter, Edith Wharton's Ethan Frome is a tale of despair, forbidden emotions, and sexual tensions, published with an introduction and notes by Elizabeth Ammons in Penguin Classics. Ethan Frome works his unproductive farm and struggles to maintain a bearable existence with his difficult, suspicious, and hypochondriac wife, Zeenie. But when Zeenie's vivacious cousin enters their household as a 'hired girl', Ethan finds himself obsessed with her and with the possibilities for happiness she comes to represent. In one of American fiction's finest and most intense narratives, Edith Wharton moves this ill-starred trio toward their tragic destinies. Different in both tone and theme from Wharton's other works, Ethan Frome has become perhaps her most enduring and most widely read novel. Edith Wharton (1862-1937), born Edith Newbold Jones, was a member of a distinguished New York family said to be the basis for the idiom 'keeping up with the Joneses'. During her life she published more than forty volumes, including novels, stories, verse, essays, travel books and memoirs; for years she published poetry and short stories in magazines, but the book that made Wharton famous was The House of Mirth (1905), which established her both as a writer of distinction and popular appeal. In 1920, Wharton became the first woman to win the Pulitzer Prize for literature with her novel The Age of Innocence. If you enjoyed Ethan Frome, you might like Nathaniel Hawthorne's The Scarlet Letter, also available in Penguin Classics.

The era between the Civil War and the end of World War I, marked by increasing nation-building, immigration, internal migration, and racial tension in the United States, saw the rise of local color literature that described through "lived experiences" the peculiarities of regional life. This anthology brings together works from every part of the country, written by men and women of many cultures, ethnicities, ideologies, and literary styles.

Organized geographically, American Local Color Writing features such familiar writers as Joel Chandler Harris, Kate Chopin, Hamlin Garland, and Sarah Orne Jewett, and introduces less well-known voices like Sui Sin Far, Abraham Cahan, and Zitkala-Sa. The writings sheds light on varying concepts of "the American identity": Charles Chesnutt, Alice Dunbar-Nelson, Pauline Hopkins, and others present a distinct African-American experience; shifting notions of gender and sexuality come to light not only in pieces by women but also in nostalgic renditions of frontier life as the embodiment of masculine virtues and values; and racial, class, and ethnic stereotypes are reproduced and challenged in many of the stories.

A tale of forbidden sexual passion and thwarted dreams played out against the lush, summer backdrop of the Massachusetts Berkshires Edith Wharton called Summer her 'hot Ethan'. In their rural settings and their poor, uneducated protagonists, Summer (1916) and Ethan Frome represent a sharp departure from Wharton's familiar depictions of the urban upper class. Charity Royall lives unhappily with her hard-drinking adoptive father in an isolated village, until a visiting architect awakens her sexual passion and the hope for escape. Exploring Charity's relation to her father and her lover, Wharton delves into dark cultural territory: repressed sexuality, small-town prejudice, and, in subtle hints, incest.

This anthology of fiction by Rose Terry Cooke contains eleven stories, drawn together for the first time in one volume, that reflect the whole spectrum of Cooke's career from the 1850s to the 1890s. It restores to American literature the work of a writer highly admired in her own day and increasingly recognized today as an important figure in the development of realism, the evolution of regionalism as a literary form, and the emergence of women writers in nineteenth-century fiction. Cooke's stories are rich literarily and historically; her command of dialect, ear for dialogue, dramatic sense, and ability to draw interesting, memorable characters all distinguish her work. This reissue of some of her best work represents an important contribution to the canon of American literature. Elizabeth Ammons is Associate Professor of English nd of American Studies at Tufts University. She is the editor of Critical Essays on Harriet Beecher Stowe and the author of Edith Wharton's Argument with America.

The first of its kind, this anthology of eighty international primary literary texts-poems, short stories, personal essays, testimonials, activist statements, and group-authored visions- illuminates Environmental Justice as a concept and a movement worldwide in a way that is accessible to students, scholars, and general readers. Also included are historical selections that ground contemporary pieces in a continuum of activist concern for the earth and human justice, a much-needed but seldom available perspective. Arts and humanities are crucial in the ongoing effort to achieve an ecologically sustainable and just world. Works of the human imagination provide analyses, articulations of experience, and positive visions of the future that no amount of statistics, data, charts, or graphs can offer because literature speaks not only to the intellect but also to our emotions. Creative literary work, which records human experience both past and present, has the power to warn, to persuade, and to inspire. Each is critical in the shared struggle for Environmental Justice.

General for the Series: The Casebooks in Criticism introduce readers to the essential criticism on landmark works of literature and film. For each volume, a distinguished scholar who is an authority on the text has collected the most elucidating and distinctive scholarly essays on that work and added key supporting materials. Each volume includes a substantial introduction which considers the key features of the work, describes its publication history, and contextualizes its cultural import and contemporary reputation while also surveying the major approaches which have informed the works critical history. A condensed bibliography offers suggestions for further reading. The compact volumes provide a critical survey and suggest provocative ways to engage with their texts. They are ideally suited to those interested in developing a deeper understanding of a works history and significance. Specific for this book: Most of the best criticism on Stowe's landmark novel is fairly recent. Until the combined impact of the civil rights and women's movements changed the focus of the academic ciriculum, Uncle Tom's Cabin seldom appeared in classrooms or as the subject of published scholarship. However, from the mid-1970 forward, the book has been widely written about and taught. Today, Uncle Tom's Cabin is a stable, important part of the nineteenth-centruy American literature canon and has generated a rich body of new critical work. This casebook collects the best of the new scholarship as well as the most influencial older essays. Included in this volume are letters by Harriet Beecher Stowe and articles by James Baldwin, Leslie Fiedler, Jane Tompkins, Gillian Brown, Robert Stepto, and ElizabethAmmons.

General for the Series: The Casebooks in Criticism introduce readers to the essential criticism on landmark works of literature and film. For each volume, a distinguished scholar who is an authority on the text has collected the most elucidating and distinctive scholarly essays on that work and added key supporting materials. Each volume includes a substantial introduction which considers the key features of the work, describes its publication history, and contextualizes its cultural import and contemporary reputation while also surveying the major approaches which have informed the works critical history. A condensed bibliography offers suggestions for further reading. The compact volumes provide a critical survey and suggest provocative ways to engage with their texts. They are ideally suited to those interested in developing a deeper understanding of a works history and significance. Specific for this book: Most of the best criticism on Stowe's landmark novel is fairly recent. Until the combined impact of the civil rights and women's movements changed the focus of the academic ciriculum, Uncle Tom's Cabin seldom appeared in classrooms or as the subject of published scholarship. However, from the mid-1970 forward, the book has been widely written about and taught. Today, Uncle Toms Cabin is a stable, important part of the nineteenth-centruy American literature canon and has generated a rich body of new critical work. This casebook collects the best of the new scholarship as well as the most influencial older essays. Included in this volume are letters by Harriet Beecher Stowe and articles by James Baldwin, Leslie Fiedler, Jane Tompkins, Gillian Brown, Robert Stepto, and Elizabeth Ammons.

Ammons studies the dramatic appearance at the turn of the century of a highly talented group of American women writers from diverse cultural and ethnic backgrounds, and in so doing offers a necessary revision of mainstream criticism's simplified reading of America's literary past.

The enthusiastic reception by students, scholars, and the general public to the 1988 publication of the Schomburg Library of Nineteenth-Century Black Women Writers more than justified the efforts of twenty-five scholars and the staff of the Black Periodical Literature Project to piece together the fragments of knowledge about the writings of African-American women between 1773 and 1910. The Library's republication of those writings in thirty volumes-ranging from the poetry of Phillis Wheatley to the enormous body of work that emerged out of the 'Black Woman's Era' at the turn of this century-was a beginning for the restoration of the written sensibilities of a group of writers who confronted the twin barriers of racism and sexism in America.

The first of its kind, this anthology of eighty international primary literary texts-poems, short stories, personal essays, testimonials, activist statements, and group-authored visions- illuminates Environmental Justice as a concept and a movement worldwide in a way that is accessible to students, scholars, and general readers. Also included are historical selections that ground contemporary pieces in a continuum of activist concern for the earth and human justice, a much-needed but seldom available perspective. Arts and humanities are crucial in the ongoing effort to achieve an ecologically sustainable and just world. Works of the human imagination provide analyses, articulations of experience, and positive visions of the future that no amount of statistics, data, charts, or graphs can offer because literature speaks not only to the intellect but also to our emotions. Creative literary work, which records human experience both past and present, has the power to warn, to persuade, and to inspire. Each is critical in the shared struggle for Environmental Justice.

Now at seventy-three volumes, this popular MLA series (ISSN 10591133) addresses a broad range of literary texts. Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.